Talent Needed for One Act Festival
The company is seeking actors for One Act Festival, please see the details below. ONLY LOCAL TALENT WILL BE CONSIDERED. About the project: "FOREPLAY or: The Art of the Fugue" "FOREPLAY or: The Art of the Fugue" brings us Chuck, a would-be Don Juan, in three rounds of seduction with three different women on a miniature-golf course. "A Ringing of Doorbells" A mother-daughter team of con-artists are putting the touch on the widows of military brass. Mrs. McCullem, housekeep for the wonderfully regal but now wheel chair-bound widow of General Beattie, recognizes them in the drug store–having witnessed the two pull their game on her previous employer–and overhears them asking directions to the Beattie home! The play begins as she rushes back to warn Mrs. Beattie of the impending danger. Sure enough, the doorbell rings and our charlatans appear with quite a story. But instead of throwing them out or turning them over to the police, the widow Beattie allows the game to be played. "Wanda’s Visit" Wanda’s Visit is a darkly comedic play that follows Jim and Marsha, a married couple stuck in routine after 13 years of marriage, as their lives are thrown into chaos by the arrival of Wanda, Jim’s eccentric and overly dramatic ex-girlfriend from High School. Wanda’s unfiltered behavior and chaotic energy disrupt the couple’s mundane life, forcing them to confront their own relationship’s cracks. A sharp and witty exploration of nostalgia, leading to a series of unexpected revelations about love and relationships. "The Worker" In this dark comedy a MAN and WOMAN are forced to face hard truths about the current state of their relationship. The WOMAN, a homemaker, finds herself desiring a child more than anything in the world, in order to cope with the loneliness of her husband's long work hours. The line between reality and fantasy becomes blurry as the WOMAN becomes increasingly close to a doll, whom she treats as her own child. The MAN makes his best attempts to provide for his family but, over-exerts himself day in and day out for a company that could care less if he lives or dies. His all-consuming desire to fulfill his patriarchal duties creates a rift in their marital bond and even threatens his safety. The two battle their own insecurities, desperation, and manic episodes, as they attempt to save what is truly important to them. "Please Have a Seat and Someone Will Be With You Shortly" David and Sue sit there week after week in their shrinks' waiting room reading magazines. So who says you should never talk to strangers? Rate: All roles are non-AEA and unpaid Additional info: SHOW DATES: April 4 & 5 at 8:00 PM April 5 & 6 at 2:00 PM Other required dates: Tech (3/30), Tech Week (3/31-4/2), All Performances (4/4-4/6), and Strike (4/6 following show) Auditioners should prepare a 1-2 minute contemporary monologue. You will also be asked to read sides from our different one acts during your allotted time slot. Please bring your theatrical resume, a headshot, and a list of any conflicts.
19 roles
A player/ Casanova who has a set plan "FOREPLAY or: The Art of the Fugue"
Full of excitement and a little naive at times. "FOREPLAY or: The Art of the Fugue"
A player/ Casanova who has a set plan "FOREPLAY or: The Art of the Fugue"
Dry witted, a little cautious with relationships. "FOREPLAY or: The Art of the Fugue"
A player/ Casanova who has a set plan "FOREPLAY or: The Art of the Fugue"
Full of confidence, is a little strong at times and plays her own game "FOREPLAY or: The Art of the Fugue"
A military widow who has lost her daughter, crippled with arthritis "A Ringing of Doorbells"
Mrs. Beattie’s housekeeper, loyal and protective "A Ringing of Doorbells"
Mrs. Beattie’s caller, con-artist, driven by her daughter "A Ringing of Doorbells"
Mrs. Kinkaid’s daughter, the mastermind "A Ringing of Doorbells"
A mild-mannered, traditional, and slightly repressed man. Jim is married to Marsha and is content with their predictable, suburban life—until Wanda's visit disrupts it. He tries to maintain control amidst the chaos but is easily overwhelmed. A subtle sense of humor and strong comedic timing are essential. "Wanda’s Visit"
Jim’s loyal and sensible wife, who is increasingly dissatisfied with their marriage but unwilling to admit it outright. Marsha is reserved but becomes progressively unhinged as Wanda stirs up tension. She has a quick wit and moments of vulnerability. "Wanda’s Visit"
A larger-than-life, eccentric, and flamboyant woman who is Jim’s old high school girlfriend. Wanda’s energy is chaotic and overwhelming; she’s oblivious to social boundaries and thrives on drama. Requires excellent comedic timing and a knack for physical comedy. "Wanda’s Visit"
A supporting role that provides commentary during the restaurant scene. The Waiter is dry and unbothered by the chaos around them, offering opportunities for comedic delivery. "Wanda’s Visit"
Beautiful, young homemaker who desperately wants a child. Caring and motherly, yet neurotic "The Worker"
Handsome, overly ambitious young professional. Patriarchal outlook. Outwardly confident but truly desperate and scared. "The Worker"
Non-Descript – although not unlike a younger MAN "The Worker"
The kind of person you might not notice at first. "Please Have a Seat and Someone Will Be With You Shortly"
Pretty, though she has no idea about it. "Please Have a Seat and Someone Will Be With You Shortly"
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