Singer Needed for Gig "Bye Bye Birdie"
Looking to cast male and female talent for the "Bye Bye Birdie" show. Please see more details provided below. ONLY LOCAL TALENT WILL BE ACCEPTED. Additional info: Plan to attend for the full 3-hour slot to allow time for: Sing a song of your choice in the style of the show, Learn choreography for both Movers and Dancers. Perform in readings from the show. Also please bring your list of conflicts between JAN 2 - MARCH 3 for your audition form. Rehearsals will be Sundays - Thursdays, based on scene needs - so not all roles, all dates. The better your list of conflicts, the more specific and efficient we can make the schedule. Callbacks will be on 12/15, 4 - 7 p.m. Read-through on 12/16, 6 - 9 pm to get you your scripts and meet the cast. Then rehearsals will begin after the 1st of the year. If interested, please apply.
45 roles
Young man, President of Almaelou Music Corp. (Range: (opt. F2) Bb2-Gb4)
Feisty young woman, Albert's secretary. Principal dancer and singer (Range: (opt. F3) Gb3-C5)
Albert's mother, the quintessential "Mama"
Father of Kim and Randolph (Range: C3-E4)
Mother of Kim and Randolph (Range: Bb3-F5)
Kim's "steady," nerdy but sincere
A hyper-enthusiastic friend and neighbor of Kim's (Range: D4-F5)
A broad, tap-dancing "secretary." Mae's choice to replace Rosie
(Charles F. Maude) – Proprietor/bartender of 'Maude's Roadside Retreat," member of Male Quartet
Of Sweet Apple, Ohio
Member of Quartette in Act I, Scene 9
Ursula's mother
Harvey's father
(Non-speaking)
In New York train station. Speaks Act I, Scene 4
(Non-speaking cameraman)
Part of crowd in New York train station. Speaks Act I, Scene 4 only
Voice; Act I, Scene 4
Dancers
Adult Chorus
Baggage handlers, etc.
Several, in New York and Ohio
Adult Chorus
At Maude's. Male Quartet; speaks Act II, Scene 4
At Maude's. Male Quartet; speaks Act II, Scene 4
At Maude's. Male Quartet; speaks Act II, Scene 4
"Male Quartet"
Dancers
(Offstage)
(Additional)
Act I, Scene 5
Act I, Scene 5
Act I, Scene 5
Act I, Scene 7
Act I, Scene 7
Act II, Scene 8
Act II, Scene 6