Casting Actors for "Anastasia" the Musical

When we first meet Anya, she is a lost soul, but one with great strength, pride, determination, and dignity. As the story progresses, she begins to discover her sense of self and the possibility that she may be the missing daughter of Tsar Nicholas. She possesses a sense of humor, wit, and determined spirit. Her transformation into Anastasia should be breathtaking. Soprano with a very strong, controlled belt. Must move well. Mid 20s Vocal range top: F5 Vocal range bottom: G3

An opportunist trying to make it on the streets of Russia by selling stolen objects from the Tsarist past. He is the prince of St. Petersburg’s black market. He creates the scheme to find an Anastasia impersonator in order to gain the reward for her safe return. He is smooth, persuasive and daring. Has a sense of danger, edginess, and charm. He is a scoundrel but with a heart of gold. Must move well. Vocal range top: A4 Vocal range bottom: A2

Vlad is Dmitry’s partner in crime (literally) and surrogate father. Before the revolution he scammed his way through society pretending to be a count. Vlad is dramatic, crafty, and a big softie at heart. While he, like Dmitry, is not above lying, cheating, and stealing, he cares greatly for his loved ones and is generally affable, though he can be calculating when he needs to be. Must have great comic timing and move well. Vocal range top: F4 Vocal range bottom: A2

Gleb is a son of the Russian revolution. As a career officer in the Bolshevik secret police, he is a passionate defender of the hard-won gains of the new order. His attraction to Anya puts him in violent conflict with himself. He fully believes in the Communist ideals he follows. Loyal, honest, and hardworking, Although the “villain”, he must be likeable. Excellent singer. Non-dancing role. Vocal range top: Gb4 Vocal range bottom: A2

She is the formidable and imperious grandmother of Anastasia, her favorite grandchild. She never truly gives up the belief that her granddaughter might be alive, but finally after years of enduring Anastasia pretenders, she becomes hardened and bitter. Has elegance, beauty, and a regal bearing. She commands authority and attention the minute she enters a room. To play 80. Vocal range top: Bb4 Vocal range bottom: F3

She is the Dowager Empress’s confidante/lady-in-waiting. She’s compassionate, respectful, and good at her job, but when she’s away from the Dowager she knows how to have a good time and rules the Russian expat roost. A character comedienne, but with allure and sex appeal. Strong movement or dance ability. Vocal range top: C5 Vocal range bottom: Eb3

A stern mother. Very devout, brittle, paranoid about the collapsing regime and grief-stricken about the health of her son, the Tsarevich. Uncomfortable around her mother-in-law. Also doubles in the Ensemble/other roles.

A loving father. Elegant. He tries to keep the peace between his mother, the Dowager Empress, and the Tsarina. As his youngest daughter grows into a young woman, he protects and guides her. Also doubles in the Ensemble/other roles.

Olga, Tatiana, Maria: The three other Romanov sisters. Must sing and move well. Will also double in other roles, possibly including Odette in the Swan Lake segment, depending on dance experience.

Olga, Tatiana, Maria: The three other Romanov sisters. Must sing and move well. Will also double in other roles, possibly including Odette in the Swan Lake segment, depending on dance experience.

Olga, Tatiana, Maria: The three other Romanov sisters. Must sing and move well. Will also double in other roles, possibly including Odette in the Swan Lake segment, depending on dance experience.

Odette and Prince Siegfried: Featured in the Swan Lake ballet scene. Odette must dance en pointe and Price Siegfried should have list experience. Both will also be in the Ensemble/other roles.

Odette and Prince Siegfried: Featured in the Swan Lake ballet scene. Odette must dance en pointe and Price Siegfried should have list experience. Both will also be in the Ensemble/other roles.

Dignified and intellectual, grief stricken about leaving his homeland. Authoritative and formidable. Doubles as ensemble member. Strong baritone with featured solo.

He’s one of the presumptive Romanov heirs; a snob; a bit of a fop. Doubles in the ensemble/other roles.

The Ensemble has a TON to do in this show and plays a vast array of featured characters. Strong singing and movement ability required.