Equity Principal Cast for 2025-26 Season Shows
Equity principal actors for Theatre Company's 2025-26 Season. ONLY LOCAL TALENT WILL BE CONSIDERED. See the details below. Rate: SPT $600 weekly minimum (SPT 4) Additional info: No audition videos will be accepted at this time. PREPARATION Please prepare two contrasting monologues. Total audition package should be no longer than 3 minutes. There are no musicals/plays with songs in 2025-2026 season, so an accompanist will not be provided. An Equity Monitor will not be provided. The producer will run all aspects of this audition. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions. "THE THIN PLACE" 1st Rehearsal: August 11, 2025 Performances: September 11-28, 2025 (Denver) and October 2-26, 2025 (Boulder) "EVERY BRILLIANT THING" 1st Rehearsal: November 3, 2025 Shows: December 4-28, 2025 (Boulder) "BROOKLYN LAUNDRY" 1st Rehearsal: December 29, 2025 Performances: January 29-February 15, 2026 (Denver) and February 19-March 15, 2026 (Boulder) "MARY JANE" 1st Rehearsal: March 30, 2026 Performances: April 30-May 24, 2026 (Boulder) PLEASE NOTE: Besides Mary Jane, all the roles are doubled, so that five actors are required: Ruthie/Tenkei (sixties or seventies), Sherry/Dr. Toros (forties or fifties), Brianne/Chaya (thirties or early forties), Amelia/Kat (twenties). If you are interested, please apply.
13 roles
A quiet observer by habit – having been told she tends to share too much, an ordinary mouse whose depths can sneak up on you, a seeker longing to know what’s true, her memories are visceral and her perceptiveness exceptional, she has an aptitude for connecting extraordinarily with forces others do not perceive. "THE THIN PLACE"
A working-class Brit who lives in America because her work as a psychic doesn’t pass muster with employment authorities back home, charismatic and intuitive, salt-of-the-earth armchair entertainer who does what’s necessary to get by. "THE THIN PLACE"
Linda’s younger cousin who runs in political circles and travels the world, a raconteur whose stories try to hold the room’s attention but don’t always, bucks popular points of view. "THE THIN PLACE"
A well-heeled woman, a good friend of Linda’s though their relationship can get tempestuous, a liberal, questioning socialite, when in crisis, she has leaned on Linda for paranormal input. "THE THIN PLACE"
They carry this show with a great deal of scripted text & a readiness to improvise in response to audience members’ reactions. This person is honest, present, funny, vulnerable, excellent at crowd work (direct address, playing with audience members as scene partners & collaborators on the fly, helping audience members be at ease, riffing off of in-the-moment circumstances as they arise, being the guide for the audience as they make their way through the show). "EVERY BRILLIANT THING"
Eldest of three sisters, nearing the end of her life due to late-stage cancer, in and out of lucidity, conversation by turns deals with the everyday and the gigantic, has held onto her sense of humor, a mother. "BROOKLYN LAUNDRY"
The middle sister, a force to be reckoned with, a decision-maker who can dominate a to-do list, mother of a six-year-old in need of a solution, because she too has a cancer diagnosis. "BROOKLYN LAUNDRY"
Tough talking and outspoken, holds cynicism and great love, has a strong point of view but doubts herself, she loves her sisters deeply but is figuring out what that connection means, she would never claim to have her life together and yet she’s determined to craft the life she wants, a woman at a crossroads. "BROOKLYN LAUNDRY"
Owner of a Brooklyn laundry, life has thrown him some curveballs -- a broken engagement, injuries from a car accident, he’s relatively positive, outspoken and comes with some rough edges but he has a squishy center, wants love and is scared of being left. "BROOKLYN LAUNDRY"
Sixties or seventies. Ruthie – a no-nonsense building superintendent with a keen sense of intuition and generous spirit. Tenkei – a Buddhist nun with an ironic streak. "MARY JANE"
Sherry – a warm-hearted nurse with a strong commitment to service. Dr. Toros – a caring but realistic pediatrician who doesn’t mince words. "MARY JANE"
Brianne – a Facebook friend trying to hold it together in the face of adversity. Chaya – a straight-talking Hasidic woman who’s seen it all. "MARY JANE"
Amelia – Sherry’s innocent niece, a college student straddling adolescence and adulthood. Kat – a music therapist who’s like a friend with a really nice voice. "MARY JANE"