"Anastasia" The Musical Seeking Performers

A lost soul, but one with great strength, pride, determination, and dignity. As the story progresses, she begins to discover her sense of self and the possibility that she may be the missing daughter of Tsar Nicholas II. Range: G3-F5, Belt to D5

An opportunist trying to make it on the streets of Russia by selling stolen objects from the Tsarist past. He creates the scheme to find an Anastasia impersonator in order to gain the reward for her safe return. He’s has a tough exterior that soften through the show. Range: A2-G4

Teams up with Dmitry to find an Anastasia impersonator. He used to be prominent in the Romanov’s court and had a previous romantic relationship with Lily, lady-in-waiting to the Dowager Empress. Range: A2-F4

(To play 60s - 80s): the formidable and imperious grandmother of Anastasia. She never gives up the belief that Anastasia might be alive but finally, after years of enduring impersonators, she becomes bitter and hardened. Range: F3-Bb4

A son of the Russian revolution. As a career officer in the Bolshevik secret police, he is a passionate defender of the hardwon gains of the new order. His interactions with to Anya puts him in violent conflict with himself. Range: A2-Gb4

Confidante and lady-in-waiting to the Dowager Empress. She’s compassionate, respectful, and good at her job. However, she has a wild side when she is away from the empress. Had a secret relationship with Vlad within the Romanov’s court. Range: G3-C5

Ensemble.

Ensemble.

Ensemble.

Ensemble.

Ensemble.

Ensemble.

Odette, Prince Siegfried, & Von Rothbar: Performers a 7 minute variation of Swan Lake during “Quartet at the Ballet”. Directors would love utilize anyone with pointe or ballet training. Requires strong dance ability.

Odette, Prince Siegfried, & Von Rothbar: Performers a 7 minute variation of Swan Lake during “Quartet at the Ballet”. Directors would love utilize anyone with pointe or ballet training. Requires strong dance ability.

Odette, Prince Siegfried, & Von Rothbar: Performers a 7 minute variation of Swan Lake during “Quartet at the Ballet”. Directors would love utilize anyone with pointe or ballet training. Requires strong dance ability.

Portrays Anastasia’s father and Tsar of Russia in several flashback through the show.

Portrays Anastasia’s mother and Tsarina of Russia in several flashback through the show.

Tatiana, Maria, & Olga Romanov: Portrays Anastaisa’s older sisters in several flashback through the show. Requires strong dance ability.

Tatiana, Maria, & Olga Romanov: Portrays Anastaisa’s older sisters in several flashback through the show. Requires strong dance ability.

Tatiana, Maria, & Olga Romanov: Portrays Anastaisa’s older sisters in several flashback through the show. Requires strong dance ability.

Marfa, Dunya, & Paulina: three Russian women who ‘audition’ for the ‘role’ of Anastasia. They report Anya, Dmrity and Vlad to the Bolshevik Police which triggers Gleb’s determination to hunt them down.

Marfa, Dunya, & Paulina: three Russian women who ‘audition’ for the ‘role’ of Anastasia. They report Anya, Dmrity and Vlad to the Bolshevik Police which triggers Gleb’s determination to hunt them down.

Marfa, Dunya, & Paulina: three Russian women who ‘audition’ for the ‘role’ of Anastasia. They report Anya, Dmrity and Vlad to the Bolshevik Police which triggers Gleb’s determination to hunt them down.

A Count from Old Russia who, saddened, plans to leave his country. They are the primary soloist in “Stay, I Pray You”. Baritone.

A presumptive Romanov heir who is pressures the Empress to give up on the search of Anastasia and name him heir of the Romanov fortune.

Count & Countess Gregory: they meet Lily at the Neva Club in Paris to relive their glory in Russia.

Count & Countess Gregory: they meet Lily at the Neva Club in Paris to relive their glory in Russia.

Gleb’s superior officer with the Bolshevik Police. He order him to hunt down Anya in Paris.