Theatre Casting Call for "Murder on the Orient Express"
Seeking cast for the "Murder on the Orient Express" show. See more details below. ONLY LOCAL TALENT WILL BE ACCEPTED. About the project: A lavish train, a shocking murder, and one legendary detective—experience the suspense of Agatha Christie’s "Murder on the Orient Express" like never before. This dazzling adaptation by Ken Ludwig transforms Christie’s classic novel into a thrilling stage spectacle filled with eccentric characters, razor-sharp dialogue, and suspense that will keep you on the edge of your seat. Step aboard the luxurious Orient Express and prepare for a night of intrigue, deception, and classic Christie twists. When an American tycoon is found murdered in his cabin, the legendary detective Hercule Poirot must race against time to solve the mystery before the killer strikes again. But with a train full of suspects—each harboring secrets and motives—the case is anything but simple. As the Orient Express becomes trapped by a snowdrift and tensions rise, Poirot must use his keen intellect and masterful deduction to unravel the tangled web of lies before the murderer escapes justice. "Murder on the Orient Express", adapted by Ken Ludwig, is a spellbinding journey through deception, secrets, and shocking revelations. Featuring a dazzling cast of suspects, a rich blend of humor and drama, and a fast-paced plot full of unexpected turns, this stylish and gripping adaptation will keep you guessing until the very last moment. With glamour, intrigue, and Christie’s signature twists, this production is a must-see for mystery lovers and theatre fans alike! Additional info: Callbacks will be held on Wednesday, July 30th from 7:00pm to 10:00pm. Callback notifications will be sent out by Wednesday, July 30th by 10am. Audition Preparation: Please prepare a brief 2-3 minute monologue (memorization preferred) in the style of the show. The director might ask you to read other items in the audition room. Rehearsals will begin in early August and will be based on both performer and production staff availability, so please submit all known conflicts at the time of auditions. The Milburn Stone Theatre traditionally rehearses between 2 to 4 times a week. Please note: Cecil College will be closed Friday, August 29th at 5pm through Tuesday, September 2nd at 7pm in observation of Labor Day. Tech Rehearsals for the show wil be October 5 (10:00am - 10:00pm), October 6 - 9 (6:00pm - 11:00pm), no conflicts will be accepted on these dates. Performances are October 10, 11, 12, 17, 18, & 19. Friday shows are at 7:30pm, Saturday & Sunday shows are at 2:00pm. If interested, please apply.
11 roles
(Belgian) Iconic character. Agatha Christie’s most famous detective. Poirot is fastidious, thorough, a touch ridiculous, and incredibly observant and intelligent. He is both arrogant and humble to fault. He is an observer of people, astute at analyzing why people behave as they do, and firmly believes that most crimes can be solved primarily by observation, psychology, and thinking them through. He values intelligence and the rule of law above all else.
(Belgian) The owner of Wagon Lit, Orient Express. Bouc is a middle-aged man with a youthful vigor and attitude. Gregarious, honest and forthright, he puts his friends and customers above profit, although he is concerned about his company’s image. He is not a match for Poirot in intelligence, however.
(English) A governess. Anxious, but also cool and determined, Mary has a certain sadness about her, as well as many secrets. She is carrying on a secret affair with Colonel Arburthnot.
(Doubles as Samuel Ratchett) - (Scottish) A military man of the old fashioned type, possibly old-money, and used to being obeyed without question. He is strong, charismatic, but also problematic in some of his personal views. Has a temper.
(American) Personal assistant and secretary to Samuel Ratchett, McQueen is a nervous character with a stutter that appears when he is especially anxious. Seems rather new to his profession. Talks a bit too much.
(Doubles as Head Waiter) - (French (Michel) & Turkish (Head Waiter) Competent and organized, Michel is the conductor for the first-class carriages of the Orient Express. Handles himself well in a crisis, and is very good at his job. Note: This actor will double as the Head Waiter of the Tokatilian Hotel, and will also need to be able to do a Turkish accent.
(Russian) Displaced Russian nobility. The Princess is a battleship: determined, arrogant, and accustomed to getting her way. She travels a great deal, and holds very decided opinions.
(Swedish) A Catholic missionary and baby nurse, currently serving as a companion to Princess Dragomiroff. She would like to help small children in Africa. Deeply devout. This character may be funny, but should not be played as a caricature for laughs.
(Hungarian) In addition to being married to a count (and thus, nobility), she also is a doctor. Beautiful, educated, charming, and intelligent enough to match wits with Poirot.
(American) Not exactly what she seems, Hubbard comes across as a gregarious, loud, obnoxious American busybody who has been married multiple times. Must be able to sing and do a little dancing. Should also be able to pull off a cooler, more calculated version of this character with a very standard or even cultured American accent.
(Doubles as Colonel Arbuthnot) - (American (mobster – possibly Brooklyn or Chicago-style) A dangerous and unlikable man, full of entitlement, with a hair trigger temper. Must have a forceful personality, and come across as someone not to be trusted or crossed. This actor may be required to remain on stage and still for an extended period of time.
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