Looking for Equity Actors for 2025-26 Season Shows
Equity actors for roles in Theatre's 2025-26 Season. See breakdown below. Rate: LORT Non-Rep $1051 weekly minimum (LORT C) $839 weekly minimum (LORT D) Additional info: Audition Lunch 1:00 PM - 2:00 PM PREPARATION To be considered for both musicals and straight plays, please prepare 16-bars of an up-tempo song, 16-bars of a ballad, and a 1-minute monologue. To be considered for straight plays only, you should prepare 2 contrasting monologues, no more than 1-minute each. Also, please bring your headshot and resume stapled together. EPA Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions. "FROZEN" (LORT C) Rehearsals begin July 22, 2025 Performances August 22 - October 26, 2025 (dates not finalized) Stephenson Theatre SWINGS & UNDERSTUDIES for all roles. "LOCK LOMOND" (LORT D) Rehearsals begin September 16, 2025 Performances October 10 - November 2, 2025 (possible extension through November 23, 2025) Hormel Theatre SWINGS & UNDERSTUDIES for all roles. "LOOKING OVER THE PRESIDENT'S SHOULDER" (LORT D) Rehearsals begin October 7, 2025 Performances October 31 - December 14, 2025 (with a possible extension through January 4, 2026) Hardes Theatre UNDERSTUDY for the role. "A CHRISTMAS CAROL" (LORT C) Rehearsals begin October 28, 2025 Performances November 21, 2025 - January 4, 2026 Stephenson Theatre SWINGS & UNDERSTUDIES for all roles. "COME FROM AWAY" (LORT C) Rehearsals begin January 6, 2026 Performances January 30 - April 5, 2026 Stephenson Theatre SWINGS & UNDERSTUDIES for all roles. "TENDERLY: THE ROSEMARY CLOONEY" MUSICAL (LORT D) Rehearsals begin February 10, 2026 Performances March 6 - May 3, 2026 (with a possible extension through October 25, 2026) Hardes Theatre UNDERSTUDIES for all roles. "DADDY LONG LEGS" (LORT C) Rehearsals begin March 10, 2026 Performances April 3 - April 26, 2026 (with a possible extension through May 17, 2026) Hormel Theatre UNDERSTUDIES for all roles. If you are interested, please apply.
84 roles
Female-identifying. Princess of Arendelle. Optimistic, romantic, exuberant. Warm and determined. G3-D5 "FROZEN"
Male-identifying. Earnest, hardworking ice harvester. Sarcastic and sardonic but golden-hearted and charming. G2-A3 "FROZEN"
A reindeer. Fiercely loyal to Kristoff and has a playful/prankster side. This role will require a strong physicality and movement vocabulary. A3-A4 "FROZEN"
Male-identifying. Ambitious Prince of Southern Isles. At first a Prince Charming type but later cruel and dastardly. G2-B3 "FROZEN"
Male-identifying. A lovable, magical snowman. Endearing, optimistic, and goofy with a childlike innocence. F#2-D4 "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
ENSEMBLE. "FROZEN"
"FROZEN"
"FROZEN"
Male-identifying. Scottish. A farmer and father-figure to James. He struggles to balance his family responsibilities with his drive to protect his little brother who is determined to join the uprising. Heroic baritone. "LOCK LOMOND"
Male-identifying. Scottish. Lyle’s younger brother who is determined to join the Scottish uprising without considering how it may affect anyone else who may love him. Bright tenor. "LOCK LOMOND"
Female-identifying role. Scottish. Lyle’s wife. She balances her love for Lyle and their efforts to have a child with a deep understanding that her husband has responsibilities to protect his little brother. Warm soprano. "LOCK LOMOND"
Female-identifying. Scottish. Trouble. A free spirit who abides by her own rules and those of the faeries. She loves James and, although she holds a secret, she understands he must go off to battle. Folk soprano. "LOCK LOMOND"
"LOCK LOMOND"
"LOCK LOMOND"
Tall, elegant, dignified. A long-time butler at the White House. A once-aspiring singer. "LOOKING OVER THE PRESIDENT'S SHOULDER"
Tall, elegant, dignified. A long-time butler at the White House. A once-aspiring singer. "LOOKING OVER THE PRESIDENT'S SHOULDER"
Male-identifying. A curmudgeon and a miser. Spends a great deal of time alone until his transformation at the end of the play. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
ENSEMBLE: All tracks will play multiple roles. "A CHRISTMAS CAROL"
"A CHRISTMAS CAROL"
"A CHRISTMAS CAROL"
Male-identifying. The convivial and beloved Mayor of Gander, Newfoundland. New to crisis management. Usually loves his work, the people of the town, and his routines. Up to G4. "COME FROM AWAY"
Female-identifying. Mother of three. Head of the Gander area SPCA. Fiercely protective of animals and can lash out when frustrated. Up to B4. "COME FROM AWAY"
Female-identifying. Head of the Gander Legion. Her son is a firefighter. Befriends Hannah. "COME FROM AWAY"
Male-identifying. Unexpectedly helpful constable in the small Gander police force. Up to G4. "COME FROM AWAY"
Male-identifying. An Air Traffic Controller. Bonnie’s husband. He tries to help his wife in her passions. Up to E4. "COME FROM AWAY"
Female-identifying. Eager and novice local TV reporter. Naive initially but learns quickly in the face of the confusion and challenge of the event. Earnest and sincere. Up to E5. "COME FROM AWAY"
Female-identifying. A teacher at Gander Academy and a mother many times over. Up to D4. "COME FROM AWAY"
Male-identifying. Union leader representing Bus Drivers. Up to G4. "COME FROM AWAY"
Female-identifying. First female captain for American Airlines. Family oriented and comfortable in charge. Compassionate. Up to C#5. "COME FROM AWAY"
Female-identifying. A divorcee from Texas. Concerned about her son’s safety but finds a new freedom and sense of discovery when she learns he is safe. Up to D5. "COME FROM AWAY"
Male-identifying. An oil engineer from the UK. His world changes dramatically when he meets and falls for Diane. Up to E4. "COME FROM AWAY"
Male-identifying. Vacationing with boyfriend Kevin J. Leads an environmental energy company in LA. Creates the Pay It Forward Foundation after feeling inspired by Gander’s generosity. Up to G4. "COME FROM AWAY"
Male-identifying. A sarcastic and unhappy secretary. Dating Kevin T. Hoping to get away from Gander as soon as possible. "COME FROM AWAY"
Male-identifying. A New Yorker with a hard attitude. Concerned he has landed in the middle of World War III and that someone is going to rob him. He blossoms and loosens under Gander’s hospitality. "COME FROM AWAY"
Female-identifying. Mother of a firefighter in Manhattan. Desperate to know her son is safe. Befriends Beulah. Up to E5. "COME FROM AWAY"
"COME FROM AWAY"
"COME FROM AWAY"
Female-identifying. 40. Singer, film actress, wife, mother. "TENDERLY: THE ROSEMARY CLOONEY MUSICAL"
Male-identifying. Psychiatrist, Rosemary’s Therapist. Doubles as: Father O’Reilly, Rosemary’s Mother, Sound technician, Betty Clooney, Uncle George, Jose Ferrer, Vice President of Paramount Pictures, Dante Dipaolo, Frank Sinatra, Bing Crosby, Newsman. "TENDERLY: THE ROSEMARY CLOONEY MUSICAL"
"TENDERLY: THE ROSEMARY CLOONEY MUSICAL"
Female-identifying. A precocious, 18-year-old orphan who benefits from an anonymous donor. Writes letters to the benefactor throughout her college education. "DADDY LONG LEGS"
Male-identifying. A philanthropist who anonymously donates to allow Jerusha to attend college. Introduces Jerusha (via letters) to literature, art, and culture. Eventually falls in love with Jerusha. "DADDY LONG LEGS"
"DADDY LONG LEGS"
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