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United States

Seeking local bilingual (English/Spanish) actors for "Shear Madness". ONLY LOCAL TALENT WILL BE CONSIDERED. Please see the details below.

Rate:
$600/week

Additional info: 
Non-union actors that have their own housing in the Tampa Bay area or are within daily commuting distance are encouraged to apply.
Rehearsals begin in January 2023.  The show runs February 14 – April 8, 2023, 8 shows a week, and will be presented in English and Spanish.

When applying, please include a head-shot and resume. In return, you will receive sides and instructions for submitting an audition video.

$600 / Week

Theater

An old-money socialite of impeccable breeding and manner.  She wears classic clothes, classic jewelry and the famous Shubert Diamond.  Her maiden name is socially prominent in the city where SHEAR MADNESS is set.  She knows the names and places that an old-guard aristocrat would haunt.  
The actress playing MRS. SHUBERT must have her hair cut to a specified classic length so that it is easy to wash and set onstage. Must be fluent in English and Spanish.

MRS. SHUBERT

Is a preppy-looking, eager-beaver who’s a capable and earnest undercover cop. MIKEY is bright, quick, affable, somewhat deferential, and very helpful at the same time being innocent, naive, and impressionable. He is a believable, ambitious young cop who supplies much of the credibility to the investigation. MIKEY must get his hair washed and blown dry at every performance. His hair may need to be cut to an appropriate style and length by a professional. Must be fluent in English and Spanish.

MIKEY THOMAS

Bilingual English/Spanish Actors for "Shear Madness"

Auditions for "Junie B. Jones in Jingle Bells, Batman Smells" comedy play. Looking for cast. 
Please see the breakdown below.

About the project: 
Junie B. Jones, First-Grader, is super-excited about the upcoming Holiday Sing-Along and Secret Santa gift exchange at her school. Too bad tattletale May keeps ruining all of Junie B.'s fun. So when Junie B. draws May's name for Secret Santa, she comes up with the perfect plan to teach her nemesis a lesson! But will the Christmas spirit of peace and goodwill interfere before she can give you-know-who what she deserves? 
A hilarious and endearing tale based on the best-selling book series by Barbara Park.

Additional info: 
Auditionees will cold read from the script. If you've never performed in this company production, please bring a head shot or recent picture for casting.
 Resumes are optional.
Roles: *students may be played by actual students or adults playing students.
Rehearsals:
Saturday, October 22, 10 a.m.-12 p.m.
Saturday, October 29, 10 a.m.-12 p.m.
Saturday, November 5, 10 a.m.-12 p.m.
Tuesday-Thursday, November 15-17, 7-9 p.m.
Tuesday, November 22, 7-9 p.m.
Saturday, November 26, 10 a.m.-12 p.m.
Tech week:
Monday-Thursday, November 28-December 1, 7 p.m.-???
Show dates and times:
December 2-12, 2022
Fridays at 8 p.m.
Saturdays at 2 p.m. and 8 p.m.
Sundays at 3 p.m.
Mondays at 8 p.m.

Junie B. Jones

Mr. Scary

Herb

Grampa MIller

Lucille

Elf Ellen

Jose

Mr. Toot

Sheldon

Phillip Johnny Bob

Other Classmates

"Junie B. Jones in Jingle Bells, Batman Smells" Play Needs Cast

Auditions for "A Christmas Story" show. Actors wanted. Please see the breakdown below.

About the project: 
"Humorist Jean Shepherd’s memoir of growing up in the midwest in the 1940s follows 9-year-old Ralphie Parker in his quest to get a genuine Red Ryder BB gun under the tree for Christmas. Ralphie pleads his case before his mother, his teacher and even Santa Claus himself at Higbee’s Department Store. The consistent response: “You’ll shoot your eye out!” All the elements from the beloved motion picture are here, including the family’s temperamental exploding furnace; Scut Farkas, the school bully; the boys’ experiment with a wet tongue on a cold lamppost; the Little Orphan Annie decoder pin; Ralphie’s father winning a lamp shaped like a woman’s leg in a net stocking; Ralphie’s fantasy scenarios and more. A Christmas classsic!"

Additional info: 
Preparation for auditions:
Auditions will consist of cold readings from the script.
Rehearsals are typically weekday evenings but may vary by director. 
Show dates: December 2-18, 2022.
Show dates are Fridays and Saturdays at 8:00 p.m. and Sundays at 2:00 p.m.
All genders, races, and experience levels welcome.

Ralph as an Adult

Gruff and grumbling on the exterior, Ralphie’s Dad has a good heart. He doesn’t overtly show it, but he 100% loves his family. A blue- collar guy, he usually expects the worst out of most situations.

The Old Man

She is the secret engine that runs the family, keeping the household together with a smile–despite bickering children, limited funds, an x- rated lamp in the living room window, a cranky furnace and a crankier husband. Vibrant, warm, affable–but not a pushover–she is always busy, especially anytime she is in the kitchen, and even more so at Christmastime! The actor who plays this role must be very comfortable with children.

Mother

Ralphie’s 5th grade teacher, a seemingly stereotypical 1940s educator–prim and proper, stern when necessary–though warm and even humorous when the situation merits it.

Miss Shields

The Santa Claus at Higbee’s Department Store is ill- tempered, slightly inebriated and very unhappy with his job–nothing like the “Jolly Old St. Nick” one would dream of meeting! He gets rid of each kid as fast as he can and judges them on their way down.

Santa

"A Christmas Story" Play Needs Cast

Auditions for play "The Wolves". Seeking actors.
 ONLY LOCAL TALENT WILL BE CONSIDERED. 
Please see the breakdown below.

About the project: 
"Left quad. Right quad. Lunge. A girls indoor soccer team warms up. From the safety of their suburban stretch circle, the team navigates big questions and wages tiny battles with all the vim and vigor of a pack of adolescent warriors. A portrait of life, liberty, and the pursuit of happiness for nine American girls who just want to score some goals."

Rate:
All performers are paid.  
One AEA SA contract is available for this production. 

Additional info: 
Instructions: please prepare a monologue in the style of the show.
Rehearsals begin Saturday December 3rd, 2022.
Performances are Friday – Sunday beginning January 13th and ending January 22nd.
Previews are Wednesday January 11th and Thursday January 12th.
They will take a break from rehearsals from December 20th – January 4th and reconvene January 5th with rehearsals.
Directors currently cannot provide housing for actors residing outside of the Tampa Bay Area.

For online audition please send video submission.

When applying, please include resume, head shot & other information.

Female-presenting. Brainy, morbid, budding elitist, thoughtful. Seventeen.

#11 Midfield

Female-presenting. Captain. Classic (ex)coach’s daughter. Seventeen.

#25 Defense

Female-presenting. Stoner, older pot dealer brother, into her wackiness. Sixteen.

#13 Midfield

Female-presenting. New girl. Awkward, different, just wants to fit in. Sixteen.

#46 Bench

Female-presenting. Innocent, unlucky, kind, skinny. Sixteen.

#2 Defense

Female-presenting. Too cool for school. Sarcastic, “fuck”, thick eyeliner. Almost seventeen.

#7 Striker

Female-presenting. #7’s insecure sidekick. Just switched to contacts. Sixteen.

#14 Midfield

Female-presenting. Plays dumber than she is. Sixteen.

#8 Defense

Female-presenting. Intense performance anxiety, perfectionist, high achiever. Seventeen.

#00 Goalie

SOCCER MOM

"The Wolves" Play Casting Actors

Auditions for "The Miracle Worker" play. Actors needed. Please see the breakdown below.

About the project: 
"In Alabama in the 1880s, the wealthy Keller family has just given birth to a baby girl, Helen Keller. Captain Arthur Keller and his second wife, Kate Keller, summon a doctor to treat Helen for a fever. Soon after, they learn that Helen has lost her ability to see or hear.
Five years pass, and Helen is now a little girl. She can’t communicate with anyone, and so she spends her days horsing around, misbehaving, and sometimes attacking other children. Her family does very little to change her behavior—in fact, Kate sometimes rewards Helen with candy even when she’s been bad. Helen’s half-brother, James Keller (from Arthur’s first marriage) is cynical about Helen’s chances of ever learning how to read or write, and suggests that Arthur send Helen to an asylum.
Even though the Kellers have summoned dozens of doctors to teach Helen, Kate remains cautiously optimistic. She reaches out to a young woman named Annie Sullivan. Annie Sullivan, the audience learns, grew up in Massachusetts. She and her beloved brother, James Sullivan, had a rough early life, and spent years in an almshouse. When Annie was still young, James died, and Annie seems to blame herself for the tragedy. She believes that she broke her promise to her brother—to take care of him always—and vows never to break another promise to a child.
Annie was virtually blind as a child, and she later attended the Perkins Institute for the Blind. There she underwent an operation to regain her sight. Her teacher at Perkins, Anagnos, taught her a great deal, and inspired her to become a teacher, too. Although Annie has regained her sight, she often wears smoked glasses in order to protect her sensitive eyes from bright lights.
Annie arrives at the Keller household, where she meets Helen. To the Kellers’ surprise, Annie uses a more hands-on, aggressive approach than any of her predecessors, getting down on the floor to interact with Helen and at times punishing Helen harshly for misbehaving. Most importantly, Annie begins by teaching Helen the sign language for things like “dog,” “doll,” and “cake.” It’s important for Helen to memorize these signs, Annie explains to a skeptical James, so that in the future she can understand that these signs symbolize real things. Helen is initially reluctant to cooperate with Annie. She hits Annie and, at one point, locks Annie in her room and hides the key. Annie is frustrated, but refuses to leave.
As the days go on, Annie succeeds in getting Helen to cooperate with her, but she realizes that she’ll never get Helen to learn sign language unless she can exercise total control over her pupil, independent of Arthur and Kate. Arthur is skeptical of Annie’s teaching methods, and at one point contemplates sending her back to Massachusetts. With Kate’s encouragement, however, he agrees to let Annie stay..."

Additional info: 
The doors will open at 6:30.
Auditioners only need to attend one audition.
Wear comfortable clothing and shoes. 
No prior experience or resume is required.
A prepared piece is not required. 
Every auditioner will be notified by phone of their result, before the full cast list is announced publicly.
Company does not precast roles….ever.
Auditions will consist of cold readings from the script.
Performances: January 13 – 29.

Playing 20 years old. From Boston, of Irish descent. She is the teacher of Helen Keller. Annie is fierce and determined, though haunted by her past.

Annie Sullivan

A former Confederate Army Captain. Helen’s father and the father of James (from his first marriage).

Captain Keller

Younger second wife of Captain Keller. Helen’s loving mother. Devoted and yearning to have hope. Also the mother of a newborn girl.

Mrs. Kate Keller

Oldest child of Captain Keller. Painfully distant from his father. Believes all would be better off if Helen were in an institution.

James Keller

Helen’s aunt. She is a talkative, opinionated woman who is the catalyst for the Kellers’ contact with the Perkins School for the Blind.

Aunt Eve

Servant to the Keller family. Funny and opinionated.

Viney

Dr. Anangos

Doctor

"The Miracle Worker" Stage Play Needs Cast

Auditions for 2023 Season. Looking for actors. 
ONLY LOCAL TALENT WILL BE CONSIDERED. Please see the breakdown below.

Additional info: 
Company is committed to bringing more diversity and inclusion to the stage. Directors encourage gender diversity and color consciousness in casting methods and invite actors of all ethnic backgrounds and genders to audition.
While some roles will be offered singly, it is the goal of Company to cast a repertory company of actors with the ability to play multiple roles in the season.
Callbacks will begin Saturday evening from 6:00pm to 9:00pm and continue on Sunday, October 9th, 2022 from 12:00pm to 5:00pm. Actors are requested to prepare a two-minute monologue and to bring a non-returnable headshot and resume.
Please note that for the continued safety of actors and creatives, Company requires that all performers and staff be fully vaccinated against COVID-19.
They will be casting NON-EQUITY performers.
"Misery"
First Rehearsal: December 19th, 2022
Performances: January 20th-29th, 2023
"The Glass Menagerie"
First Rehearsal: TBA
Performances: March 3rd-12th, 2023
"Speech & Debate"
First Rehearsal: TBA
Performances: May 12th-21st, 2023
"The Inheritance"
First Rehearsal: TBA
Performances: September 8th-24th, 2023
"Hir"
First Rehearsal: TBA
Performances: November 3rd-12th, 2023
"The Last Night of Ballyhoo"
First Rehearsal: TBA
Performances: December 8th-17th, 2023.

Obsessed with Paul Sheldon, her favorite author, and willing to go to any length to have him resurrect her favorite character. She is a psychopath and capable of extreme violence.
"Misery"

Annie Wilkes

Author, held captive by Annie after a car crash. Mostly bedridden, this role does require some physical versatility (crawling, falling out of bed, etc.)
"Misery"

Paul Sheldon

The local sheriff who comes looking for Sheldon after finding his car near Annie’s house.
"Misery"

Buster

Narrator of the play; a poet who works in a warehouse; caught between responsibility to his family and following his dreams; explosive, mercurial, lonely, and caring; deeply devoted to his sister; a suffocating dreamer.
"The Glass Menagerie"

Tom Wingfield

Sensitive; painfully shy; a childhood illness has left her physically impaired; retreats from reality through her collection of glass animals.
"The Glass Menagerie"

Laura Wingfield

Tom’s lone friend at the warehouse and a former classmate of Laura’s; pleasant in appearance and demeanor; peaked in high school; he is the outside world.
"The Glass Menagerie"

Jim O’Connor

18+ to play 16 - an ambitious, honest student working for the school newspaper, he is frustrated by the hypocrisy of the adult figures in his life and single-minded in his mission to expose their hypocrisy.
"Speech & Debate"

Solomon

18+ to play 17 - a frumpy, slightly overweight and slightly off-kilter theatre kid; she is fiercely determined to speak her mind, despite being ignored by the school’s establishment. Undeterred by her unpopularity, she understands she will never be an ingenue.
"Speech & Debate"

Diwata

18+ to play 18 - an openly gay transfer student, he is frustrated by the conservative ideals and puritan attitudes of Salem, Oregon.
"Speech & Debate"

Howie

The voice of the various adult figures in the play; the adults in this world are not caricatures seen through the eyes of the teenagers but real people shaped by the puritan ideals and family values of the small town they were reared in; seeking a versatile actor to play multiple roles.
"Speech & Debate"

Teacher/Reporter

To play Adam, a charming wide-eyed child of privilege. Physically attractive. Naturally seductive.  
Also plays, Leo, a guarded, damaged young man but underneath his messy exterior, he’s a young man aching for connection and kindness. A sex worker now, intermittently homeless and in the throes of addiction, Leo trusts no one because his life has taught him this is the only way to survive. 
"The Inheritance"

Young Man 1/Adam McDowell/Leo

To play multiple roles, including: Jason #1 – high school science teacher, bookish and sweetly nerdy. The kind of person who doesn’t speak at parties until they’ve had a couple of drinks and then you can’t shut them up. He has the ability to look at an argument from every possible angle. He is a steady ship on increasingly stormy seas. He often takes on the role of peacemaker.
"The Inheritance"

Young Man 2/Jason #1

To play multiple roles, including: Young Henry, appears as a memory or the shadow of the adult Henry Wilcox. Traumatized by what he witnesses during the mid-1980’s, at the start of the AIDS epidemic, he moves through the world cautiously, with his emotional guard resolutely up. The only person who can pierce his defenses is Young Walter, with whom he has fallen hopelessly, desperately in love.
"The Inheritance"

Young Man 3/Young Henry

To play multiple roles, including: Young Walter appears as a memory or the shadow of the adult Walter Poole. Directors also encounter him at the start of the AIDS epidemic. A deeply feeling, intensely loyal, innately principled young man. Outwardly, he is as gentle as a cherry blossom. Inwardly, he’s steel-spined and indestructible. Whereas the epidemic almost crushes Henry, it reveals Young Walter’s true strength and resolve.
"The Inheritance"

Young Man 4/Young Walter

To play multiple roles, including: Toby's Agent a budding young power agent at one of the big agencies. Thrives on protein shakes and hot yoga. Not without compassion for Toby but increasingly frustrated by his client’s erratic behavior. Knows how to gently pet with one hand and cut throats with the other.
"The Inheritance"

Young Man 5/Toby’s Agent

As Tristan an ER physician who spends his days dealing with trauma of all kinds. He is calm under pressure and knows how to diffuse the most volatile situations. He can be droll and wickedly funny when he wants to (and he often does). He can also expertly dissect thorny, seemingly impossible problems with reasoned, blazingly intelligent thinking. His observations are never like speeches—instead, they are examples of a dazzling mind at work, working out problems in real time. 
"The Inheritance"

Young Man 6/Tristan

To play multiple roles including Jasper, a “social justice entrepreneur,” who works in the political realm as a movement influencer. He is wickedly smart if also a little self-righteous and blind to his own privilege. He has a good heart and good intentions. When we meet him, he’s an amiable doofus with boyish charm who hasn’t really matured past the age of 22, which is the average age of most of his boyfriends. The 2016 election hardens him in unhealthy ways. 
"The Inheritance"

Young Man 7/Jasper

To play multiple roles including Jason #2, a first-grade teacher who often treats the world as if it were his classroom. Big-hearted, joyful, and deliriously idiosyncratic. Jason will often hijack a serious conversation with his decidedly out-of-the box thinking. The fact that he is able to coherently argue his somewhat baffling points of view is evidence not only of his fertile imagination but also his rock-solid intellect. Jason is a perceptive and compassionate man.
"The Inheritance"

Young Man 8/Jason #2

Deeply compassionate. Tender. Loyal. Undervalues himself and doesn’t realize how special he is. Tested along the way by heartbreak and loss, he uses these disappointments as fuel to build the growing fire inside him. Doesn’t know that he’s the lead of this play. Once he does and makes a decision to act bravely and decisively, he discovers he has the ability to change the world to an extent far greater than anyone knows.
"The Inheritance"

Young Man 9/Eric Glass

A raging whirlwind of ambition, sex appeal, self-regard, self-doubt, and ultimately self-destruction. Charming. Verbose. Funny. Sharp-tongued. A self-made man who charges through life as if he were indestructible—ultimately discovering that he is not. He knows the glory of tremendous heights and the devastating lows of self-annihilation. A star that burns too brightly and is extinguished too quickly. He can delight you and appall you.
"The Inheritance"

Young Man 10/Toby Darling

To play E.M. Forster, the eminent British author of Howards End and Maurice. A spiritual and literary guide to a group of young men attempting to tell the story of their lives. Straight-laced. Proper. Occasionally playful and even joyfully wicked. And Walter Poole, Henry's gentle, honest, partner. 
Note: As this doubling covers both British and American characters, the role(s) requires an actor extremely deft with both accents.
"The Inheritance"

E.M. Forster/Walter Poole

A gay billionaire Republican real estate developer. Walter’s partner. Charming, fiercely intelligent and emotionally inaccessible. He survived the AIDS epidemic by closing himself off to the needs of others. In trying to ignore his trauma he has lived a life completely divorced from his emotions, from joy, from connection to others. But the desire for happiness does not come without cost—and he is forced to finally face his past.
"The Inheritance"

Henry Wilcox

A haunted woman. The mother of a young man who died of AIDS in the mid-1980 and who she was estranged from, she has spent her life atoning for her personal failings. Flinty, pugnacious, no-nonsense. She is tasked with caring for Walter’s house and, by extension, all its secrets as well as some of her own.
"The Inheritance"

Margaret

18+ to play 17 - transgender masculine child of Paige and Arnold; sibling to Isaac. Max is now homeschooled by Paige and is extremely isolated in this suburban town. Max wants to escape hir hometown and forge a life in a more progressive environment. 
NOTE: The actor playing Max should be someone who was born a biological female and now identifies as transgender or gender-queer.
"Hir"

Max Connor

Son of Paige and Arnold; Max's brother. Neither popular nor a complete outcast in high school, Isaac could not find a job or afford to go to college after graduating. Isaac has just returned from two years in the Afghan war, where he worked in Mortuary Affairs caring for the body parts of marines killed in combat. He was dishonorably discharged after getting caught using a methamphetamine. Isaac seeks to reassert his father's values of order & cleanliness, despite Paige's wishes. 
"Hir"

Isaac Connor

Cisgender (identifying as your biological gender); Max and Isaac's mother and Arnold's wife. After years of suffering abuse from her husband Arnold, Paige revels in the liberation from her oppressive marriage and housekeeping obligations after Arnold's stroke. She sees freedom in losing the label of wife, and enforces house rules that are the direct opposite of Arnold's (he demanded order, she thrives on mess). She dresses Arnold in old nightgowns.
"Hir"

Paige Connor

Cisgender (identifying as your biological gender); Isaac and Max's father and Paige's husband. Arnold was an angry and violent man, but has had a stroke, which has affected his ability to communicate verbally and care for himself. His home used to run entirely by his iron fist, but now he is dependent on Paige and Max to care for him and they don’t. He often tries to escape from the house, but never succeeds. When he feels something, he feels it with no censor. 
"Hir"

Arnold Connor

Brother of Boo and brother-in-law of Reba, funny and sarcastic at times, supports everyone, but doesn’t resent it.
"The Last Night of Ballyhoo"

Theater Auditions in Orlando