Casting Call for Theatre' s 2024-25 Season
Casting Equity actors for roles in Theatre's 2024-25 Season. Please see the details below. Rate: LORT Non-Rep $1197 weekly minimum (LORT B+) $807 weekly minimum (LORT D) Additional info: Audition lunch 1:00 PM - 2:00 PM An Equity Monitor will not be provided. The producer will run all aspects of this audition. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions. Some roles will be understudied (TBD). Performers of all ethnic and racial backgrounds are encouraged to audition. PREPARATION Please prepare two brief contrasting musical theatre songs or a 1-2 minute monologue. Be prepared for a possible dance call. Please bring your headshot and resume and sheet music. An accompanist will be provided. "BEAUTIFUL - THE CAROLE KING MUSICAL" Rehearsal Begin: March 25, 2025 Performances: April 15 - May 11, 2025 Minimum LORT B+ Private Housing, Shared local transportation "FOX ON THE FAIRWAY" Rehearsals Begin: October 1, 2024 Performances: October 22 - November 10, 2024 Minimum LORT B+ Private Housing, Shared local transportation "MASTER CLASS" Rehearsals Begin: January 14, 2025 Performances: February 4 - 23, 2025 Minimum LORT D "SINGING IN THE RAIN" Rehearsals Begin: Friday, January 31, 2025 Performances: February 25 - March 21, 2025 Minimum LORT B+ Private Housing, Shared local transportation "EVERY BRILLIANT THING" Rehearsals Begin: Friday, March 4, 2025 Performances: March 25 - April 13, 2025 Minimum LORT D This production is cast. If you are interested, please apply.
23 roles
Female identifying. An aspiring singer/songwriter. A unique, appealing, funny, and vulnerable girl from a Jewish family in Brooklyn. Talented, good-natured, unassuming, and often the peacemaker in difficult situations. A reluctant star with no pretense and a passion for music. "BEAUTIFUL - THE CAROLE KING MUSICAL"
Baritone/tenor. Male identifying. Carole’s boyfriend, songwriting partner, and eventual husband. Innately sympathetic, charismatic, wounded, and tortured. An ambitious artist always striving for more. "BEAUTIFUL - THE CAROLE KING MUSICAL"
Strong belt. Female identifying. A songwriter who becomes romantically involved with Barry. Carole’s best friend. She is sophisticated, smart & chic with a quick wit. Although self-confident and sarcastic, she is also extremely likable. "BEAUTIFUL - THE CAROLE KING MUSICAL"
Male Identifying High rock tenor. A songwriter who becomes romantically involved with Cynthia. He is good-natured, appealing & neurotic. Ambitious, but likable. "BEAUTIFUL - THE CAROLE KING MUSICAL"
Male Identifying. This is a non-singing role. An influential music publisher and producer. He is a fast-talking, energetic force of nature. Powerful, direct & sometimes intimidating, but he has a real affinity for his writers and artists. A hitmaker. "BEAUTIFUL - THE CAROLE KING MUSICAL"
Female Identifying. Non-Singing Role. Carole’s Jewish mother. Once an aspiring playwright, she has been broken down by life & her husband’s infidelity. Protective of Carole and unforgiving of her husband’s mistakes. "BEAUTIFUL - THE CAROLE KING MUSICAL"
Is a sophisticated man with a huge drive to succeed in the status game at the club. He is charming, edgy, silly and ultimately lovable. Think Frasier Crane. Must be very physically alive and great with the demands of high energy farce. "FOX ON THE FAIRWAY"
A beautiful, charming, elegant woman still reeling from her awful ex and dreadful divorce. She is excitable and gifted with a quick dry wit. Must be very physically comfortable and prepared to handle the physical and vocal needs of farce. "FOX ON THE FAIRWAY"
Flirty, oblivious and temperamental. She can shift on a dime. Physically agile and comfortable with kissing and fooling around that is indicated in the script. She and Justin make a perfect couple. Swings a golf club well. "FOX ON THE FAIRWAY"
Sexy, flirty, oblivious and deeply, deeply insecure. Fearless comedian. Must be physically comfortable with kissing and flirting. Swings a golf club. "FOX ON THE FAIRWAY"
A classic clown. Oafish, boorish, poorly educated but has no self-awareness at all. All body types are welcome. A good old fashioned comic vaudevillian. "FOX ON THE FAIRWAY"
Opera-diva, American born to Greek parents...teaching a master class. Looking for star names for this role. Salary negotiable. "MASTER CLASS"
Opera-Soprano, BIPOC preferred but considering all. A very talented strong woman...also cries, but then lashes back. "MASTER CLASS"
Opera-Soprano. Should be somewhat of a wallflower and nervous. Callas does not let her get through her song once. "MASTER CLASS"
Uninterested in his work. Just doing his job. "MASTER CLASS"
The accompanist. Plays the piano extremely well. Respects Callas very much. Whoever is cast as Manny will also act as the Music Director. Seeking people with that kind of experience. "MASTER CLASS"
Opera-Tenor, should be good-looking leading man type. Very well praised by Callas. "MASTER CLASS"
Star of the silent screen. Charismatic and open, star quality. Strong singer and dancer. A strong tapper should also have ballet technique. Baritenor voice to an F#. "SINGING IN THE RAIN"
A clown sidekick to Don. Slapstick his specialty. Self-effacing and appealing. Down to earth. Strong singer, comedian, dancer. A strong tapper. Sings well. Tenor to an A flat. "SINGING IN THE RAIN"
New girl in town. Appealing—has ambitions to be a great stage actor but has singing and dancing chops. A natural for the talkies. A strong tapper. Mezzo with mixed belt to C and legit to E. "SINGING IN THE RAIN"
A true glamorous star of the silent films. Photogenic. Incredibly self involved and can be vindictive. As dense as she is beautiful and yes, a voice that does not match her beauty. Chest voice with a strong mix. "SINGING IN THE RAIN"
Studio head with a strong public persona but not a lot of dimension. Always, understandably, has the studio’s best interest in mind. "SINGING IN THE RAIN"
Quirky and comedic film director. A character. Struggles to transition to talkies. Non singing role. "SINGING IN THE RAIN"