Casting Call For 2024-25 Season Shows
Seeking Equity actors for roles in 2024-25 Season. Please see breakdown below. About the project: "A CHRISTMAS CAROL" Synopsis: Charles Dickens’ holiday classic returns to the Geva stage in a new adaptation by Playwright in Residence Harrison David Rivers. Over the course of a single night, notorious grump Ebenezer Scrooge is visited by four ghosts. But will their intervention prompt him to change his “humbug” ways? Filled with humor, heart, hope – and a little bit of horror – A Christmas Carol reminds us that it is never too late to have a change of heart. "NINA SIMONE: FOUR WOMEN" Synopsis: September 16, 1963. When Nina Simone heard that four Black girls had been killed in the bombing of the 16th Avenue Church in Birmingham, Alabama, her first impulse was to try and build a zip gun; instead she channeled her rage into “Mississippi Goddamn,” the song that marked the emergence of Nina Simone, the Civil Rights activist. Infused with traditional hymns along with songs. Rate: LORT Non-Rep $1100 weekly minimum (LORT B) Wilson Stage Additional info: Audition break: 1:00PM - 2:00PM EPA Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions. No roles will be understudied. PREPARATION Please prepare either two contrasting monologues or one monologue and one song not exceeding two minutes in length. An accompanist will be provided. Please bring your resume stapled together. MEL BROOKS’ "YOUNG FRANKENSTEIN" Berkshire Theatre Group Dates: June 27-July 21, 2024 Bay Street Dates: August 1-25, 2025 Geva Dates: September 25-October 27, 2024 All Roles Have Been Cast. AUGUST WILSON’S "HOW I LEARNED WHAT I LEARNED" Performances: October 15-December 1, 2024 All Roles Have Been Cast. "A CHRISTMAS CAROL" First Rehearsal: October 22, 2024 Performances: November 21-December 29, 2024 Wilson Stage, LORT B This is a world premiere production that is still in development; characters and descriptions are subject to change. "NINA SIMONE: FOUR WOMEN" First Rehearsal: December 17, 2024 Performance Dates: January 14-February 9, 2025 Wilson Stage, LORT B "LITTLE WOMEN" First Rehearsal: January 30, 2025 Performance Dates: February 25- March 23, 2025 (potential ext. March 30, 2025) Wilson Stage, LORT B "PURE NATIVE" First Rehearsal: March 20, 2025 Performance Dates: April 15-May 11, 2025 Wilson Stage, LORT B NOTE: directors encourage Native Americans, First Nations, Alaska Natives, or Hawaiian Natives actors to apply. While they encourage actors to self-identify and express any concerns around their consideration for the role to the producers/director, it is industry standard that producers/director do not ask the ethnic backgrounds of the performers. "BEAUTIFUL: THE CAROLE KING MUSICAL" Pioneer Theatre First Rehearsal: January 29, 2025 Pioneer Theatre Performances: February 14-March 1, 2025 Geva Theatre First Rehearsal: May 13, 2025 Geva Theatre Performances: May 28-June 29, 2025 If you are interested, please apply.
27 roles
(Male-identifying) A man of business. Incredibly wealthy, but frugal. Miserly even. Personal loss has made him hard. He will be cracked open by play’s end. "A CHRISTMAS CAROL"
(Male-identifying) SCROOGE’S clerk. A devoted husband and father. Long-suffering and compliant. He will stand up to his employer by play’s end. "A CHRISTMAS CAROL"
(Male-identifying) SCROOGE’S nephew and only living relative. A doting husband. Playful and generous. His persistence will be rewarded by play’s end. Doubles as FEZZIWIG and THE GHOST OF CHRISTMAS PRESENT/AS CAST. "A CHRISTMAS CAROL"
(Male-identifying, physically disabled) A mystery, until he is not. An instigator. His true identity will be revealed by play’s end. Doubles as SOLICITOR 1, ELLIS and THE GHOST OF CHRISTMAS FUTURE/AS CAST. "A CHRISTMAS CAROL"
(Female-identifying) SCROOGE’S sister. SCROOGE’S sister. A compassionate advocate. Doubles as PAST and MARTHA/AS CAST. "A CHRISTMAS CAROL"
(Female-identifying, open to all physical types) SCROOGE’S great love. Clever and spirited. Doubles as LILY/AS CAST. "A CHRISTMAS CAROL"
(Male-identifying) Bookish and earnest. Doubles as PETER/AS CAST. "A CHRISTMAS CAROL"
(30) - A.K.A. “Peaches”. Timeless. A woman of dark skin & temperament that cloaks wounds both present & historical. Bach & the Blues infuse her life. She is a tornado...of vulnerability. Complexity is her complexion & resistance & rebellion her anthem. She should boast the agility of improvisation on the keys & the polyvocality of a herald. She should be able to hear a song only once and be able to not only perform it, but to lift the song to another level of being. "NINA SIMONE: FOUR WOMEN"
A.K.A. “Auntie”. Also of dark skin. Her hands are rough. Molded from years of working in the white folks home since she was yea high. Groomed to put others before herself. This type of welding has created the invisible woman that she has become. Her smile is inviting never letting on that trouble lives on her horizon. Her dark skin has determined how she will be treated by the outside world. Her life has been defined by black and its volatile relationship to white. "NINA SIMONE: FOUR WOMEN"
Her skin is yellow. She is of a softer disposition because that is what her hair type & skin color warrant. She’s never been dark enough to cause offense, but she’s just light enough to offend herself at times. She’s the painful reminder that she is a child of violence. She’s not light enough to be white nor dark enough to be black leading to an inescapable purgatory. She’s joined the Civil Rights Movement hoping this will make her black enough & create an acceptance. "NINA SIMONE: FOUR WOMEN"
Her skin is tan. She’s enticing whether she wants to be or whether she’s paid to be. She’s been tossed to and fro by life and the blows that it’s delivered by the men that have come and gone from her life. She’s lived on the streets for quite some time and been in and out of trouble most of her life. She’s a pistol, but has still never gotten what she really wants—love. She is the kind of woman that will steal your man when you’re not looking. "NINA SIMONE: FOUR WOMEN"
Nina’s younger brother. Plays piano, Hammond B-3 Organ, and tambourine. Stays out of Nina’s way. "NINA SIMONE: FOUR WOMEN"
"LITTLE WOMEN"
"LITTLE WOMEN"
"LITTLE WOMEN"
"LITTLE WOMEN"
(Mixed Blood, Mohawk, Male Identifying) Handsome but a little weathered. Smooth-talker. "PURE NATIVE"
(Tuscarora, Female Identifying) Attractive but fierce - NOT easygoing. "PURE NATIVE"
(Mohawk, Male Identifying) Handsome, polished - a career politician. "PURE NATIVE"
(Mohawk, Female Identifying) Future Clan Mother and former Beauty Queen. Wife to Art. "PURE NATIVE"
(Tuscarora, Male Identifying) Connie's Brother and Karen's husband. Gary's assistant. Former Soldier. The "baby" of the Group. "PURE NATIVE"
(Female Identifying) An aspiring singer/songwriter. A unique, appealing, funny and vulnerable girl from a Jewish family in Brooklyn. Talented, good natured, unassuming and often the peace maker in difficult situations. A reluctant star with no pretense and a passion for music. A powerful, distinctive voice. Voice Part: Mezzo Soprano (F3 -F5). "BEAUTIFUL: THE CAROLE KING MUSICAL"
(Male Identifying) Carole’s boyfriend, songwriting partner and eventual husband. He is smoldering, dark & handsome with a rebel vibe. Although sexy, he is innately sympathetic, wounded and tortured. An ambitious artist always striving for more. Sings well. Baritone/tenor. Voice Part: Tenor (C3-G4). "BEAUTIFUL: THE CAROLE KING MUSICAL"
(Female Identifying) A songwriter who becomes romantically involved with Barry Mann. Carole’s best friend. She is sophisticated, smart & chic with a quick wit. Although self-confident and sarcastic, she is also extremely likeable. Strong comic timing who sings extremely well. Belt. Voice Part: Mezzo Soprano (F3-E5). "BEAUTIFUL: THE CAROLE KING MUSICAL"
(Male Identifying) A songwriter who becomes romantically involved with Cynthia. He is good natured, appealing & neurotic. Ambitious, but likeable. Comedic with a great voice. A strong high tenor comfortable with pop & rock style singing. Voice Part: Tenor (C3-A4). "BEAUTIFUL: THE CAROLE KING MUSICAL"
(Male Identifying) An influential music publisher and producer. He is a fast talking, energetic force of nature. Powerful, direct & sometimes intimidating, but he has a real affinity for his writers and artists. A hit maker. Voice Part: Bass/Baritone (A2-C4). "BEAUTIFUL: THE CAROLE KING MUSICAL"
(Female Identifying) Carole’s Jewish mother. Once an aspiring playwright, she has been broken down by life & her husband’s infidelity. Protective of Carole and unforgiving of her husband’s mistakes. "BEAUTIFUL: THE CAROLE KING MUSICAL"