Theatre Casting Call for 2024/2025 Season Shows
Seeking video submissions for roles in the 2024/2025 season productions. ONLY LOCAL TALENT WILL BE CONSIDERED. See more info below. Additional info: NEW WORLD COMIN’: Rehearsals 8/13/24 – 9/11/24 Performances 9/12/24 – 9/22/24 ANNIE: Rehearsals 11/2/24 – 12/4/24; Performances 12/5/24 – 1/12/25 SENSE AND SENSIBILITY (The Musical): Rehearsals 1/28/25 – 2/26/25; Performances 2/27/25 – 3/16/25 THE IMPORTANCE OF BEING EARNEST: Rehearsals 4/1/25 – 4/23/25; Performances 4/24/25 – 5/4/25 WEST SIDE STORY: Rehearsals 5/3/25 – 6/4/25; Performances 6/5/25 – 6/29/25 When applying, please include two, one-minute selections of your choosing, in the style of the show. These should be EITHER: A. (1) ONE-MINUTE BALLAD and (1) ONE-MINUTE UPTEMPO; OR B. (1) ONE-MINUTE SONG and (1) ONE-MINUTE MONOLOGUE. C. DANCE SUBMISSIONS: If interested in dancing principal or chorus roles, please also submit EITHER your Dance Reel, an excerpt from an archival recording or a self-tape of a combination of your choosing. (Shareable YouTube Video Link preferred).
51 roles
Strong BIPOC Singer/Actor; Mickey’s best friend since childhood. A highly intelligent, tough, no-nonsense girl; Sharon and her mother are among the few POC families in Moose Town, a place she longs to escape. "NEW WORLD COMIN’"
A successful businessman with a warm heart. Rich, stiff-collared, bullish; (Vocal range top: D5, bottom: A3) "ANNIE"
Faithful secretary to Mr. Oliver Warbucks. Poised, sweet, gentle. "ANNIE"
The servant at the Warbucks mansion. "ANNIE"
The servant at the Warbucks mansion. "ANNIE"
The servant at the Warbucks mansion. "ANNIE"
The servant at the Warbucks mansion. "ANNIE"
The servant at the Warbucks mansion. "ANNIE"
The orphanage matron who hates children but is fond of liquor. Very disillusioned, bitter, and cold. (Vocal range top: F5, bottom: A3) "ANNIE"
Miss Hannigan’s no-good brother looking for a quick buck. A sleazy, slick con man (Vocal range top: G5, bottom: B3) "ANNIE"
Rooster’s “floozy” girlfriend, who is also out for a quick buck. (Vocal range top: G5, bottom: B3) "ANNIE"
The ultimate radio personality. He helps Annie by broadcasting about the search for her birth parents. (Vocal range top: G5, bottom: E4) "ANNIE"
The 32nd President of the United States. A Democrat and friend of Warbucks. (Vocal range top: F4; bottom: Eb3) "ANNIE"
ENSEMBLE. "ANNIE"
ENSEMBLE. "ANNIE"
ENSEMBLE. "ANNIE"
ENSEMBLE. "ANNIE"
ENSEMBLE. "ANNIE"
ENSEMBLE. "ANNIE"
ENSEMBLE. "ANNIE"
Elinor’s younger sister; emotional, romantic, effusive and sensitive. "SENSE & SENSIBILITY"
Elder half-brother to the Dashwood sisters; Not unkind, but easily led. "SENSE & SENSIBILITY"
Wife to John Dashwood, Conniving, strong-willed, nasty. "SENSE & SENSIBILITY"
Brother to Robert and Fanny; a gentleman, a bachelor. Introverted, kind, earnest, awkward. "SENSE & SENSIBILITY"
A handsome and dashing young man. "SENSE & SENSIBILITY"
A good-natured, boisterous woman; mother-in-law to Sir John, and terror to the countryside. "SENSE & SENSIBILITY"
A jovial country gentleman, and distant relation to Mrs. Dashwood. "SENSE & SENSIBILITY"
A young girl with no fortune. "SENSE & SENSIBILITY"
The play’s protagonist; a seemingly responsible, respectable young man who leads a double life. In Hertfordshire, where he has a country estate, Jack is known as Jack. In London he is known as Ernest. Jack is in love with his friend Algernon’s cousin, Gwendolen Fairfax. "THE IMPORTANCE OF BEING EARNEST"
The play’s secondary hero; a charming, idle, decorative bachelor, nephew of Lady Bracknell, cousin of GwendolenFairfax, and best friend of Jack Worthing, whom he has known for years as Ernest. Brilliant, witty, selfish, amoral, and given to making delightful paradoxical and epigrammatic pronouncements. "THE IMPORTANCE OF BEING EARNEST"
Algernon’s cousin and Lady Bracknell’s daughter; she is in love with Jack, whom she knows as Ernest. A model and arbiter of high fashion and society, she speaks with unassailable authority on matters of taste and morality. Sophisticated, intellectual, cosmopolitan, and utterly pretentious. "THE IMPORTANCE OF BEING EARNEST"
Jack’s ward; she is obsessed with the name Ernest, but even more intrigued by the idea of wickedness. She imagines herself in love with Jack’s brother Ernest. "THE IMPORTANCE OF BEING EARNEST"
Cecily’s governess; an endless source of pedantic bromides and clichés. Despite her rigidity, seems to have a softer side. She entertains romantic feelings for Dr. Chasuble. "THE IMPORTANCE OF BEING EARNEST"
The rector on Jack’s estate; entertains secret romantic feelings for Miss Prism. "THE IMPORTANCE OF BEING EARNEST"
Algernon’s manservant; the only person who knows about Algernon’s practice of “Bunburying.” "THE IMPORTANCE OF BEING EARNEST"
The butler at the Manor House, Jack’s estate in the country. "THE IMPORTANCE OF BEING EARNEST"
Tenor; Hot-headed leader. THE JETS. ENSEMBLE. "WEST SIDE STORY"
Tenor; Handsome, sincere, sweet young man; Riff’s best friend. THE JETS. ENSEMBLE. "WEST SIDE STORY"
Baritone; Riff’s second in command. THE JETS. ENSEMBLE. "WEST SIDE STORY"
Fast, agile, strong. THE JETS. ENSEMBLE. "WEST SIDE STORY"
Strong dancer. THE JET GIRLS. ENSEMBLE. "WEST SIDE STORY"
Strong dancer. THE JET GIRLS. ENSEMBLE. "WEST SIDE STORY"
Baritone; Strong, proud, handsome brother of Maria, boyfriend of Anita. THE SHARKS. ENSEMBLE. "WEST SIDE STORY"
Meant to marry Maria, defends Bernardo’s death by killing Tony. THE SHARKS. ENSEMBLE. "WEST SIDE STORY"
Baritone, second-in-command. THE SHARKS. ENSEMBLE. "WEST SIDE STORY"
Soprano; Sweet. Innocent, hopeful girl. THE SHARK GIRLS. ENSEMBLE DANCERS. "WEST SIDE STORY"
Alto; Strong, feisty, confident Puerto Rican woman; strong dancer. THE SHARK GIRLS. ENSEMBLE DANCERS. "WEST SIDE STORY"
Mezzo Soprano; Indio’s girlfriend. THE SHARK GIRLS. ENSEMBLE DANCERS. "WEST SIDE STORY"
Owner of the local drugstore/soda shop; father figure to Tony. "WEST SIDE STORY"
Local police Lieutenant; arrogant, abrupt. "WEST SIDE STORY"
Neighborhood cop and Schrank’s right-hand man. "WEST SIDE STORY"