Casting Call for Musical "Cinderella"
Auditions for Rodgers and Hammerstein’s "Cinderella". Seeking cast. ONLY LOCAL TALENT WILL BE CONSIDERED. Please see the breakdown below. Additional info: Audition Requirements: Please arrive at least 15 minutes prior to your slot to complete an audition form. Prepare 1 song, 32 bars in the style of the show; bring backing track/link/mp3. Please do not sing from the show. Bring a headshot and resume. Come prepared with your conflicts from December 1st through February 9th to list on the audition form. Please be thorough; some conflicts can be scheduled around if directors know ahead of time. No performance conflicts will be accepted. Callbacks: Wednesday, November 13th, 6pm- 10pm. Please note that not all roles will be called back & you may still be cast in the show even if you don't come to callbacks. Rehearsals will start December 1 with performances January 23 - February 9, 2025. If you are interested, please apply.
19 roles
(Soprano) Kind hearted beauty with an infectious generosity of spirit. Thought she has been flying under the radar she comes fully into herself as an articulate dynamic woman with a great deat to say. Traditions musical theatre soprano.
(Baritone) The prince of the kingdom leads with heroic bravado but deeply naïve and not always quick on the draw. In search of his purpose. His kindhearted nature spills into an endearing goofiness at times. Light comedic touch essential. Soaring, rich musical theatre baritone to G.
(Mezzo-Soprano) Ella’s selfish stepmother. A vain and tyrannical social climber. Deeply concerned with status and image and entirely dismissive of her stepdaughter. Comic timing essential. Traditional musical theatre character voice.
(Mezzo-Soprano) Ella’s stepsister and daughter of Madame. Begins aligned with her materialistic mother and sister but her kindness and thoughtful nature emerge as she is affected by Ella and love interest John-Michel. Perhaps a bit quirky and cut from a different mold than the social climbers around her. Comic timing is essential. Strong and expressive traditional musical theatre voice.
(Mezzo-Soprano) Ella’s stepsister and daughter of Madame. Deeply self-involved, attention seeker. Loud, brash and delights in being cocky. Lacks self-awareness and often the last one in on the joke. Excellent comic timing required. Traditional musical theatre character belt to F.
(Soprano) First presents as a bag lady but is revealed as Ella’s fairy godmother in disguise. Warm with a spark of wackiness she lifts the magic in the show and highlights what is possible! Soaring traditional musical theatre soprano to G.
An enthusiastic revolutionary determined to make a difference. Energized and on his way to becoming a leader. Great comic timing. Traditional musical theatre voice.
Topher’s Lord Chancellor. He actively shields the Prince from what is occurring in his kingdom and revels in maintaining his own power. Disregarding villagers in need he is primarily concerned with preserving the wealthy and the reach of his power. Fantastic comic timing essential. Traditional musical theatre character voice.
(Tenor) Sebastian’s second-in- command and the herald for all balls and events. Announces royal balls, banquets and even the weather. Excellent comic timing is essential. Traditional musical theatre tenor.
Ensemble.
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Ensemble.
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