"Sweeney Todd" Musical Needs Cast

Has escaped from an Australian penal colony after being wrongfully accused and jailed for fifteen years. Formerly a proud barber, a loving husband and a happy father, Sweeney is now consumed by loss and revenge. He has returned to London to right the wrongs committed against him, his wife, and his daughter. Sweeney is charming but hot-tempered, ferocious yet vulnerable. Strong baritone/bass who can whistle. Speaks with an Estuary or London dialect.

An entrepreneurial meat pie shop owner who will do whatever it takes to survive. She is in love with Todd and hopes that he’ll forget the past and build a new life with her. At first shocked by Sweeney’s bursts of violence, Lovett turns his desire for revenge into a profitable business venture. She is resourceful, ambitious, charismatic, and has great comedic timing. Mezzo with belt. Speaks with a Cockney accent.

A youthful sailor who helps Sweeney return to London and unexpectedly falls in love with Johanna. He is idealistic, romantic and a little reckless. His passions sometimes get the better of his reason and his enthusiasm sometimes makes him unintentionally comedic. Over the course of the show, he awakens to the horrors around him and becomes disillusioned with London. Tenor. Speaks with a standard British accent (RP).

Todd's long-lost daughter & Judge Turpin's young ward. Homeschooled & largely homebound. She has a rebellious, subversive & romantic streak & longs to escape her confinement. Johanna is aware that Judge Turpin isn’t her real father & suspects that he might be a predator. Like her father, she has experienced trauma & possesses a buried capacity for violence. Although described as “pale” and “yellow haired,” we are not taking this literally. Soprano. Speaks with a standard British accent (RP).

A poor youngster apprenticed first to Pirelli and then to Mrs. Lovett. He is industrious and eager to please, with a good sense of humor. Uneducated, but innately clever and observant, Tobias responds quickly to the kindness of Lovett but grows increasingly suspicious of Sweeney. After a betrayal, Toby experiences the violence and terror of this world and snaps. Or maybe he just becomes like everyone else. Tenor. Speaks with a Cockney accent.

A lecherous public official who portrays himself as a sanctimonious authoritarian. He takes advantage of his position to imprison Todd, assault Lucy, and take Johanna in as his ward. He is aware that what he wants and what he’s done is wrong, yet chooses to ignore or push against his conscience. Embodies Puritanic hypocrisy: he lusts after Johanna, even as he professes to keep her innocent. Bass/baritone. Speaks with a standard British accent (RP).

A pompous public official who is responsible for the health and safety of London. He possesses a dry, deadpan sense of humor and enjoys wielding his power. He is not a sniveling civil servant. He is deeply loyal to Turpin, though in his heart of hearts he believes he’s better than the judge. The Beadle loves singing children’s nursery rhymes, which remind him of his youth. Tenor with a strong falsetto. Speaks with a standard British accent (RP).

An eerie, poor soul living on the streets of London. She supports herself by begging and prostituting herself to sailors. The Beggar Woman is Sweeney’s wife, Lucy, who lost her mind after being assaulted by Turpin and taking poison. She has occasional flashes of lucidity and distrusts Mrs. Lovett. Like the oracle Cassandra, She is the only one who sees what’s happening but no one will listen to her. Mezzo. Speaks with a Cockney or Estuary accent.

An Irish former employee of Sweeney’s who has since developed a public persona as a flamboyant and flashy world-famous Italian barber. A charlatan who sells fake medicine and challenges other barbers to shaving contests. Pirelli is charming, calculating, and over-the-top comedic. Possess some anti-English sentiments and does not take lightly to being publicly embarrassed by Sweeney. High tenor. Speaks in an Irish accent and assumes a phony Italian accent.

The owner of Fogg's Asylum. Fogg sells the hair of inmates to wigmakers. Considers the inmates “children” and takes pleasure in showing them off to visitors. Chooses to ignore the human rights of his patients in the name of scientific progress. An authoritarian who is really a coward at heart. Speaking role who sings with the ensemble. Speaks with an Estuary dialect.

The ensemble acts as a Greek Chorus, commenting on the action & participating in the tale. They are the show’s chief storytellers, taking on the roles of customers, townspeople, police, inmates at the insane asylum, Sweeney’s thoughts, & Sweeney’s victims. They stand in for us & there is a feeling of them always being nearby, watching. The ensemble gets ample opportunities for vocal challenges & is showcased with solos & harmonies throughout the show. Accents not necessary.