Looking for Equity Actors for Theatre's 2025-26 Season
Equity actors for roles in Theatre's 2025-26 Season. ONLY LOCAL TALENT WILL BE CONSIDERED. See breakdown below. Rate: SPT Tier 5 Contract - $550 AEA minimum (pending approval) Additional info: PREPARATION FOR PLAYS: Please prepare two contrasting one-minute monologues OR one two-minute monologue. FOR MUSICALS: Please prepare a two-minute music selection in the style of one of musicals OR two contrasting one minute music cuts OR a one-minute music selection and a one-minute monologue. An accompanist will be provided. Bring sheet music in the correct key. Bring your picture and resume, stapled together. If you are unable to attend in person, directors are also accepting video submissions by Sunday, July 20, 2025 at 5 pm ET. An Equity Monitor will not be provided. The producer will run all aspects of this audition. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions. ANDREW LLOYD WEBBER’S "TELL ME ON A SUNDAY" 3 DANCER/SINGERS must be strong in contemporary dance and harmonies. Rehearses: 8/19/25 - 9/05/25 Runs: 9/05/25 - 10/05/25 "DEATHTRAP" Rehearses: 10/07/25 - 10/24/25 Runs: 10/24/25 - 12/07/25 "HIMSELF AND NORA: THE GREATEST LOVE STORY NEVER TOLD" Rehearses: 1/06/26 - 1/30/26 Runs: 1/30/26 - 3/08/26 Casting Note - All of these characters are real people, not caricatures of themselves. "AND THEN THEY CAME FOR ME: REMEMBERING THE WORLD OF ANNE FRANK" Rehearses: 3/24/26 - 4/10/26 Runs: 4/10/26 - 5/17/26 "BASH OF THE TITANS" Rehearses: 5/19/26 - 6/12/26 Runs: 6/12/26 - 8/02/26 If you are interested, please apply by Friday, July 11.
23 roles
"TELL ME ON A SUNDAY"
"TELL ME ON A SUNDAY"
"TELL ME ON A SUNDAY"
A once acclaimed playwright fallen victim to a recent creative drought. Sidney is extremely ambitious and will do almost anything to get what he wants, no matter who might be in his way. Experience in stage combat is a plus. "DEATHTRAP"
An attractive and talented young writer with a bright future ahead. Extremely clever and easily able to feign innocence and naivete that cover some of his darker ambitions. Experience in stage combat is a plus. "DEATHTRAP"
Sidney’s loving and supportive wife. She is a kind and calming presence during some of Sidney’s stormier moods. A soft, bubbly exterior belies her underlying anxiety issues and heart condition. "DEATHTRAP"
Celebrity Psychic who loves every minute of her fame. She is free-spirited, and not easily intimidated. Strong comedic instincts. "A stocky strong-jawed Teutonic woman" - Ira Levin. Has a Dutch dialect. Some experience with stage combat is a plus. "DEATHTRAP"
Sidney’s friend and attorney. Very sharp and observant of his surroundings. Milgrim's motivations are slightly suspicious. Has a very commanding and professional presence. "DEATHTRAP"
Irish, tall, lean, comical, narcissistic writer; mean when drinking. Irish Accent (American Irish). Baritone – Solid G top – and pop up to B natural and a falsetto high B. "HIMSELF AND NORA: THE GREATEST LOVE STORY NEVER TOLD"
Irish, earthy, good-looking, feisty. Joyce’s sweetheart. Irish Accent (American Irish). Mezzo with a solid and comfortable high C (strong belt and mix). "HIMSELF AND NORA: THE GREATEST LOVE STORY NEVER TOLD"
HARRIET WEAVER, JOYCE’S MOTHER, SYLVIA BEACH, LUCIA JOYCE, ITALIAN STUDENT. Comic timing and truth of understanding – chameleon-like. (“Harriet Weaver” – English, a tad over the top). Irish accent, high-British accent, Italian accent. Mezzo soprano; should belt up to E (and have a very strong mix). "HIMSELF AND NORA: THE GREATEST LOVE STORY NEVER TOLD"
Selfinvolved, slightly mischievous quality (DA’ – compassionate, fun-loving and an acerbic wit.) Irish accent, Italian accent. (“Ezra Pound” is American) Baritone with a solid E (up to G is helpful). "HIMSELF AND NORA: THE GREATEST LOVE STORY NEVER TOLD"
Judgmental, witty. Charming as “Giorgio.” “Priest” is omni-present, Joyce’s “conscience.” Irish accent, Italian accent. Bari/tenor with solid E; falsetto up to G. "HIMSELF AND NORA: THE GREATEST LOVE STORY NEVER TOLD"
To play young teenager. A contemporary of Anne Frank. "AND THEN THEY CAME FOR ME: REMEMBERING THE WORLD OF ANNE FRANK"
To play young teenager. A contemporary of Anne Frank. "AND THEN THEY CAME FOR ME: REMEMBERING THE WORLD OF ANNE FRANK"
To play teenage Hitler Youth /late 20s to early 30s, Pappy, Eva's father. "AND THEN THEY CAME FOR ME: REMEMBERING THE WORLD OF ANNE FRANK"
Eva's mother. "AND THEN THEY CAME FOR ME: REMEMBERING THE WORLD OF ANNE FRANK"
To play young teenager, Anne Frank/20s to 30s, Ed's Mother. "AND THEN THEY CAME FOR ME: REMEMBERING THE WORLD OF ANNE FRANK"
To play young teenager, Eva's brother, Heinz/20s to 30s, Ed's Father. "AND THEN THEY CAME FOR ME: REMEMBERING THE WORLD OF ANNE FRANK"
Son of Zeus, a demigod tasked with finding a way to kill the Kraken and save the beautiful Princess Andromeda. Handsome, athletic with a strong pop/rock voice. Physically fit and comfortable performing shirtless. "BASH OF THE TITANS"
A beautiful princess who is sentenced to be sacrificed to the Kraken after her mother commits blasphemy. Has a strong pop/rock voice and great sense of comic timing. Andromeda is not just a princess; she's a pop princess! "BASH OF THE TITANS"
The host of the show and life of the party. A skilled orator with a strong singing voice and great improv skills. Comfortable serving wine and beer to the audience throughout. Doubles as the elderly poet and actor Perseus encounters on his quest. "BASH OF THE TITANS"
Strong pop/rock singers with great comic timing that can be transformative and play numerous Greek Gods and other side characters throughout the story. Some puppetry experience is a plus. "BASH OF THE TITANS"
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