Casting Performers for "Mary Poppins" Show
The company is holding auditions for "Mary Poppins" show and looking for actors, please see the details below. ONLY LOCAL TALENT WILL BE CONSIDERED. Rate: All paid positions (local and non-local) are non-AEA, and will teach in our summer camps as part of the contract. A limited number of Non-Local paid positions will receive $500 per week, as well as travel and housing expenses. Those living in Helena and the surrounding areas who wish to be paid MUST be available for all rehearsal times and be willing to teach in our summer camps as part of the contract. Additional info: Please prepare: a 16-32 bar cut of music in the style of the show. Singing from the show is acceptable. Actors will be asked to stop if they go over this time limit. Please provide your track, Bluetooth speaker will be available. 1-minute monologue, actors will be asked to stop if you go over this time limit. Some actors will be asked to return for a dance call. Rehearsals for Mary Poppins will begin on June 18 and will be daily through July 10, up to forty hours a week. Performances are Tuesday – Sunday, July 11 – August 3, 2025 Rehearsals will be scheduled during the day and/or in the evening. For local actors in small roles, rehearsals will be limited to evenings and weekends. Summer camps are July 14-July 25 or July 28-August 1, 2025 Please apply if interested.
29 roles
Jane and Michael Banks’s new nanny. She is extraordinary and strange, neat and tidy, delightfully vain yet particular, and sometimes a little frightening but always exciting. She is practically perfect in every way and always means what she says. A mezzo-soprano with strong top notes, she should be able to move well. She can have a more traditional soprano sound, but precision and diction is the key. Vocal range top: C6 Vocal range bottom: Gb3
The narrator of the story, is a good friend to Mary Poppins. An everyman, Bert has many occupations, including hurdy-gurdy player, sidewalk artist and chimney sweep. Bert watches over the children as well as the goings on in Cherry Tree Lane. He has charm, speaks with a Cockney accent and is a song-and-dance man. Vocal range top: F#4 Vocal range bottom: B2
The father to Jane and Michael Banks, is a banker to the very fiber of his being. Demanding “precision and order” in his household, he is a pipe-and-slippers man who doesn’t have much to do with his children and believes that he had the perfect upbringing by his nanny, the cruel Miss Andrew. His emotional armor, however, conceals a sensitive soul. A baritone, George may speak-sing as necessary. Vocal range top: Eb4 Vocal range bottom: Bb2
George’s wife and Jane and Michael’s mother. A former actress, she is loving and distracted homemaker who is busy trying to live up to her husband’s desire to obnly associate with “the best people” as well as be the model wife and mother. She suffers from the conflicting feelings that she’s not up to the job of “being Mrs. Banks,” yet, she is, and more. She has great warmth and simplicity to her tone. Vocal range top: D5 Vocal range bottom: A3
Jane and Micahel’s nanny at the beginning of the show. Overwhelmed and upset, she has absolutely had her fill of the Banks children.
A neighborhood fixture who is respected by and observant of households on his beat.
The haughty next-door neighbor of the Banks family who treats her dog, Willoughby, as if her were child.
A retired Royal Navy man and neighbor of the Banks family. A physically large man with a loud and booming voice, he speaks in Navy jargon and has a soft spot for his neighbor, Miss Lark. Can be any vocal range as needed. If Admiral Bloom doubles as the Banks Chairman, he can be a baritone.
The housekeeper and cook for the Banks family. Overworked and harrassed, she’s always complaining that the house is understaffed. Her intimidating exterior is a cover for the warmth underneath. Mrs. Brill doesn’t have a high opinion of nannies in general and Mary Poppins in particular. She does not have to be a strong singer. Vocal range top: D#5 Vocal range bottom: F#3
The houseboy to the Banks family. Lazy, sleepy and grumbling, he never gets things right and believes himself to be useless. He doesn’t do a lot of singing, but his “Spoonful” solo can be a fun surprise. Vocal range top: G#4 Vocal range bottom: F3
Covered in a patchwork of old shawls, and her pockets are stuffed with bags of crumbs for the birds. She tries to sell her crumbs for the birds. She tries to sell her crumbs to passersby, who ignore her as if she doesn’t exist. Sings “Feed the Birds.” There can be a gruff, folksy quality to her voice that relfelcts the hardness of her life. Vocal range top: C5 Vocal range bottom: Gb3
Uniformed and officious, he makes sure no one breaks park regulations. His life is defined by rules, but he secretly hankers after his childhood.
The statue of a young boy posed with a dolphin in the park. Neleus was separated from his father, Poseidon, and misses him very much. A small and lonely being, he is very happy to befriend Jane and Michael. This role is a wonderful opportunity to feature one of the strong dancers in your ensemble.
A statue in the park.
The head of the bank where Mr. Banks is employed, is an Edwardian stuffed-shirt. He can speak/sing his lines if necessary.
The Bank Chairman’s humorless secretary.
A businessman seeking a loan from the bank for a shady business deal. He speaks with a German accent.
An honest business man seeking a loan to build a factory for his community. He speaks with an accent from Northern England.
Owns a magical gingerbread shop. She is a mysterious woman of great age.
George’s overbearing and scary nanny. With her bottle of nasty-tasting brimstone and treacle to keep naughty children in line, she is a bully who only knows one way of doing things – her way. A soprano with an alto belt, there can be some heaviness to her voice along with range. Vocal range top: F5 Vocal range bottom: Gb3
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