Dance Opportunities in "Frozen" Show
Seeking talent for "Frozen" musical. Please see the details below. ONLY LOCAL TALENT WILL BE ACCEPTED. Additional info: Participants will be singing and dancing in one visit. Please plan to be at the Palace for about 2 hours once your audition time begins. Directors will see 20 performers per 2 hour block. The first part of the audition will be your song for the production team. The second part of your time slot will be learning the dance combination. Performers will be able to sign up for Sunday evening, Monday evening or Tuesday evening, August 3-5, respectively. Depending on where you fall in the order, you may not have much time to change between singing and dancing, so please come in your dance audition outfit so that directors can get you in and out on time. Please dress in clothing that you can dance and move freely in. Please refrain from wearing jeans or restricting clothing for your dance audition. If auditioning for a female presenting role, directors ask that you wear/bring jazz or character shoes for the dance portion. If auditioning for a male presenting role, please wear/bring jazz or character shoes for the dance portion. If you do not have the requested shoes, sneakers will be acceptable. Due to this format, it is imperative that you show up 15 mins before your audition time. Example: Your audition time is 6:00p, please show up by 5:45p to get signed in. The vocal audition should consist of no more than one minute (16-32 bars) of a Disney song of your choice NOT FROM FROZEN or the FROZEN franchise. Please factor that into your song choice as you prepare your audition. Directors want to see what song you choose to highlight your talents WITHOUT singing anything from the show. Directors do not want to hear anything from the show during initial auditions. An accompanist will be provided, and they will also be able to connect pre-recorded music if you bring that with you. Directors will not accept an acapella audition. If using pre-recorded music, please make sure to have the exact cut you will be using cued up prior to entering the audition room and it shouldn’t include vocals. If using sheet music, please make sure it is in the correct key, with any cuts clearly marked and in a binder for the accompanist. This show’s ASL performance is scheduled for Sunday, November 29, 2025. There are no performances the week of Dec 1-7 There are no performances on Dec 24, 25, or 26. There are possible school day performances Tuesday 12/9, Wednesday 12/10 and Thursday 12/11. Adaptive Performance on Thursday, December 11, 2025. Every Saturday after opening weekend (11/29, 12/13, 12/20, 12/27, 1/3, 1/10, 1/17, 1/24, &1/31) will be a two-show day. Additional weekday performances are Thursday 12/18, Monday 12/22, Tuesday 12/23, Monday 12/29, Tuesday 12/30. See the attachment for details. If interested, please apply.
16 roles
Female presenting, Elsa is next in line for the throne and has been born with magical powers that can overwhelm her when she becomes afraid and harm others if not handled with care. Fearful of hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn as she grows older, before eventually learning to take control of, and become confident in, her powers. Potential physical closeness/touch with actor playing Anna (e.g. hug/embrace) (Vocal range: F#3 to D5)
Female presenting, Anna is filled with a tremendous amount of light, energy, and love. She is a hopelessly optimistic extrovert at all ages, but as she grows older, she longs for connection with others, especially her sister, Elsa. A strong singer with great comic timing. Stage violence with actor playing Hans (sword and hand-to-hand) (Vocal range: G3 to D5)
Male presenting, Kristoff is a hardworking ice harvester who has a sarcastic veneer and a rough-around-the-edges exterior that hides a big heart. Taken in by the Hidden Folk when he was young, he loves Pabbie and Bulda dearly, but is a bit of a loner with a reindeer for a best friend until he meets Anna. Physical intimacy with the actor playing Anna (including a kiss), potential physical closeness/touch with actors playing Sven, Pabbie, and Bulda (e.g. hug/embrace). (Vocal range: G2 to A3)
Male presenting, Hans is the ambitious Prince of the Southern Isles and overlooked thirteenth son of a king. Hans constantly strives to find a way to make good and stand out. He boasts an exceedingly charming facade that fools everyone - including Anna and, ideally, the audience! - into believing he's Prince Charming, when really, he's just a jerk. Stage violence with the actor playing Anna (sword and hand-to-hand). (Vocal range: G2 to B3)
Olaf is the magical snowman created by Anna and Elsa when they were young. Olaf is endearingly delighted by everything - especially the idea of summer. Goofy and sweet, Olaf should possess a childlike innocence and excellent comic timing. Must be able to work with a puppet. (Vocal range: F#2 to D4)
Male presenting, Sven is a reindeer of few words who is a fiercely loyal pal to Kristoff, and loves giving the ice harvester a hard time. Must be able to work with a puppet. Potential physical closeness/touch with the actor playing Kristoff (e.g. hug/embrace).
Male presenting, Pabbie is one of the mystical leaders of the Hidden Folk who has a soft spot for "strays." Along with Bulda, these ever-benevolent parental figures want what's best for Kristoff, even if they are a bit misguided in their efforts. Preferably a dancer. They will also be a part of the show’s ensemble. Potential physical closeness/touch with actor playing Bulda and actor playing Kristoff (e.g. hug/embrace)
Female presenting, Bulda is one of the mystical leaders of the Hidden Folk who has a soft spot for "strays." Along with Bulda, these ever-benevolent parental figures want what's best for Kristoff, even if they are a bit misguided in their efforts. Preferably a dancer. They will also be a part of the show’s ensemble. Potential physical closeness/touch with actor playing Pabbie and actor playing Kristoff (e.g. hug/embrace)
Male presenting, Weselton is a visiting duke who possesses a huge inferiority complex. A bombastic, overbearing sycophant, Weselton's sole purpose is to hobnob with influencers and royalty. (Vocal range: F#2 to D4)
Male presenting, the bishop officiates the coronation and passing of the crown to Elsa. This spiritual supervisor must communicate to the Townspeople of Arendelle in a serious and formal manner. Will also be in the Ensemble.
Male presenting, The King is the warm-hearted ruler of Arendelle who is committed to protecting both his family and the Townspeople from his eldest daughter's powers. Will also be in the Ensemble. Potential physical closeness/touch with actor playing Queen Iduna, and actors playing Young Anna and Young Elsa (e.g. hug/embrace)
Female presenting, the queen possesses a sense of rightness and kindness that guides her in her protection of her two young girls. A daughter of the Northern Nomads, this queen can communicate with the Hidden Folk of the mountains and therefore understands Elsa's powers deeply. Will also be in the Ensemble. Potential physical closeness/touch with actor playing King Agnarr, and actors playing Young Anna and Young Elsa (e.g. hug/embrace)
Male presenting, Oaken is an exceedingly cheerful and convivial wandering salesperson and ardent devotee to all things cozy and comfortable. Will also be in the Ensemble. Preferably able to tap.
ENSEMBLE - - Strong singers and dancers. Tapping a plus.
ENSEMBLE - - Strong singers and dancers. Tapping a plus.
ENSEMBLE - - Strong singers and dancers. Tapping a plus.
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