Auditions for Musical "Big Fish"
Auditions for "Big Fish" show. Searching for actors. Please see more info below. About the project: SYNOPSIS: Edward Bloom has lived a full and fantastical life, populated by witches, giants, and mermaids, marked by true love that stops time in its tracks, and framed by heroics that push the limits of believability. His adult son, Will, is no longer amused by his father’s fantastical tales, insisting on a rational rather than a fantastical account of one’s life. When Edward’s health declines, and Will learns that he and his wife, Josephine, will have a son of their own, Will decides to find out his father’s “true” life story, once and for all. Big Fish is a heartfelt, powerful, and truly magical musical about fathers, sons, and the stories that we use to define our identities. With spine-tinglingly beautiful music and lyrics by Andrew Lippa, and a funny, heartwarming book by John August, Big Fish is a magnificent “big fish” of a tale, itself -- spectacular, fantastical, and overflowing with love. Additional info: Please prepare a 24-36 bar song in the style or from the show with recorded accompaniment. Sides will be readings from the script. You may prepare a one minute monologue if you wish. All monologues will be heard but side readings may be limited. Video auditions can be submitted generally up until the end of the week of auditions: see the attachment. Production dates: April 4 - 18. If you are interested, please apply.
31 roles
Older man (father and beyond). Edward is a charming, charismatic storyteller. A devoted yet absent father nearing the end of his life and wanting to reconnect with his son. He is comfortable in his own skin, but hopes for Will’s approval. He absolutely loves his wife, his son, and telling stories. Songs: Be the Hero Fight the Dragons Showdown Start Over How It Ends
Young man (everything before fatherhood). Young Edward is an enthusiastic, optimistic, energetic romantic. He needs to steal our hearts and make us buy into the fabulous myths that he enters. He is the quintessential hometown boy hero. Needs a big voice. Plays ages ranging from high school to late 20s/ early 30s. Very good mover. Songs: Out There on the Road Time Stops Closer to Her Daffodils Red White and True
Older woman (married and beyond). Sandra is patient, calm – the perfect balance to Edwards enthusiasm. She adores and appreciates Edward and tries to bring reconciliation to her husband and son, both of whom she loves. Needs a mellow ballad voice. Very little movement. Songs: Two Men in My Life I Don’t Need a Roof
Young woman (before married). Young Sandra is a lovely, sweet, fresh-faced, innocent young girl excited by the possibilities of life. She appreciates Edward’s romantic viewpoint. Needs a big voice, expressive acting ability, and a good bit of dance ability. Songs: Alabama Lambs Time Stops Daffodils Red, White, and True
Will is a critical part of the story. He is an earnest, serious, thoughtful young man wanting to reconnect with his storytelling father, but unable to appreciate Edward’s romantic view of life. He is a successful professional and new husband. He has to able to take us on the journey of understanding and make us believe the complex relationship. Needs a strong tenor voice. No dance. Serious character acting. Songs:Strangers Strangers Reprise Showdown What’s Next Be the Hero – Reprise
Will’s wife. Successful adult, sweet, intelligent, and organically compatible with Will. Josephine acts as the bridge between Edward and Will, explaining the deeper meaning of the stories. Often on stage. No singing. No dance. Serious character acting.
The Giant. Edward’s best friend. Karl is shy, exceptionally intelligent, hermit- like, and has a quiet charisma. He needs a booming voice and large personality. Needs to be decently tall, but not a “giant.” Bass voice. Ability to walk on stilts. Songs: On the Road Start Over
Circus owner. Amos is the rather eccentric, quirky owner of the circus that employs young Edward. He also happens to be a werewolf (in Edward’s tales). Needs an actor able to portray strong, outgoing personality and humor. Sings, but not necessarily great voice. Doesn’t need to move, but good stage presence essential. Character voice. Songs: Closer to Her Start Over
Commanding performer with great confidence and storytelling ability. She convinces Edward to pursue a Big Life without fear. Needs belt voice, mezzo soprano. Some dance, could be extensive. Songs: I Know What You Want
Young cheerleader. Edward’s devoted, first girlfriend. She is beautiful, a dreamer, maybe a little blonde. Needs loud belt. Some movement. Also included in ensemble. Songs: Ashton’s Favorite Son Out There On The Road
Very tired, disillusioned version of the younger Jenny. She has dignity and honesty. She is crucial in helping Will understand Edward and Edward’s motivations. No movement, but serious acting needed. Also included in ensemble.
Older snarky bully. May also be Mayor. Songs: Out There on the Road Start Over
Nerdy brother and shadow of Don Price.
Considerably older man. Warm, kind, frank, soft-spoken friend and physician of Edward. Needs realistic actor. No singing or dancing necessary.
Assassin. World War II villain. Needs fight scene movement abilities.
Typical small town good-guy mayor personality.
Two of Sandra’s friends. Perform with Sandra at the circus. Needs strong singing and dancing skills.
Hometown redneck Needs strong singing and dancing skills.
Ensemble. All sing and move. Some individuals will do extensive dance, but not all. Song: Be The Hero
Ensemble. All sing and move. Some individuals will do extensive dance, but not all. Song: Be The Hero
Ensemble. All sing and move. Some individuals will do extensive dance, but not all. Song: I Know What You Want
Ensemble. All sing and move. Some individuals will do extensive dance, but not all. Songs: Aston’s Favorite Son Start Over
Ensemble. All sing and move. Some individuals will do extensive dance, but not all. Song: Out There On the Road
Ensemble. All sing and move. Some individuals will do extensive dance, but not all. Song: Out There On the Road
Ensemble. All sing and move. Some individuals will do extensive dance, but not all. Song: Auburn (pre-Daffodils)
Red, White, and True – USO dancers. Ensemble. All sing and move. Some individuals will do extensive dance, but not all. Song: Auburn (pre-Daffodils)
Red, White, and True – USO dancers. Ensemble. All sing and move. Some individuals will do extensive dance, but not all. Song: Auburn (pre-Daffodils)
Red, White, and True – USO dancers. Ensemble. All sing and move. Some individuals will do extensive dance, but not all. Song: Auburn (pre-Daffodils)
Ensemble. All sing and move. Some individuals will do extensive dance, but not all. Song: Auburn (pre-Daffodils)
Ensemble. All sing and move. Some individuals will do extensive dance, but not all. Song: What’s Next
Ensemble. All sing and move. Some individuals will do extensive dance, but not all. Song: Procession
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