Performers Needed for 2025-2026 Season Show
The company is holding auditions for 2025-2026 season show and looking for performers, please see the details below. ONLY LOCAL TALENT WILL BE CONSIDERED. About the project: THEATRE PEOPLE First Rehearsal: 7/15/25 Tech: 8/1-8/3 Previews: 8/5-8/7 Opening: 8/8 Closing: 9/7 MISERY First Rehearsal: 9/16/25 Tech: 10/3-10/5 Previews: 10/7-10/9 Opening: 10/10 Closing: 11/9 MOST WONDERFUL TIME First Rehearsal: 11/11/25 Tech: 11/28-11/30 Previews: 12/2-12/4 Opening: 12/5 Closing: 12/28 PROOF First Rehearsal: 1/6/26 Tech: 1/23/26-1/25/26 Previews: 1/27/26-1/29/26 Opening: 1/30/26 Closing: 3/1/26 ANNIE GET YOUR GUN First Rehearsal: 5/5/26 Tech: 5/22-5/24 Previews: 5/26-5/28 Opening: 5/29 Closing: 6/28 Rate: CONTRACT SPT $761 weekly minimum (SPT 8) Additional info: If auditioning for a Musical, please prepare 2 short selections in the style of the show. An accompanist will be provided. Please bring sheet music in the key you wish. If auditioning for a Play, please prepare one monologue OR two contrasting monologues – up to 3 minutes total. All should bring your picture and resume, stapled together. Performances: Preview - Tuesday 7pm Wednesday 2pm & 8pm, Thursday 2pm, Friday & Saturday 8pm, Sunday 2pm. Please apply if interested.
25 roles
A successful Broadway playwright – quick-witted; resourceful; optimistic; the engine of The play. Arthur’s wife. "THEATRE PEOPLE"
A young novelist. Naive, sincere; a romantic with both the brilliant mind and unwary heart of a poet. "THEATRE PEOPLE"
A Broadway singer and actress. Easily cast as the sweet and beautiful ingenue but realizing she's wiser and stronger than the characters she plays. "THEATRE PEOPLE"
A Broadway leading man--and an idiot. Impressively self-involved; the handsomest, sexiest, manliest man on Broadway according to him; always a beat behind. "THEATRE PEOPLE"
A famed romance novelist tired of the series that has brought him the most acclaim. Returning from a retreat to finish his most recent work, he is involved in a terrible car crash that leaves him with broken legs and unable to care for himself. He’s thoughtful, if not a touch arrogant, and extremely crafty. He quickly realizes how dangerous his situation is and must use anything and everything at his disposal to survive. "MISERY"
Gifted with her father’s talent for numbers, she gave up her scholarly pursuits to care for her ailing father in his final years. Knowing she’s been gifted with mathematical abilities, Catherine also worries she’ll inherit more than just his genius. "PROOF"
Catherine and Claire’s father and Hal’s mentor. A brilliant mathematician who, in the later years of his life, suffered from a severe delusional mental illness. Seen via flashbacks, we get a look at him in various states of mental decline. "PROOF"
One of Robert’s Ph.D. students, Hal idolizes Robert as one of his mentors. After Robert’s death, he begins to sift through the notebooks of Robert’s work left behind. In his pursuit of combing through the piles of notebooks left behind, he is drawn closer to Catherine. "PROOF"
Catherine’s older sister. She’s moved from Chicago to New York, leaving her younger sister behind to care for their father. She is concerned her sister may be following in her father’s footsteps and wants to move Catherine out of the family home and back to New York with her. "PROOF"
Vocal range: Alto (or character mezzo) - Frank’s assistant, often jealous and snobbish. Comic antagonist with flair. "ANNIE GET YOUR GUN"
Vocal range: Ensemble Alto/Soprano - A wealthy, highsociety matron with lofty airs. Part of the ballroom scene and comedic fodder in the cultural clash with Annie. Will doubles as additional ensemble roles (guests, showgirls, etc.) and may sing in group numbers. "ANNIE GET YOUR GUN"
Vocal range: Ensemble Alto/Soprano - Another posh socialite and foil for Annie’s lack of refinement. Doubles in ensemble numbers, possibly including siblings, train passengers, assistants, or show guests. "ANNIE GET YOUR GUN"
Versatile track for featured dancing and movement scenes. Covers various small roles across scenes (train passengers, showgirls, ballroom guests). May include vocal harmony in major ensemble numbers. "ANNIE GET YOUR GUN"
Vocal range: Baritone - Star sharpshooter and Annie’s love interest/rival. Confident, charming, and a little full of himself. Strong comedic chops. "ANNIE GET YOUR GUN"
Vocal range: Baritone (or Bass-Baritone) - The larger-than-life impresario who runs the Wild West show. A classic showman. "ANNIE GET YOUR GUN"
Vocal range: Tenor or Baritone - Buffalo Bill’s business manager, fasttalker/ comic relief and show wrangler. Dry humor and high energy. Ensemble and minor solos. "ANNIE GET YOUR GUN"
Vocal range: Baritone - Doubles as the hotel owner who first hires Annie and the rival showman Pawnee Bill. Strong character differentiation. Mr. Wilson is cranky but practical; Pawnee Bill is more polished but slightly pompous. "ANNIE GET YOUR GUN"
Native American Vocal range: Spoken or light singing. Calm, wise, and unexpectedly witty. Acts as Annie’s sponsor and moral compass. Portrayed with dignity and humor. Delivers quiet authority. No Dancing Required. "ANNIE GET YOUR GUN"
"ANNIE GET YOUR GUN"
"ANNIE GET YOUR GUN"
"ANNIE GET YOUR GUN"
"ANNIE GET YOUR GUN"
"ANNIE GET YOUR GUN"
Vocal range: Ensemble Tenor/Baritone - Same function as above; provides depth and flexibility across scenes. May cover minor comedic moments or be involved in partner dancing. "ANNIE GET YOUR GUN"
Vocal range: Ensemble Tenor/Baritone - Same function as above; provides depth and flexibility across scenes. May cover minor comedic moments or be involved in partner dancing. "ANNIE GET YOUR GUN"
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