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Keyword

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United States

Seeking Equity actors for roles in Theatre's 2023-24 Season. Please see the breakdown below.

Rate:
LORT Non-Rep
$739 weekly minimum (LORT D) Equity Favored Nations Rate: $910/wk
Union Status: AEA.

Additional info: 
Audition lunch 12:30 PM - 1:30 PM.
EPA Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
All roles will be understudied.
PREPARATION:
- Please prepare one of the following: a two- minute monologue OR 32 bars of a contemporary musical theatre or pop/R&B song and a one-minute contemporary monologue OR 2 contrasting 32 bar cuts of contemporary musical theatre or pop/R&B songs. - Also, please bring your head-shot and resume stapled together.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. 
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Holding/Audition room information:
The maximum capacity in the holding room is: 80
The maximum capacity in the audition room is: 28
"INK"
1st rehearsal – 7/25/23
1st preview – 8/30/23
Opening – 9/5/23
Closing 9/24/23
ALL ROLES ARE CAST.
"THE MOUNTAINTOP"
1st rehearsal - 9/12/23
1st preview – 10/11/23
Opening – 10/16/23
Closing – 11/5/23
[TBA Production]
1st rehearsal – 10/31/23
1st preview – 12/6/23
Opening – 12/11/23
Closing – 12/31/23
"NEXT TO NORMAL"
1st rehearsal – 12/19/23
1st preview – 1/24/24
Opening – 1/29/24
Closing – 3/3/24
"A JUMPING OFF POINT"
*World Premiere Production*
1st rehearsal – 3/5/24
1st preview 4/10/24
Opening – 4/15/24
Closing – 5/5/24
"TOPDOG/UNDERDOG"
1st rehearsal - 4/30/24
1st preview – 5/29/24
Opening – 6/3/24
Closing – 6/23/24
Possible ext – 6/30/24

$910 / Week

Singing

A Lorraine Motel maid, who is really so much more. Insightful, bold, unapologetic, she is there on a mission from God.
"THE MOUNTAINTOP"

Female

CAMAE

Both genders

Actors For TBA Production

Delusional, bipolar, and depressed, but sharper than people think she is. She is determined to make her family perfect but is tortured by a death in her family. Vocal range G3-F#5
"NEXT TO NORMAL"

DIANA

Diana’s husband. Handsome, genuine, a constant in Diana’s tumultuous life, but growing weary after years of dealing with her struggles. Vocal range Ab2-B4
"NEXT TO NORMAL"

Male

*Over 18 to play teens. Diana and Dan’s son. Dashing, athletic, bright, he lights up the room. Everything a mother could imagine. Vocal range B2-C5
"NEXT TO NORMAL"

GABE

*Over 18 to play teens. Diana and Dan’s troubled daughter. An accomplished pianist and hardworking student, obsessed with perfection. She fears that she may one day become like her mother and longs to run far away. Vocal Range G3-G5
"NEXT TO NORMAL"

NATALIE

*Over 18 to play teens. Natalie’s boyfriend and classmate. A musician, a philosopher, and a slacker, with a wiser than his years capacity for sympathy. Vocal Range G#2-B4
"NEXT TO NORMAL"

HENRY

Diana’s psychiatrist. Assured of his methods. A bit of a rock star. Vocal Range A2-A4
"NEXT TO NORMAL"

DR. MADDEN

A successful writer, a rising superstar in fact. On the cusp of her dreams coming true. 
She has worked hard to get into the rooms she now runs. Protective of her art.
"A JUMPING OFF POINT"

LESLIE WALLACE

Leslie’s best friend. Supportive, fun, she has been Leslie’s sounding board for years and will always have her back.
"A JUMPING OFF POINT"

MIRIAM FOREST

Leslie’s nemesis. A taker, who questions why the world hasn’t been handed to him in the way his privilege led him to believe it would. Unafraid to claim what he thinks is owed to him.
"A JUMPING OFF POINT"

ANDREW LITTLEFIELD

Mid 30's. “aka 3-Card”, the underdog. Younger brother of Lincoln, hotblooded, a hustler. Wants to make a name for himself but he can’t quite level up to his brother. Insecure, clumsy, lonely, obsessed with attracting women and making money. A longtime looser who’s tired of losing.
"TOPDOG/UNDERDOG"

BOOTH

Theatre's 2023-24 Season Casting Equity Actors

Seeking Equity actors for roles in 2023 -24 Season show "Beautiful: The Carole King Musical". Please see the breakdown below.

Rate:
LORT Non-Rep.
$1008 weekly minimum (LORT B).
$739 weekly minimum (LORT D).

Additional info: 
Audition break: 1:00-2:00pm.
EPA Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
PREPARATION:
Bring a headshot and resume stapled together and trimmed to size. For MUSICALS - Please prepare a song in the style of the show or from the show/role you are interested in and bring your own music for the accompanist. For PLAYS - Please prepare two contrasting monologues.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. 
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Holding/Audition room information:
The audition room can accommodate no more than 28 individuals at a time.
The holding room can accommodate no more than 80 individuals at a time.
All roles will be understudied.
"BEAUTIFUL: THE CAROLE KING MUSICAL"
LORT B Contract
Mainstage Theatre
FIRST REHEARSAL: August 10th, 2023
OPENING: September 8th, 2023
CLOSING: October 15th, 2023

$1008 / Week

Female identifying, 18+ to play ages 16-29. An aspiring singer/songwriter with a powerful, distinctive voice. A unique, appealing, funny, and vulnerable girl from a Jewish family in Brooklyn. Talented, good natured, unassuming, and often the peace maker in difficult situations. A reluctant star with no pretense and a passion for music. Mezzo/Soprano belt.

Carole King

Male Identifying, 18+ to play late teens-late 20s. Carole’s boyfriend, songwriting partner, and eventual husband. He is smoldering, dark, and handsome with a rebel vibe. Although sexy, he is innately sympathetic, wounded, and tortured. An ambitious artist always striving for more. Baritone/tenor.

Gerry Goffin

Female Identifying, 18+ to play late teens-late 20s. A songwriter who becomes romantically involved with Barry. Carole’s best friend. She is sophisticated, smart & chic with a quick wit. Although self-confident and sarcastic, she is also extremely likeable. Has strong comedic timing. Mezzo-Soprano belt.

Cynthia Weil

Male Identifying, 18+ to play late teens-late 20s. A songwriter who becomes romantically involved with Cynthia. He is good natured, appealing, and neurotic. Ambitious, but likeable. High pop/rock tenor.

Barry Mann

Male Identifying. An influential music publisher and producer. He is a fast talking, energetic, force of nature. Powerful, direct, and sometimes intimidating, but he has a real affinity for his writers and artists. A hit maker.

Don Kirshner

Female Identifying. Carole’s Jewish mother. Once an aspiring playwright, she has been broken down by life and her husband’s infidelity. Protective of Carole and unforgiving of her husband’s mistakes. This is a non-singing role.

Genie Klein

"Beautiful: The Carole King Musical" Needs Equity Actors

Seeking Equity actors for principal roles in "The Great Gatsby". Please see the breakdown below.

Rate:
Development Agreement.
$1000 weekly minimum (Tier 2).

Additional info: 
Audition lunch 1:30 PM - 2:30 PM.
Two Week Reading & Choreography Work Session: May 8th - May 19th
Please note: they are in the process of gradually ramping up Equity monitor presence at auditions held at venues other than the Equity audition center. This off-site audition will be facilitated by an Equity monitor.
EPA Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
PREPARATION
Please prepare a short cut of a pop, folk, or rock song that shows range. Please bring a hardcopy of your headshot and resume stapled together.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. 
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Holding/Audition room information:
The maximum capacity in the holding room is: 100
The maximum capacity in the audition room is: 18
Seeking performers of all ethnicities and gender identities for all roles. Directors are seeking singers with an excellent alternative pop/rock vocal quality for all roles.

$1000 / Week

Born to a working class farming family, he has used his charm and smarts to work his way into the elite, wealthy 1920s New York social scene. He leads with charisma which veils an underlying guardedness and hunger. Incredibly social savvy but feels he’s got a lot to prove.

JAY GATSBY

Physically imposing, a former college football star. An inherent confidence and entitlement. Grew up incredibly rich and privileged and can’t stand being at a disadvantage.

Mid 20s. An acerbic young woman who is incredibly self aware. Men and women alike are drawn to her. Her sharp intellect has caused her to be hungrily restless. Often the smartest person in the room but not recognized as such.

DAISY

Mid 30s. A smart, passionate working class fighter on a quest to change her circumstances. A woman with a feral hunger who drinks life in and knows how to throw a party. Someone who wants desperately to live. And, like Gatsby, she’s got a lot to prove.

MYRTLE

Myrtle’s sister and confidant. A caring, protective force for good in her sister’s life, Catherine is savvy and lives with her girlfriend in the city.

CATHERINE

Middle class, Midwestern veteran. New to NYC, he’s a perpetual outsider who’s learned to fit himself into other’s world. Smart, witty, and observant. But yearning for meaning.

NICK

An excellent golfer who is elevated into elite society due to her athletic exceptionalism and wit. A keen observer, she sees through most people and probably knows all their secrets.

JORDAN

Mid 30s. Myrtle’s husband. A strong, capable, working class car mechanic who has worked hard and honestly all his life but has been unlucky. He loves his wife and wants more than anything to have their passion back.

WILSON

A charismatic father figure to Gatsby. Incredibly savvy and self-aware. An excellent businessman. A man who makes sh*t happen, despite the odds.

WOLFSHEIM

Singer/Actors Required For Production Of "The Great Gatsby"

Seeking Equity actors for roles in 2023 -24 Season show "Cinderella". Please see the breakdown below.

Rate:
LORT Non-Rep.
$1008 weekly minimum (LORT B).
$739 weekly minimum (LORT D).

Additional info: 
Audition break: 1:00-2:00 pm.
EPA Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
PREPARATION:
Bring a headshot and resume stapled together and trimmed to size. For MUSICALS - Please prepare a song in the style of the show or from the show/role you are interested in and bring your own music for the accompanist. For PLAYS - Please prepare two contrasting monologues.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. 
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Holding/Audition room information:
The audition room can accommodate no more than 28 individuals at a time.
The holding room can accommodate no more than 80 individuals at a time.
All roles will be understudied.
"RODGERS & HAMMERSTEIN’S CINDERELLA"
LORT B Contract
Mainstage Theatre
FIRST REHEARSAL: October 26th, 2023
OPENING: November 24th, 2023
CLOSING: December 31st, 2023

Female identifying. Though no one notices her beneath her rags and quiet demeanor, she is opinionated, charismatic, passionate, beautiful, and funny. Idealistic and hopeful, she courageously challenges the prince to change the policies of his kingdom – and helps him discover who he truly is. Always her late father’s daughter, she is determined to see the good in everyone despite her hardships and suffering. We see her blossom into a confident woman. Range, soprano B3-Eb5.

Ella

Male identifying. A misguided and lost prince who longs to do something important with his life. Though brave and heroic, he feels lonely and unfulfilled. Charming but NOT a stereotypical ladies’ man, he is thoughtful, appealing, and innocent – with an unforced goofy streak. Moral, genuine, and kind-hearted, he is at a crossroads and must take control of his kingdom and his future. Range, baritone C#3 – A4.

Topher

Male identifying. A feisty, passionate peasant determined to make a change for the starving class. Impetuous. A firebrand but lacks authority and isn’t taken seriously as a revolutionary. He has a crush on Gabrielle, though her courtship is forbidden because they are from different social classes. Range, Baritone C3-G4.

Jean-Michel

Female identifying. Ella’s stepsister and daughter of Madame. Encouraged by her mother and sister to value material wealth and social status, she unenthusiastically joins them in their abrasive behavior. Quietly passionate, empathetic, and witty, she is drawn to Ella and Jean-Michel. Ironically aware that she doesn’t fit in. Range, Soprano C4-G5.

Gabrielle

Female identifying. Ella’s stepsister and daughter of Madame. Brash, self-centered, materialistic, snooty, loud, sassy, and bratty, has a ridiculously high, but unfounded opinion of herself. She never passes up an opportunity to be the center of attention. Range, Mezzo-Soprano B3-F5.

Female identifying. A friend to Ella and the town’s resident crazy lady and beggar woman, Marie is actually a fairy godmother in disguise. Wise, warm, otherworldly, and charming. Marie rewards Ella for her kindness by making her dreams a possibility. Range, Soprano A3 – Ab5.

Marie

Female identifying. Ella’s selfish stepmother. The epitome of vanity and fashion. A ravenous social climber who values wealth, status, and material possessions above all else. Unapologetically dismissive and sometimes cruel, Madame schemes her way up the social ladder. Range, Mezzo-Soprano C4-D5.

Madame

Male identifying. The kingdom’s Lord Chancellor. Though he is Topher’s trusted advisor, he is devious and selfish. Using propaganda and dishonesty, he keeps Topher isolated and in the dark about his kingdom. Sebastian rules without regard for the lower class, or anyone other than himself – and truly believes he deserves to rule the kingdom. Range, Baritone C3 – F4.

Sebastian

Male identifying. The Lord Chancellor’s right-hand man. Announces royal balls, banquets, and even the weather to the villagers. Range, Tenor D3 – A4.

Lord Pinkleton

"Cinderella" The Musical In Need Of Equity Actors/Singers

Seeking Equity actors for roles in 2023 -24 Season show "Natasha, Pierre & the Great Comet of 1812". Please see the breakdown below.

Rate:
LORT Non-Rep.
$739 weekly minimum (LORT D).

Additional info: 
Audition break: 1:00-2:00 pm.
EPA Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
PREPARATION:
Bring a headshot and resume stapled together and trimmed to size. For MUSICALS - Please prepare a song in the style of the show or from the show/role you are interested in and bring your own music for the accompanist. For PLAYS - Please prepare two contrasting monologues.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. 
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Holding/Audition room information:
The audition room can accommodate no more than 28 individuals at a time.
The holding room can accommodate no more than 80 individuals at a time.
All roles will be understudied.
"NATASHA, PIERRE, AND THE GREAT COMET OF 1812"
LORT D Contract
Black Box Theatre
FIRST REHEARSAL: January 16th, 2024
OPENING: February 16th, 2024
CLOSING: March 31st, 2024

$739 / Week

Female Identifying. Innocent, wide-eyed, ingenue who is dangerously romantic; range, soprano, G3-F5 (Belt to C5).

Natasha

Male identifying. A melancholy outsider despite being very wealthy. Gruff yet at times warm; range, bari-tenor, Ab2-Ab4. Required Skills: Plays accordion and piano/keyboards.

Pierre

Male identifying. Aristocrat and hedonistic, ambisexual, high operatic Tenor. Ability to play violin a bonus; range, tenor, B2-C#5; C#5 belted, access to E6 for riffing preferred.

Anatole

Female identifying. Natasha's dear friend and confidante, passionate, selfless, loyal, and devoted to her friend; range, mezzo-soprano, B3-C5; Belt to A4.

Sonya

Female identifying. Aristocrat, the queen of society. Deceptive and amoral. Highly sexualized with a good sense of humor; range, alto, G3-F5; belty alto.

Helene

Male identifying. An enigmatic officer, hedonistic and a bit of a sociopath, remorseless and regretful. Should play guitar if possible; range, baritone, E3-F4.

Dolokhov

Male identifying. A conservative, old-fashioned aristocrat whose dementia has causes him to be alternately nasty and incapacitated. Lives with his still unmarried daughter, Mary. Helpful if plays guitar. NOTE: May double with Andrey; range, baritone, Ab3-F4.

Old Prince Bolkonsky

Male identifying. Prince Andrey, is the finest catch in all of Russia. incredibly handsome and a noble officer, very serious. Old before his time and carrying a weight on his heart and mind. NOTE: may double with Bolkonsky; range baritone, F2-Eb3.

Andrey

Female identifying. Lonely, plain, spinster daughter of a wealthy price. She is resigned to her father’s cruelty. Mezzo-Soprano, G3-B4. Has command of extended vocal techniques (e.g. glottal yodeling, ululation).

Mary

Male identifying. A Russian troika driver, a larger-than-life fantasy-like character. Has supernatural abilities with his troika and can drink incredible amounts. Lower class and bold; range, baritone, A2-E4.

Balaga

Casting Call For "Natasha, Pierre & the Great Comet of 1812"

Seeking Equity actors for roles in 2023 -24 Season show "A Little Night Music". Please see the breakdown below.

About the project: 
Winner of seven Tony Awards, A Little Night Music has inspired decades of theatre-lovers with its masterful music and lyrics by Stephen Sondheim (Company, West Side Story), an unforgettable book by Hugh Wheeler (Candide, Sweeney Todd), and its iconic number, “Send in the Clowns.”
Love makes fools of us all. Lean into the comedy of it with A Little Night Music, which traces the plotting, flirting, and foibles of three affluent couples in circa-1900 Sweden. In the perpetual twilight of the Nordic summer, lovers waltz in and out of each other's lives and arms during a weekend romp in the country.
Join the Theatre Company for a lighthearted, airy production of one of Sondheim’s most beloved musicals!

Rate:
LORT Non-Rep.
$1008 weekly minimum (LORT B).

Additional info: 
Audition break: 1:00-2:00 pm.
EPA Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
PREPARATION:
Bring a headshot and resume stapled together and trimmed to size. For MUSICALS - Please prepare a song in the style of the show or from the show/role you are interested in and bring your own music for the accompanist. For PLAYS - Please prepare two contrasting monologues.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. 
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Holding/Audition room information:
The audition room can accommodate no more than 28 individuals at a time.
The holding room can accommodate no more than 80 individuals at a time.
"A LITTLE NIGHT MUSIC"
LORT B Contract
FIRST REHEARSAL: July 28th, 2023
FIRST TECH: August 24th, 2023
FIRST PREVIEW: September 1st, 2023
OPENING: September 8th, 2023
CLOSING: October 8th, 2023
**This production will be understudied**

Male-identifying. A successful, widowed middle-aged lawyer, Fredrik has an easy sense of command, but can get stuck in his head. He has an understated sex appeal. After the death of his first wife, he married a much younger woman (and it’s not going so well). He has one son from his previous marriage, Henrik. The play brings him back into the orbit of Desiree, the great love of his life. Baritone (A2-E4)

Fredrik Egerman

Female-identifying. Excited to be married to such a successful and established man (Fredrik), Anne is also trying to understand what exactly isn’t working about her relationship. Attractive, funny, and energetic. Legit Soprano (G#3-A5)

Anne Egerman

Male-identifying. Henrik is studying to be a minister in the Lutheran church: he has a natural pull toward the deeper meaning in life and can sometimes miss out on the fun. He struggles. His libido, however, is not cooperating. Stepson to Anne, he is torn between his physical desires for her and his attempted encounters with Petra. Legit Tenor (G3-B4) Actors who plays cello are encouraged to audition - not required.

Henrik Egerman

Female-identifying. Anne’s maid and closest confidante, Petra has an instinctive connection to the earth, and a natural sensuality. Not much impressed with the fancy people around her. She has relations with Henrik. Mezzo (F#3-F5)

Petra

Female-identifying. Once one of the most celebrated actresses in the country, Desiree now finds herself touring the countryside in what is clearly not the “glamorous life”. She is sexy, funny, and absolutely in charge of her own destiny. The play brings her back into the orbit of Fredrik, who was the great love of her life some fourteen years ago. Mezzo (F#3-Ab4)

Desiree Armfeldt

Female-identifying. Desiree’s deliciously honest mother, Madame Armfeldt holds the highest social position in the play’s world. In her youth, she had romantic relationships with some of the most powerful men in Europe. A bit grand. Alto (C3-F#5)

Madame Armfeldt

Male-identifying. A vain and forceful military officer who is Desiree’s latest lover. He has a vigorous libido and is hugely possessive when it comes to both his wife and mistress. Operatic Baritone (G2-F#4)

Count Carl-Magnus Malcolm

Female-identifying. Witty, sardonic, and strategic, Charlotte daily navigates the challenges of living with a man (Carl-Magnus) who is openly unfaithful. While she’s made a kind of quiet truce with her situation, she longs to be valued and to have an authentic connection with her husband. Mezzo (G3-F5)

Countess Charlotte Malcolm

A member of the Quintet who acts as a Greek chorus, a classically trained legit singer, good with harmonies, and has a great sense of elegance, sensuality, and wit. This role will cover principal role(s), TBD. (G2-G#4)