Looking for Equity Performers for 2025 Season Shows
Seeking Equity actors for roles in 2025 Season. See breakdown below. Rate: LORT Non-Rep $807 weekly minimum (LORT D) Additional info: Audition Lunch 12:00 PM - 1:00 PM PREPARATION Please prepare two classical monologues, no longer than 2 1/2-minutes total. Prepare a Shakespeare monologue in verse to be considered for ROMEO AND JULIET. Also, bring your headshot and resume stapled together. EPA Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions. "THE IMPORTANCE OF BEING EARNEST" First Rehearsal: 4/22/25 First Preview: 5/14/25 Opening: 5/17/25 Closing: 6/1/25 "THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) [REVISED] [AGAIN]" First Rehearsal: 6/20/25 First Preview: 7/9/25 Opening: 7/12/25 Closing: 8/4/25 "ROMEO AND JULIET" First Rehearsal: 8/15/25 First Preview: 9/10/25 Opening: 9/13/25 Closing: 10/5/25 "MARY SHELLEY'S FRANKENSTEIN" First Rehearsal: 9/30/25 First Preview: 10/22/25 Opening: 10/25/25 Closing: 11/16/25 "IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY" First Rehearsal: 11/14/25 First Preview: 12/3/25 Opening: 12/6/25 Closing: 12/28/25 If you are interested, please apply.
35 roles
An upstanding citizen who is leading a double life, using the persona of “Ernest” while around his friends in London. He is Cecily’s guardian, best friends with Algernon, and in love with Gwendolen. Rational, reasonable, and honorable gentleman. "THE IMPORTANCE OF BEING EARNEST"
Devilishly charming man who loves being a bachelor and hates abiding by social obligations. He is Lady Bracknell’s nephew, Gwendolen’s cousin, and Jack’s best friend. Self-absorbed, witty, and wildly intelligent. "THE IMPORTANCE OF BEING EARNEST"
A paradigm of high society. She is Lady Bracknell’s daughter and Algernon’s cousin. Will only marry someone by the name of “Ernest”. She believes herself to be enlightened, but is, in actuality, knowledgeable and pompous. "THE IMPORTANCE OF BEING EARNEST"
She is Jack’s dependent and is in love with Jack’s immoral “brother”, Ernest - whom she has never met. Young, naive, and intrigued by the concept of morality, she has a vivid imagination that she exercises often. "THE IMPORTANCE OF BEING EARNEST"
A domineering woman who values the rules of high society above all else; her primary goal is ensuring that her daughter, Gwendolen, marries well. Intolerant, scheming, and shrewd. "THE IMPORTANCE OF BEING EARNEST"
Cecily’s strict and unyielding governess. She severely dislikes Jack’s “brother”, Ernest, and has a secret romantic side. "THE IMPORTANCE OF BEING EARNEST"
A member of the clergy on Jack’s estate. He has romantic feelings for Miss Prism, which occasionally clashes with his holy responsibilities. Composed, but frequently distracted by his affections. "THE IMPORTANCE OF BEING EARNEST"
Lane: Butler to Algernon in the city. Merriman: footman to Jack in the country. They see and hear everything. "THE IMPORTANCE OF BEING EARNEST"
Your slightly above-average Shakespeare fan who knows his stuff. He’s the glue that holds the group together. "THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) [REVISED] [AGAIN]"
The leader of this rag-tag team. High-strung. Shakespeare snob. "THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) [REVISED] [AGAIN]"
Only knows the Sparknotes version of the Shakespeare classics. He’s there to have a good time. "THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) [REVISED] [AGAIN]"
"ROMEO AND JULIET"
"ROMEO AND JULIET"
"ROMEO AND JULIET"
"ROMEO AND JULIET"
"ROMEO AND JULIET"
"ROMEO AND JULIET"
"ROMEO AND JULIET"
"ROMEO AND JULIET"
"ROMEO AND JULIET"
"ROMEO AND JULIET"
"ROMEO AND JULIET"
"ROMEO AND JULIET"
"ROMEO AND JULIET"
"ROMEO AND JULIET"
Soon to be wed to Mary. Confident, opinionated, and resistant to change. "MARY SHELLEY'S FRANKENSTEIN"
The famous storyteller. Soon to be wed to Percy. Clever, weighed by grief, inquisitive. "MARY SHELLEY'S FRANKENSTEIN"
Mary’s pregnant younger sister. She can often be found flirting with Lord Byron. She is enthusiastic with her participation in Mary’s story. Has a good ear for dialects. "MARY SHELLEY'S FRANKENSTEIN"
Byron is a massive flirt. The Creature, on the other hand, is extremely introspective and intelligent, harboring frustration with his creator. "MARY SHELLEY'S FRANKENSTEIN"
Close friends with Percy and Mary. Quick to crack a joke. Harbors unspoken feelings for Mary. "MARY SHELLEY'S FRANKENSTEIN"
An older radio actor who portrays a wide range of characters. Potter, in particular, is cynical and money-grubbery. He is an exceptional voice actor to encompass the range of characters he plays. "IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY"
A well-accomplished radio actor who portrays the honorable George Bailey through all stages of his life, from optimistic dreamer to down-on-his-luck desperate family man. "IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY"
A talented radio actress who portrays the endearing Mary Bailey through all stages of her life. "IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY"
A versatile radio actress who portrays quite a few characters - ranging from sassy vixen to adorable child to motherly figure. She is an exceptional voice actor to encompass the range of characters she plays. "IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY"
An older radio actor who portrays quite a few characters. Clarence, in particular, is heartfelt and earnest. He is an exceptional voice actor to encompass the range of characters he plays. "IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY"
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