Equity Performers Required for 2025-26 Season Shows

Renowned Belgian detective with a meticulous nature and sharp wit. Highly intelligent, observant, and eccentric, with a strong sense of justice. Must carry the show — charisma and precision are key. Accent: Belgian/French. "Murder on the Orient Express"

Director of the Wagon Lit company and old friend of Poirot. Jovial, affable, and perhaps a bit fond of hearing his own voice. Often serves as comic relief but also has moments of seriousness. Accent: French/Belgian. "Murder on the Orient Express"

An English governess — poised, intelligent, and emotionally restrained. Beneath her calm exterior lies a deep emotional intensity and secret. Accent: British (RP). "Murder on the Orient Express"

A Scottish army officer — stoic, strong-willed, and deeply loyal. Holds himself with a military bearing. Will understudy Ratchett. Accent: Scottish. "Murder on the Orient Express"

An aging Russian aristocrat with a commanding presence. Sharp, sophisticated, and unapologetically proud of her status. Accent: Russian. "Murder on the Orient Express"

Secretary to the victim. Nervous, slightly awkward, but earnest. Loyal and emotionally driven. Accent: American. "Murder on the Orient Express"

Beautiful and refined Hungarian noblewoman with a mysterious past. Intelligent, elegant, and emotionally guarded. Accent: Eastern European (Hungarian preferred). "Murder on the Orient Express"

The murder victim. A wealthy American businessman with a sinister past. Must appear both charismatic and menacing. Will understudy Arbuthnot. "Murder on the Orient Express"

A Swedish missionary and nurse. Kind-hearted, emotional, and very religious. Tends to be anxious and nervous under pressure. Accent: Swedish. "Murder on the Orient Express"

A loud, brassy American woman with a flair for drama and gossip. Flirtatious, nosy, and unapologetically outspoken, but hiding more than she lets on. "Murder on the Orient Express"

The conductor of the train. Polite, discreet, and professional. A supporting role with key dramatic moments. Will understudy the Head Waiter. Accent: French. "Murder on the Orient Express"

A fussy, know-it-all waiter who will also understudy MacQueen, Michel, Bouc, and Poirot. Accent: Turkish, French, or RP. "Murder on the Orient Express"

(Female identifying, Soprano with high belt, F#3 to D5) The older of the two princesses and next in line for the throne. She was born with magical powers that she is still learning to control. In the past she has unwittingly harmed loved ones with them. Fearful of hurting anyone, especially her beloved sister Anna, Elsa becomes anxious and withdrawn. Eventually she learns to take control, and become confident in both her powers and as a leader. "Frozen"

(Female identifying, Soprano, G3 to D5) The younger of the two princesses, she is imbued with a tremendous amount of light, energy, and love. She is a hopeless optimist and extreme extrovert. She longs for connection with others, especially her sister Elsa. Must be a strong singer with great comic timing. "Frozen"

(Male identifying, Baritone, G2 to A3) A hardworking ice harvester who has a sarcastic sense of humor and a rough-around-the-edges exterior that hides his big heart. Taken in by the Hidden Folk when he was young, he loves them dearly, but is a bit of a loner. Sven, a reindeer is his best friend and trusted confidant. "Frozen"

(Male identifying, Tenor, G2 to B3) An ambitious Prince of the Southern Isles and overlooked thirteenth son of a king. He boasts an exceedingly charming façade. Acts as a typical Prince Charming, but in reality is self-serving and out for personal gain at any cost. Has no value for other people except for how they may benefit him. "Frozen"

(Tenor, F#2 to D4) A magical snowman created by Elsa when she and Anna were young. Olaf is endearingly delighted by everything - especially the idea of summer. Goofy and sweet, Olaf should possess a childlike innocence. Actor must have excellent comic timing. "Frozen"

A reindeer, who happens to be Kristoff’s best friend and companion. Fiercely loyal, though stubborn at times. "Frozen"

(Male identifying, Baritone) The mystical leader of the Hidden Folk who has a soft spot for strays. Along with Bulda, is a parental figure to Kristoff, and always has his and the rest of the Hidden Folks best interests at heart, even if they are a bit misguided in their efforts. "Frozen"

(Female identifying, Any vocal range) One of the Hidden Folk who has a soft spot for strays. Along with Pabbie, is a parental figure to Kristoff, and always has his and the rest of the Hidden Folks best interests at heart, even if they are a bit misguided in their efforts. "Frozen"

(Male identifying, Baritone, F#2 to D4) A visiting duke with a huge inferiority complex. A bombastic, overbearing sycophant, Weselton's sole purpose is to hobnob with influencers and royalty. "Frozen"

(Male identifying) Officiates the coronation and passing of the crown to Elsa. (Can come from Ensemble) "Frozen"

(Male identifying, Baritone) The warm-hearted ruler of Arendelle who is committed to protecting both his family and the Townspeople. (Can come from Ensemble) "Frozen"

(Female identifying, Mezzo-Soprano) The queen who possesses a sense of rightness and kindness that guides her in her protection of her two young girls. A daughter of the Northern Nomads, this queen can communicate with the Hidden Folk of the mountains and therefore understands Elsa's powers deeply. (Can come from the Ensemble) "Frozen"

(Male identifying, Baritone) An exceedingly cheerful and convivial wandering salesperson and ardent devotee to all things cozy and comfortable. Actor must be adept with humor. (Can come from Ensemble) "Frozen"

ENSEMBLE (any vocal range). Seeking strong singers and dancers. Tapping a plus. "Frozen"

ENSEMBLE (any vocal range). Seeking strong singers and dancers. Tapping a plus. "Frozen"

ENSEMBLE (any vocal range). Seeking strong singers and dancers. Tapping a plus. "Frozen"

ENSEMBLE (any vocal range). Seeking strong singers and dancers. Tapping a plus. "Frozen"

The eldest of the Lehman brothers. A German-Jewish immigrant from Bavaria and the first to arrive in America. The son of a cattle merchant, he is intelligent, driven, and deeply proud of the business he is building from the ground up. Practical and tenacious, Henry lays the foundation for what the Lehman enterprise will become. Also plays: Philip Lehman, Pete Peterson, and others. "The Lehman Trilogy"

The middle brother and second to immigrate from Bavaria. Fiery, passionate, and sharp-witted, Emmanuel brings ambition and bold ideas to the family venture. He frequently clashes with Henry over the direction of the business but ultimately pushes the firm into new territory, relocating it from the South to New York. A lover of luxury and refinement—his motto: “always more, always better.” Also plays: Herbert Lehman, Lewis Glucksman, and others. "The Lehman Trilogy"

The youngest brother and the last to arrive in America. Calm, thoughtful, and even-tempered, Mayer often acts as the peacemaker between his older siblings. He is warm, persuasive, and quietly ambitious, helping to guide the family's growing legacy with charm and care. Also plays: Bobby Lehman and others. "The Lehman Trilogy"

(Female Identifying) Witty, intelligent, fiercely independent. She masks vulnerability with sarcasm and brilliance. Her verbal sparring with Benedick hides a deep capacity for love. Requires strong command of language and comedic timing. "Much Ado About Nothing"

(Male Identifying) Charming, clever, and proud. He swears never to marry but slowly reveals a tender heart beneath the bravado. His journey from cynicism to sincerity is central to the play. Strong comedic skills and chemistry with Beatrice essential. "Much Ado About Nothing"

(Female Identifying) Gentle, kind, and modest. Hero is deeply wronged and remains graceful in adversity. She has strength in her quietude. "Much Ado About Nothing"

(Male Identifying) Young soldier, honorable but naive. Easily influenced, his love for Hero is genuine, but his rashness leads to heartbreak. "Much Ado About Nothing"

(Male Identifying) A nobleman and soldier. Wise, respected, and generous, though occasionally blind to nuance. Enjoys matchmaking and mischief. "Much Ado About Nothing"

(Male Identifying) The villain. Bitter, resentful, and jealous. He sows discord with subtlety and calculated malice. "Much Ado About Nothing"

(Male Identifying) Hero’s father and governor of Messina. Dignified and proud, but prone to outbursts. Has a deep sense of family honor. "Much Ado About Nothing"

(Male Identifying) The bumbling constable. Overconfident, verbose, and hilarious. A master of malapropisms. Comic gold. Requires physical comedy and strong character work. "Much Ado About Nothing"

Sidekick to Dogberry and members of the comically inept Watch. Great roles for character actors with physical comedy instincts. "Much Ado About Nothing"

(Female Identifying) Hero’s witty and sharp-tongued waiting woman. Unwittingly caught in Don John’s scheme. "Much Ado About Nothing"

(Female Identifying) Another of Hero’s attendants. Loyal and warm. A confidante. "Much Ado About Nothing"

"ReCON$ruXion"

"ReCON$ruXion"

Lynch’s father. "ReCON$ruXion"

"ReCON$ruXion"

"ReCON$ruXion"

Mid 40s. "ReCON$ruXion"

"ReCON$ruXion"

"ReCON$ruXion"

"ReCON$ruXion"

"ReCON$ruXion"

A dignified, devout Christian matriarch. Mother to Kenny and Simone, wife to Reginald. Baneatta is loving—sometimes to a fault—but rigid in her faith and traditional values. She means well, but often leads with judgment instead of grace. Balances emotional control with moments of vulnerability and humor. "Chicken & Biscuits"

Baneatta’s loyal husband and the newly appointed pastor of their home church. A warm, affable peacekeeper with a steady presence and a knack for corny Dad jokes. The heart of the family, he radiates patience and love. Grounded with strong comedic warmth. "Chicken & Biscuits"

The youngest child of Baneatta and Reginald. Kenny is openly queer and confident—except around his mother, whose disapproval still deeply affects him. Sensitive, quick-witted, and deeply yearning to be seen and accepted. Possesses emotional depth, comedic timing, and nuance. "Chicken & Biscuits"

Kenny’s high-strung, overly analytical Jewish boyfriend of four years. Full of nervous energy, Logan is eager to make a good impression and struggles to stay calm under pressure—often turning to his weed pen for comfort. Brings neurotic charm, sharp timing, and heart. "Chicken & Biscuits"

Baneatta’s younger sister. Loud, lively, and always dressed to impress. The self-proclaimed “fun aunt” who’d rather party than parent. Beverly is brash, unapologetic, and the life of every room—until real feelings sneak through. Possesses big comedic energy with emotional grounding beneath the surface. "Chicken & Biscuits"

Female-identifying actor, (able to play teen). Beverly’s daughter. Bold, nosy, and always in the middle of adults’ business. A Gen Z firecracker with a sharp tongue and no filter—but it’s all out of love. "Chicken & Biscuits"

Kenny’s older sister. Polished, poised, and Baneatta’s pride and joy. Simone appears put-together but is privately unraveling after a failed engagement. She's sharp, slightly shady, and fiercely guarded. "Chicken & Biscuits"

The half-sister no one expected. Daughter of the deceased, born from an affair. Sweet, grounded, and emotionally open. She arrives at the funeral not to stir drama, but to find peace and connection. "Chicken & Biscuits"

Humble, brilliant, and emotionally open. Grows from shy songwriter to iconic solo artist. Plays piano. Mezzo with strong mix/belt. "Beautiful: The Carol King Musical"

Charismatic, passionate, and troubled. Carole’s lyricist and first husband. Bari-tenor. "Beautiful: The Carol King Musical"

Stylish, sharp, and confident. Carole’s best friend and songwriting peer. Mezzo with belt. "Beautiful: The Carol King Musical"

Goofy, lovable, and neurotic. Cynthia’s partner and future husband. Tenor with falsetto. "Beautiful: The Carol King Musical"

Supportive music producer. Believes in talent and success. Baritone; minimal singing. "Beautiful: The Carol King Musical"

Carole’s tough but loving mother. Mezzo; minimal singing. "Beautiful: The Carol King Musical"

ENSEMBLE - Strong singers/dancers with R&B, soul, and pop style. "Beautiful: The Carol King Musical"

ENSEMBLE - Strong singers/dancers with R&B, soul, and pop style. "Beautiful: The Carol King Musical"

ENSEMBLE - Strong singers/dancers with R&B, soul, and pop style. "Beautiful: The Carol King Musical"