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Canada

ONLY LOCAL TALENT WILL BE ACCEPTED.
The production of “The Cemetery Club” is currently in need of talent. 
More details are below.

About the project:
PLAY SUMMARY: Three Jewish widows meet once a month for tea before going to visit their husbands’ graves. Ida is sweet tempered and ready to begin a new life; Lucille is a feisty embodiment of the girl who just wants to have fun; and Doris is priggish and judgmental, particularly when Sam the butcher enters the scene. He meets the widows while visiting his wife’s grave. Doris 
and Lucille squash the budding romance between Sam and Ida. They are guilt-stricken when this nearly breaks Ida’s heart.

Additional information:
- Please bring a resume with a small headshot (if available).
- Prepare a short monologue, and be ready to do cold readings from the script.
Callbacks by invitation Thursday, February 16, 7:30pm.
REHEARSALS:
Rehearsals begin March 7;
Tuesdays and Thursdays, 7:30 – 9:30pm; Sundays 9:30am – 12:30pm.
SHOWS:
May 26, 27, June 2, 3, 8, 9, 10 – 7:30pm;
May 28, June 4, 11 – 2:00pm.

If you are interested, please apply.

Theater

A feisty embodiment of the girl who just wants to have fun. Has seemingly moved on after the death of her husband. She dates, loves to spend her inheritance, but all of this is a cover up for the hurt she feels. Her husband had had a 3-year extra-marital affair of which she was secretly aware.

Female

Lucille

Reasonable, sweet-tempered, down to earth woman. She is faithful to the memory of her husband but questions whether it is time to move on and make the best of her later years.

Ultra-conservative woman, priggish and judgmental. She tends to her husband’s grave, cutting the ivy from his gravestone as if she were cutting his hair. She gave her life to her husband when he was alive and believes that she shouldn’t stop doing that even after he’s passed.

Doris

A neighborhood butcher who’s lost his wife. He’s respectful of his late wife’s memory, but he’s lonely.

Male

Smaller role. Obnoxious, very talkative woman.

Mildred

“The Cemetery Club” Play Looking for Performers

Casting performers to play roles in "Zastrozzi" play. Please, see the details below.

About the play:
Zastrozzi, the master criminal of Europe. The one they whisper about in polite circles. They say that Zastrozzi once passed through Paris like a plague. Leaving the aristocracy nearly bankrupt, their daughters all defiled and diseased, the police in chaos and the museums ransacked. And all because, it is said, he took a dislike to the popular French taste in art. But they say that all Europe has no more cause to fear Zastrozzi. They say that for three years he has been single-minded in a search for revenge on one man and all the rest of Europe has been untouched…

Additional information:
Dress Rehearsal: April 24 - 25, 2023.
Performance dates: April 27 - 29, May 4 - 6, May 11 - 13.
Directors ask that actors come prepared with a brief (1 minute or less) monologue. Monologues will be available at the auditions if you are unable to prepare something, but bringing your own is strongly recommended. 
You may be asked to deliver your monologue in a different style.
You will also be given an excerpt from the script from which to read; these sides can be made available in advance by contacting the production team.
Additionally, each actor will participate in a physical exercise as part of a group. These will be held at the half-hour (7:30, 8:30, and 9:30) each evening; you can take part in the session either before or after your reading audition, whichever is more convenient.
Your total time at the audition may be 30 minutes. 
In order to ensure you have time to study the scripts, we ask that actors arrive a
bit early. Directors may request callbacks of actors under consideration for certain roles, which would take place on Friday February 10th.
There will be 2-3 rehearsals a week, not every actor will be required at every rehearsal.

Master criminal of Europe. Cold and rational, apparently sane and supremely competent. Has nightmares. Almost never smiles.

Zastrozzi

A painter, at the moment; something of a dilettante, as over the past three years he has pursued numerous artistic endeavours. Has a way with women. 
Pleasantly vague. Always smiles.

Verezzi

A friend of Verezzi’s father who has taken on the task of keeping Verezzi hidden and safe from Zastrozzi. Intelligent, thoughtful, skeptical, cautious.

Victor

Seductress and frequent companion of Zastrozzi. Bold, passionate, not particularly subtle. Scornful. Physical, very much present in her body.

Mathilda

Zastrozzi’s henchman. Smarter than he looks, but perhaps not as smart as he thinks. Poor impulse control. Mostly unimaginative.

Bernardo

Daughter of a wealthy family in the town. Selfpossessed, confident, sure of herself and her position in society. Smart but a bit shallow, taking the world at face-value.

Julia

Actor Job for Production of "Zastrozzi"

ONLY LOCAL TALENT WILL BE ADMITTED.
Searching for performers to play roles in "Wait Until Dark" Production. More details are below.

About the project:
Synopsis: A sinister con-man, and two ex-convicts are about to meet their match. They have traced the location of a mysterious doll, which they must posses, to the apartment of Sam Hendrix and his blind wife, Susy. Through cleverly constructed deception they each make their way into Susy’s home and attempt to recover it. A deadly game of cat and mouse ensues that will have the audience on the edge of their seats till the end. 

Rate:
Please be advised that all roles are non-union and non-paying. All participating artists will receive an honorarium as a gesture of appreciation. 

Additional information:
Rehearsals will begin Sunday, 5th March.
Thrice a week (Sunday, Tuesday, Thursday) rehearsals in March / April / May / June
7.30 p.m. to 9:30 p.m on weekdays & 11.00 am to 2.00pm on Sundays. 
Tech Week will be Monday, 19th to Thursday, 22nd June 6:00 p.m – 10.00 PM.
Performance Schedule:
7 pm Show on Friday, 23rd June 2023 (Call time – 3.00 PM).
7 pm Show on Saturday, 24th June 2023 (Call time – 4.00 PM).
1 pm Show on Sunday,  25th June 2023 (Call time – 11 AM).

When applying, please submit your interest along with a recent headshot/selfie and short bio/introduction ​to receive the audition pack with further information about the production schedule, the playwright and the director. Only, those shortlisted be will be contacted to SELECT an  audition/table read slot.

Lead. Blinded in an automobile accident a year and a half ago, Susan, a vivacious and capable woman. She is fierce and strong yet frightened and at odds with the world. She is no shrinking violet. She can hold her own despite her handicap. Visually impaired actors who can handle the intensity of the action sequences required for the role are encouraged to audition.

Susan

Lead. A master criminal with no empathy for anyone. Like many sociopaths, he is highly intelligent and manipulates people with ease. Though he’s offbeat, he’s not eccentric. He’s consistently unfazed by his circumstances, and never takes anyone, including himself, too seriously. He’d almost be charming if he wasn’t also a sadistic murderer. Character work is key. Also must be comfortable with intense stage physicality.

Roat

Lead.
A smart and charismatic. Fit, suave, tough, though not without a relatively good moral compass. He’s a skeptic, possibly even a cynic, but he does maintain a mild admiration for Susy and her unwavering strength.

Mike

Supporting.
A small-time grifter. He’s coarse, a bit uneducated, with a very flexible code of ethics. His pride is often challenged which frequently leads to a souring of his attitude.

Carlino

Supporting.
An ex-marine with a deep love of photography and his wife, Susy. Being so practical and forward-thinking, he’s determined that Susy should have a life of independence despite her lack of sight. He may be a little fixated on his work at times but he’s still a good man.

Professional Casting for "Wait Until Dark" Production

United States

Looking to cast performers for the "Diary of Anne Frank" play. For more information see the details listed below.
ONLY LOCAL TALENT WILL BE CONSIDERED.

About the project:
In this transcendentally powerful new adaptation by Wendy Kesselman, Anne Frank emerges from history a living, lyrical, intensely gifted young girl, who confronts her rapidly changing life and the increasing horror of her time with astonishing honesty, wit, and determination. An impassioned drama about the lives of eight people hiding from the Nazis in a concealed storage attic, THE DIARY OF ANNE FRANK captures the claustrophobic realities of their daily existence—their fear, their hope, their laughter, their grief. Each day of these two dark years, Anne’s voice shines through: “When I write I shake off all my cares. But I want to achieve more than that. I want to be useful and bring enjoyment to all people, even those I’ve never met. I want to go on living even after my death!” This is a new adaptation for a new generation.

Additional info:
Callbacks: Thu. February 16, 2023 – by invitation only.
 – At auditions will read short monologues/scenes from the script.
 – It is imperative you are familiar with the script and characters.
 – Bring a detailed list of your conflicts beginning March 5. This includes any work/events, sports activities/classes you may be taking that would cause you to miss a scheduled rehearsal.  All cast members must be available for tech week (April 16-20).
 – Bring a headshot or snapshot to attach to the paperwork.
 – Resumes will be accepted (not required).
– Covid-19 Information:  company does not require masks at this time.
-Rehearsals begin – Sunday, March 5, 2023 (Possibly read through the week before)
Rehearsals will GENERALLY be Mondays thru Thursdays 6:30-10:00 p.m. & Sundays TBD
- Production Dates – April 21-30, 2023
Fridays/Saturdays at 7:30 pm and Sundays at 2:00 pm.

For being considered, please apply.

Lead, able to portray 13-14 years old – The youngest daughter of Mr. and Mrs. Frank; Anne is a lively, curious girl of thirteen at the beginning of the play; she retains her bright spark throughout; she moves from childishly naive to outgoing and boisterous, to creative and introspective; she misses nothing that happens in the Annex.

Anne Frank

Lead. Anne’s polite and practical father.  Mr Frank is the quiet yet firm leader of the “Annex Family”; his relationship with Anne is close; they draw their strength from each other.

Otto Frank

Supporting. Anne’s reserved and nervous mother; Mrs. Frank and Anne clash through there is genuine love there; Margo and Edith’s relationship mirrors Anne and Otto’s.

Edith Frank

Supporting, able to portray 16-17 years old – Anne’s older sister, Margot is much more like her mother than Anne; she is quiet, modest and reserved; the complete opposite of Anne.

Margot Frank

Supporting.A very well liked, genuine and generous secretary in Mr Frank’s office; Miep helps to protect the families in hiding; along with Mr. Kraler, she brings to the refugees, food, supplies and news from the outside world.

Miep Gies

Supporting, able to portray age 15-17 – The son of Mr. and Mrs. Van Daan, Peter is a shy, quiet, teenage boy; he soon becomes a friend and confidant for Anne.

Peter Van Daan

Supporting. A businessman who works with Miep to help protect the people in  hiding. Mr. Kraler risks his life to help his friends.

Mr. Kraler

Supporting. Mrs. Van Daan’s vain and finicky wife; Mrs. Van Daan prizes the material things in life, including a fur coat she brought to the attic with her; the woman who hides behind the vanity is seldom glimpsed, except in a few precious moments.

Mrs. Van Daan

Supporting. An irritable former business partner of Mr. Frank; his family is invited to stay in the attic with the Franks; he is openly critical of the Annex dwellers, and yet, deeply in love with his wife and protective of his family.

Mr. Van Daan

Supporting. Difficult to get along with, Mr. Dussel joins the Franks and the Van Daans after they have been in hiding for about two months; he is the source of many laughs.

Mr. Dussel

There are three Nazi soldiers/Dutch Collaborators at the very end of the play.  A small but critical part of the play, their appearance changes the course of the story. They are brutal in their treatment of the Annex occupants.

3 Nazis

Performers Wanted for "The Diary of Anne Frank" Play

The company is holding auditions for "The 12th Annual One-Acts Festival" and looking for actors, please see the details below 

About the project:
"This Was Your Life"
"The Real Problem"
“Cindy & Julie”
“Till Death Do Us Part”


Additional info:
The 12th Annual One-Act Festival consists of numerous short plays with many characters available and is a great way to get started on stage for new performers!
Directors for four of the one-act plays will provide select scenes to read from. You may audition for more than one show! No previous experience or preparation is necessary!
Please see the attachment for more details

The gatekeeper at the Pearly Gates.
"This Was Your Life"

St. Peter

The "recently deceased". He just had a car accident, which is why he's here. Kind to a fault.
"This Was Your Life"

Brett

Sister-in-law to Brett, she is a very overbearing, demanding Karen. She always wants her own way; in this case, an apology for a perceived slight regarding how she treats her husband.
"This Was Your Life"

Leigh

Brett's girlfriend, the person who sends Brett out on the trip that creates the accident.
"This Was Your Life"

Bethany

Co-worker and friend of Brett and Bethany, there just because.
"This Was Your Life"

Ryan

This person happens to be the person sent to their final destination just before Brett. 
"This Was Your Life"

Both genders

Unnamed Person

Sweet, trusting, idealistic. Married to Othello
"The Real Problem"

Desdemona

Young. Naive. Impatient. Dating Romeo
"The Real Problem"

Juliet

Voluptuous, bold, ill tempered. Engaged to Petruchio
"The Real Problem"

Katherine

Actually just the head of Anne Boleyn. Late wife of Henry VIII. Out-spoken. Blunt. Unapologetic.
"The Real Problem"

Anne Boleyn

Waitress at The Cauldron.  One of the witches from MacBeth. 
"The Real Problem"

Hecate

Young, pretty, disappointed.
“Cindy & Julie”

Cinderella Charming

Younger than Cinderella. Pretty, hopeful.
“Cindy & Julie”

Juliet Montague (nee Capulet)

Younger Than Cinderella 
“Cindy & Julie”

Young Woman

Widow

Plain-clothes; very minor roles
"Till Death Do Us Part"

Detective 1 and Detective 2

Performers Needed for One-Act Play Festival

ONLY LOCAL TALENT WILL BE ADMITTED.
Theatre is looking for 3 male actors for their Spring play "Leading Ladies". 
More details are below.

About the play:
A hilarious comedy in which Florence, an elderly wealthy woman, wants to leave her fortune to her niece Meg and her two long lost English nephews, Max and Steve , who Jack and Leo try to pass themselves off as, only to discover that the two nephews are in fact, nieces, Maxine and Stephanie! Romantic frolics abound as Leo falls in love with Meg, who is engaged to the local minister, Duncan, who tries desperately to unmask Jack and Leo. Don't miss this opportunity to strut your stuff in this hilarious play.

Additional information:
Play dates: 21st May - 4th June 2023, 6 performances. 
Rehearsals: starting 21st March.
Read through: TBD.

If you are interested, please apply.

Seasoned English Shakespearian actor trying to make ends meet by performing snippets of Shakespeare plays and stitching them together with his partner.

Leo Clark

Doc's son, 30ish, whose father wants him to cosy up to Meg... Ages are character representative, casting will be somewhat flexible.

Butch Myers

Similar to his partner, Leo. (Both Jack and Leo have English accents).

Jack Gable

"Leading Ladies" Play Seeking for Performers

ONLY LOCAL TALENT WILL BE ACCEPTED.
Looking for non-equity actors to play characters in the show "Glorious". Please review the information provided.

ABOUT THE SHOW:
In 1940's New York, the performer everyone wanted to see live was Florence Foster Jenkins, an enthusiastic soprano whose pitch was far from perfect. Known as "The First Lady of the Sliding Scale," she warbled and screeched her way through the evening to an audience who mostly fell about with laughter. But this delusional and joyously happy woman paid little attention to her critics. Instead, she was surrounded by a circle of devoted friends who were almost as eccentric as she was. Based on a true story, the play spins from Florence's charity recitals and extravagant balls, through to her bizarre recording sessions and an ultimate triumph at Carnegie Hall in this hilarious and heart-warming comedy.

Rate:
Unpaid. 

Additional information:
Sunday, February 12th (callbacks) – 2 to 4 p.m.
Auditions will consist of cold readings from the script.
First read-through: Thursday, February 16th - (7 to 10 p.m.).
Rehearsals will be held on Monday and Thursday evenings (7 to 10 p.m.) and Sunday afternoons (1 to 4 p.m.).
Full Tech Day on Sunday, April 16th (10 a.m. to 10 p.m.).
YOU MUST BE AVAILABLE FOR ALL	PERFORMANCES AND DRESS REHEARSALS.
SOME EXCEPTIONS MAY BE MADE FOR	MISSED REHEARSALS, BUT CONFLICTS	MUST BE CONVEYED AHEAD OF TIME.
Performance Dates:
Thursday, April 20, 2023 8 pm (Opening Night)
Friday, April 21, 2023 8 pm
Saturday, April 22, 2023 8 pm
Sunday, April 23, 2023 2 pm (Matinee)
Thursday, April 27, 2023 8 pm
Friday, April 28, 2023 8 pm
Saturday, April 29, 2023 8 pm (Closing Night)
Performance Venue: Aurora, ON.

When applying, please indicate your preference of audition date/time (Monday, February 6th - 7 to 9 p.m./ Thursday, February 9th - 7 to 9 p.m.) and role(s) in which you are interested.

Despite her infamy as a spectacularly bad singer, Florence had great determination and a lot of heart. She is a sympathetic character. This part requires someone who sings, but who will then learn to sing badly.

FLORENCE FOSTER JENKINS

A pianist (ability to play piano a plus, but not absolutely necessary).

COSME McMOON

ST CLAIR

DOROTHY

Florence and St Clair's Mexican cook and housemaid. Speaks only Spanish.

MARIA

MRS. VERRINDER-GEDGE

Actors Job for "Glorious" Show

ONLY LOCAL TALENT WILL BE ACCEPTED.
Auditions for "The Play That Goes Wrong" open to performers of diverse backgrounds, including different races, ethnicities, genders, and those with disabilities. Please see the details below.

About the project:
Cornley Polytechnic Dramatic Society presents ‘Murder At Haversham Manor’, and everything that could go wrong, does. We are seeking truthful, funny, physically adept performers who can commit to the style of the play and fully inhabit the characters.

Additional info:
Please arrive at least 10 minutes prior to your scheduled audition time to check in and fill out any necessary paperwork. 
Please prepare a two-minute comedic monologue.
Please bring a current picture and resume.
Callbacks will be scheduled by invitation only on Wednesday, February 22, 2023, from 4:00pm to 9:00pm
The company has contracted a COVID-19 Compliance Officer to advise them on best practices to ensure the safety of everyone involved in this production. 
For contract tracing purposes, we will inquire as to your vaccination status when signing up for your audition.

If you are interested, please apply.

High status clown. Rigid, uptight, everything really matters. He is the director of the show and this is the biggest day of his life. Everything is riding on this. It is a nerve wracking and exciting night. His pain is evident and every time someone laughs the pain deepens. He has equal amounts of contempt for his fellow actors & the audience watching the play. RP ACCENT.

CHRIS

Wants to be Richard Burton, as evidenced by his declamatory style. He is, however, not a parody of a bad actor. He is unaware of others around him. He does not feel badly when things go wrong and never learns from his mistakes. There is a power struggle between Robert and Chris to be president of the Cornley Poly Drama Society (a position that matters a great deal to Robert). Has real vocal power. RP ACCENT.

ROBERT

He has never been on stage before. He learned his lines and does exactly what he's told to do. He has zero connection with any of the other actors, but when he gets a laugh he breaks the 4th wall and engages with the audience. Childlike and naïve. His mistakes are fundamental. He doesn't think anything through, just looks for approval. RP ACCENT.

He has no real desire to be involved in the theatre, he just wants to make friends (of which he has none). He believes if he does well in the show, he will be more successful socially. Laughter from the audience is agony for him. He may be slightly oblivious, but understands when he gets things wrong. The laughter is a personal tragedy/failure. RP ACCENT.

DENNIS

The play’s lighting and sound operator. He simply wants to get on with the show. Curmudgeonly and doesn’t care for actors. He is easily distracted and does many things he shouldn’t, including engaging with the audience. When things go really sideways, he is forced to act in the play. He hates acting. STANDARD AMERICAN ACCENT.

Theater Auditions in Buffalo