United States

Casting for a variety of different roles for Summer Shorts 2023. 
ONLY LOCAL TALENT WILL BE CONSIDERED. Please see the breakdown below.

About the project: 
Summer Shorts 2023 is an anthology series of 8 short plays. 

Rate:
Each actor will receive a $25.00 stipend.

Additional info: 
The show runs August 11-13 and 18-20.

When applying, please include your information.

$25 / Project

Theater

African-American

Latino / Hispanic

White / Caucasian

Other

Asian

Middle Eastern

Native American

Pacific Islander

Indian/South Asian

Both genders

Journet

Porter

Police lieutenant, adult.
"Benevolence of the Universe"

Male

Brad Blaylock

Police dispatcher, adult, off stage.
"Benevolence of the Universe"

Female

Marcia

Husband, a good neighbor.
"Some Are Welcomed Here"

Joe Truett

Wife, a good neighbor.
"Some Are Welcomed Here"

Nelly Truett

Father.
"An Awkward Conversation In The Shadow of Mount Moriah"

Abraham

Son.
"An Awkward Conversation In The Shadow of Mount Moriah"

Issac

An Assistant with major anxiety who knits to cope.
"Monster Talent"

Primary Agent at Monster Talent. Suave and confident, but harried.
"Monster Talent"

Aaron Adams

Gloria

Herb

Rebecca

Andy

Waiter

David Madison

Street smarts and media smarts are combined in this attractive young woman.
"Captive"

Lauren Madison

Concerned government agent whose mandate is to look after his fellow citizens who have found trouble on foreign shores, but we soon find out that he’s a different type of agent, one highly skilled in extraction. And extermination.
"Captive"

Franks Wells

If accomplishment can be measured in bodies and a hotel ballroom full of cash, Phillipe is truly an accomplished man.
"Captive"

Phillipe Dragger

Seeking Actors For Summer Shorts 2023

Casting performers for the "How to Succeed in Business Without Really Trying" play. Other details are listed below.
ONLY LOCAL TALENT WILL BE CONSIDERED.

About the project:
A satire of big business and "traditional" gender roles and all they hold sacred, How to Succeed in Business Without Really Trying follows the rise of J. Pierrepont Finch, who uses a little handbook called "How to Succeed in Business Without Really Trying" to climb the corporate ladder from lowly window washer to high-powered executive, tackling such familiar but potent dangers as the aggressively compliant "company man," the office party, backstabbing coworkers, blackmail, caffeine addiction, and, of course, true love.

Additional info:
Show Dates: September 1-3*, 8-10*, 15-17*, 2023
Please prepare a 32-bar or 1-minute cut of a song similar to the style of the show that demonstrates your range and abilities. Songs from the show are acceptable.
Cold reads from scripts will also be used to gauge character interactions.
Dance auditions will be required, please bring comfortable clothes and shoes you can move in.

If interested, apply.

Our story's protagonist. An irrepressible, clear-eyed, almost puckish hero, he is a window washer who applies for a job at the World Wide Wicket Company and attempts to climb the 'ladder of success.'
Vocal range top: G4
Vocal range bottom: C3

J. Pierrepont Finch

A sleazy executive with a penchant for the ladies.

Gatch

The stuffed-shirt, philandering President of World Wide Wicket. Beneath his ruthless exterior, he is a college lad at heart with a passion for knitting.
Vocal range top: A4
Vocal range bottom: C3

J.b. Biggley

A secretary at the company who is more interested in finding a man than advancing her career. She becomes Finch's love interest.
Vocal range top: B4
Vocal range bottom: A3

Rosemary

A secretary with a painfully dry sense of humor. She is a cynical, working woman who is on the lookout for a man.

Smitty

Biggely's nephew and scheming employee. He is an arrogant sycophant who tries to advance his career by exploiting his family connections.
Vocal range top: F4
Vocal range bottom: C3

Bud Frump

J.B.'s stuffy secretary who is abrupt and tough, but soft and kind to those who are good to her.
Vocal range top: Gb5
Vocal range bottom: Bb3

Miss Jones

He is a fussy, old-fashioned, yet loyal employee at the company. Supervisor of the mailroom, he believes his success is due to his lack of ambition and ability to remain unnoticed.
Vocal range top: E4
Vocal range bottom: C#3

Mr. Twimble

The company's Chief Executive Officer and a former window-washer.
Vocal range top: E4
Vocal range bottom: D3

Wally Womper

A voluptuous, sexually-charged woman adored by all of the men. She may appear dim-witted, but she knows how to manipulate men to get what she wants.
Vocal range top: Eb5
Vocal range bottom: C4

Hedy

Scrubwomen

Executives

Secretaries

"How to Succeed in Business Without Really Trying" Needs Talent

Open auditions for mainstage production of "Whose Life is it Anyway?". In need of cast. ONLY LOCAL TALENT WILL BE CONSIDERED. Please see the breakdown below.

About the project: 
A brilliant battle of wits takes place in this extraordinary play.
Claire Harrison, a successful sculptor, is paralyzed in a car accident and kept alive by support systems in a hospital. Outwardly, she’s cheerful and often very funny, but she’s overwhelmed by the fact that she has lost control of her own life.
As the play begins, she is coming to the decision that if she can’t live as a woman, she doesn’t want to exist as a medical achievement. Her physician, however, is utterly determined to preserve Claire’s life, regardless of its quality.
Finally despite the pleas of the doctors and her involved nurse, Claire invokes the law of habeas corpus and a judge joins the battle to determine “Whose Life Is It Anyway?“

Rate:
This is a non-paid performing opportunity.

Additional info: 
PRODUCTION DATES:
August 18th - 26th, 2023
Fridays and Saturdays at 8 p.m. Sundays at 2 p.m.
TECH WEEK:
Sunday August 13th - Thursday August 17th, 2023
Performers and some production volunteers MUST be available for all tech week rehearsals and all performances. There are no exceptions!
Rehearsals:
There will be approximately 20 rehearsals for this production, plus tech week and performances. The exact rehearsal schedule is to be determined, but rehearsals are usually 1-2 weekday nights per week, from approximately 7 p.m. until 9:30 p.m. There is the possibility of some Sunday evening rehearsals and some weekend daytime rehearsals.
The rehearsal schedule intensifies as opening night draws closer. Tech week rehearsals can run later into the evening.
No experience is necessary. All roles are open. 
All are welcome and encouraged to audition, regardless of prior experience, ethnicity, disability or identity.
PERFORMERS - WHAT TO PREPARE:
Auditions will consist of cold readings from the script. These will be provided on the day of auditions. Actors trying for the role of Claire may be asked to perform additional exercises.

When applying, please include your information.

(F Presenting) – the patient, a sculptor paralyzed from the neck down due to an automobile accident.
Note: Actor will need the ability to remain still in bed and act with face and head only for the full length of the play.

Claire Harrison

(M Presenting) Claire’s attending doctor: professional and skilled doctor who has his beliefs challenged by the case.

Dr. David Scott

(F Presenting) 30+. Ward Nurse Supervisor: by the book, firm, pleasant, but does not show emotion.

Nurse Anderson

(M Presenting) 40+. Medical Director: dedicated to the job, will do all within his power for patients under his care.

Dr. Michael Emerson

(F Presenting). Student Nurse: friendly, outgoing, under pressure to be more like the senior nurses in treating patients.

Mary Jo Sadler

(M Presenting) Orderly: Friendly, outgoing, sees patients as human beings regardless of their condition.

John

(F Presenting). Social Worker: Helpful, outgoing, always trying to do the best for patients but follows hospital guidelines.

Mrs. Louise Boyle

(F Presenting). Claire’s Attorney: Brought in by Claire to represent her against the hospital actions.

Margaret Hill

(M Presenting) (30+). Consultant Psychologist: Hospital Psychologist brought in to support the hospital case.

Dr. Paul Jacobs

(M Presenting), (25+). Ms. Hill’s Partner: The lawyer that represents Claire in front of the judge.

Peter Kershaw

(M Presenting), (30+). Consultant Psychologist: Psychologist brought in to support the hospital case.

Dr. Robert Barr

(M Presenting), (30+). Hospital’s Attorney: The lawyer that represents the hospital in front of the judge.

Andrew Eden

40+. Judge: The judge in Claire’s case. Fair person with some humor.

Judge Wyler

"Whose Life is it Anyway?" Stage Play Seeking Cast

Open auditions for Agatha Christie's "Murder on the Orient Express". Looking for actors. ONLY LOCAL TALENT WILL BE CONSIDERED. Please see the breakdown below.

About the project: 
Ken Ludwig's clever adaptation of the Agatha Christie classic boasts all the glamour, intrigue and suspense of Dame Agatha's celebrated novel, with a healthy dose of humor to quicken the pace.
The year is 1934. Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train is surprisingly full for the time of the year, but by the morning it is one passenger fewer.
An American tycoon lies dead in his compartment, stabbed eight times, his door locked from the inside.
Isolated and with a killer in their midst, the passengers rely on detective Hercule Poirot to identify the murderer – in case he or she decides to strike again.

Rate:
This is a non-paid performing opportunity.

Additional info: 
PRODUCTION DATES:
September 8th - 24th, 2023
Fridays and Saturdays at 8 p.m. Sundays at 2 p.m.
TECH WEEK:
Sun. September 3rd - Thu. September 7th, 2023
Performers and some production volunteers MUST be available for all tech week rehearsals and all performances. There are no exceptions!
Rehearsals:
There will be approximately 20 rehearsals for this production, plus tech week and performances. The exact rehearsal schedule is to be determined, but rehearsals are usually 1-3 weekday nights per week, from approximately 7 p.m. until 9:30 p.m. There is the possibility of some Sunday evening rehearsals and some weekend daytime rehearsals.
The rehearsal schedule intensifies as opening night draws closer. Tech week rehearsals can run later into the evening.
No experience is necessary. All roles are open. 
All are welcome and encouraged to audition, regardless of prior experience, ethnicity, disability or identity.
PERFORMERS - WHAT TO PREPARE:
The cast has a wide range of accents.
Please review the monologues and accent resources for this play attached.
Come prepared with monologues for two characters of interest. You will be auditioning with the character’s accent. The accent doesn’t have to be perfect, but the closer the better.

When applying, please include your information.

A famous Belgian detective; a "big" personality; authoritative, witty, charismatic, and slightly pompous; driven to find the answers, good or bad, with a strong moral sense; very aware of his ability and his well-deserved reputation, but regularly attempting to be humble in his genius. French Accent.

Hercule Poirot

A Belgian man of good humor; playful, proud, generous; a predilection for grandeur; a whirlwind of energy; must be an excellent comedian. French Accent.

Monsieur Bouc

An English beauty; a governess, capable yet romantic; a sadness around her eyes and a hardness about her person. English Accent. Please note this character has a kissing scene.

Mary Debenham

Tightly wound, edgy and nervous; he seems to always be on the verge of falling apart or coming unwound. American Accent.

Hector MacQueen

One actor will play two roles: Michel: a good-looking Frenchman, about 40, a quiet, almost grave sense of humor; unfailingly polite; Head Waiter: a Turkish waiter, snooty, smooth; must have great comic timing. Michel has a French accent and Marcel a Turkish accent.

Michel the Conductor/Head Waiter

A Russian dowager; very formal, a sweeping, impressive presence; imperial, impatient. Russian accent.

Princess Dragomiroff

Inherently odd, and very devout Swedish woman; a frightened, sheeplike quality; must be an excellent comedienne with an impeccable Swedish accent. Swedish accent.

Greta Ohlsson

Brilliantly beautiful, like something out of a fairytale; impeccably put together, with a warmth that wins over everyone she meets; her delicacy belies a steely edge; she is no wilting flower; Hungarian accent.

Countess Andrenyi

An outspoken and flamboyant American from the Midwest; jovial, domineering, deliciously nosy and brash; unapologetic; must be an excellent comedienne. Prepare to sing “Alexander’s RagTime Band” acapella. American Accent.

Helen Hubbard

Normally one actor plays two roles, but we may cast two people. Samuel Ratchett: (35-50) American businessman, evil at heart and frightening, brusque, unforgiving, stern demeanor; pushy, domineering. American accent. Colonel Arbuthnot: (30-40) Scotsman, handsome, very matter of fact, occasionally tender; must have great comic timing.Scottish Accent. Has a kissing scene.

Colonel Arbuthnot/Samuel Ratchett

Casting Call For Play "Murder on the Orient Express"

Searching For Equity actors for roles in 2023-24 Season show "Marvin Gaye Prince of Soul". ONLY LOCAL TALENT WILL BE CONSIDERED. Please see the breakdown below.

Rate:
$690.00 per week.

Additional info: 
Directors advise actors to arrive 15 minutes before your scheduled audition just in case they are running ahead of schedule.
Callbacks: Saturday, June 10th 2023 6pm – 8pm
Callbacks: Sunday, June 11th 2023 6pm – 8pm
IF CALLED BACK:
Directors understand actors may be coming from all the way from out of town, so they plan to hold callbacks on both days of auditions, 6pm – 8pm. 
These callbacks will take place where auditions were. Please wear clothes and shoes you would be comfortable to dance in!
If called back you do not need to bring another copy of your headshot and resume, directors have that from earlier.
They will not be providing feedback on auditions.
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Housing: they provide housing with a private bedroom and shared common areas. FREE laundry onsite.
Flight: will provide roundtrip airfare (coach class). We will reimburse you up to 2 checked bags.
Local transportation: try to place actors in walking distance of the theatre. If they placed further away they will provide transportation to the theatre. Also have shared company vehicles if you pass a background check.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
PREPARATION
All auditioners should prepare two contrasting monologues (not to exceed 3 minutes total please). If auditioning for a musical then prepare 1 monologue (no longer than 2 minutes please) and 32 bars of music (in the correct key). A pianist will be available. Please provide five copies of your headshot and resume stapled back to back.
"Marvin Gaye Prince of Soul"
Rehearsals: Tuesday, Mar. 19 to Tuesday, Apr. 16, 2024 (4 Weeks)
Production Run: Wednesday, Apr. 17 to Sunday, May 26, 2024 (5 weeks and 4 days)
Total performances: 40

If you are interested, apply.
For video submissions, please see the document attached.

$690 / Week

Frankie Gaye

Berry Gordy

Anna Gordy

Mother Gay

Father Gay

Doubling maybe tripling roles, very strong singers and dancers.

4 Ensemble Men & 4 Ensemble Women

"Marvin Gaye Prince of Soul" Show Needs Cast

In need of Equity actors for roles in 2023-24 Season show "A Soldier’s Play". ONLY LOCAL TALENT WILL BE CONSIDERED. See the details below.

Rate:
$690.00 per week.

Additional info: 
Directors advise actors to arrive 15 minutes before your scheduled audition just in case they are running ahead of schedule.
Callbacks: Saturday, June 10th 2023 6pm – 8pm
Callbacks: Sunday, June 11th 2023 6pm – 8pm
IF CALLED BACK:
Directors understand actors may be coming from all the way from out of town, so they plan to hold callbacks on both days of auditions, 6pm – 8pm. 
These callbacks will take place where auditions were. Please wear clothes and shoes you would be comfortable to dance in!
If called back you do not need to bring another copy of your headshot and resume, directors have that from earlier.
They will not be providing feedback on auditions.
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Housing: they provide housing with a private bedroom and shared common areas. FREE laundry onsite.
Flight: will provide roundtrip airfare (coach class). We will reimburse you up to 2 checked bags.
Local transportation: try to place actors in walking distance of the theatre. If they placed further away they will provide transportation to the theatre. Also have shared company vehicles if you pass a background check.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
PREPARATION
All auditioners should prepare two contrasting monologues (not to exceed 3 minutes total please). If auditioning for a musical then prepare 1 monologue (no longer than 2 minutes please) and 32 bars of music (in the correct key). A pianist will be available. Please provide five copies of your headshot and resume stapled back to back.
"A Soldier’s Play"
Rehearsals: Tuesday, Dec. 12, 2023 to Wednesday, Jan 17, 2024 (5 Weeks)
Production Run: Thursday, Jan. 18 to Sunday, Feb. 18, 2024 (5 weeks)
Total performances: 32 (note only 2 previews)

If you are interested, please apply.
For video submissions, see the document attached.

Tech/Sergeant Vernon C Water

Captain Charles Taylor

Corporal Bernard Cobb

Private First Class Melvin Peterson

Corporal Ellis

Private Louis Henson

Private James Wilkie

Private Tony Smalls

Captain Richard Davenport

Private C.J. Memphis

Lieutenant Byrd

Captain Wilcox

Equity Actors Sought For Production Of "A Soldier’s Play"

In search of Equity actors for roles in 2023-24 Season show "Ruby". ONLY LOCAL TALENT WILL BE CONSIDERED. See the breakdown below.

Rate:
$690.00 per week.

Additional info: 
Directors advise actors to arrive 15 minutes before your scheduled audition just in case they are running ahead of schedule.
Callbacks: Saturday, June 10th 2023 6pm – 8pm
Callbacks: Sunday, June 11th 2023 6pm – 8pm
IF CALLED BACK:
Directors understand actors may be coming from all the way from out of town, so they plan to hold callbacks on both days of auditions, 6pm – 8pm. 
These callbacks will take place where auditions were. Please wear clothes and shoes you would be comfortable to dance in!
If called back you do not need to bring another copy of your headshot and resume, directors have that from earlier.
They will not be providing feedback on auditions.
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Housing: they provide housing with a private bedroom and shared common areas. FREE laundry onsite.
Flight: will provide roundtrip airfare (coach class). We will reimburse you up to 2 checked bags.
Local transportation: try to place actors in walking distance of the theatre. If they placed further away they will provide transportation to the theatre. Also have shared company vehicles if you pass a background check.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
PREPARATION
All auditioners should prepare two contrasting monologues (not to exceed 3 minutes total please). If auditioning for a musical then prepare 1 monologue (no longer than 2 minutes please) and 32 bars of music (in the correct key). A pianist will be available. Please provide five copies of your headshot and resume stapled back to back.
"Ruby"
Rehearsals: Tuesday, Jan. 23 to Tuesday, Feb. 27, 2024 (5 Weeks)
Production Run: Wednesday, Feb. 28 to Sunday, Apr. 7, 2024 (5 weeks and 4 days)
Total performances: 39 Note – no show March 31 and April 1

For scheduling auditions, apply.
For video submissions requirements, please see the document attached.

Ruby McCollum

Prominent businessman in Live Oak and Ruby’s Husband.

Sam McCollum

Nationally renowned journalist and author dispatched to Live Oak, Florida by the Pittsburg Courier newspaper.

Zora Neale Hurston

Live Oak Physician and Florida politician.

Dr. Clifford Leroy Adams

“Sixty-eight-year-old back country tobacco chewing judge who looks as though he just stepped from the pages of an Erskine Caldwell novel.”

Judge Hal Adams

Resident of Live Oak, Florida. Employed by James and May Gary. Formerly employed by Sam and Ruby McCollum. Ruby’s assistant and confidant.

Olivia Brown

Sheriff of Suwannee County, Florida. He lives in Live Oak, Florida.

James Gary

Resident of Live, Oak Florida and Sheriff Gary’s wife.

Maybelle (May) Gary

ENSEMBLE

Seeking Equity Cast For Production Of "Ruby"

Auditions for "Pickleball" & "Golf with Alan Shepard" shows. In need of actors. ONLY LOCAL TALENT WILL BE CONSIDERED. Please see the details below.

About the project: 
"Pickleball": Jeff Daniels – actor, director, musician, and playwright – has picked up on the rage and delivered a screwball comedy about … pickleball. It’s a “pwocking” good time that will “pickle” your funny bone. 
"Golf with Alan Shepard": Those of a certain age will understand the significance of the title. Join some grumpy old men for a grumpy old round of golf with their questions, fears, loves, and Metamucil …plus an appearance by an out-of-this-world guy who hit the longest golf shot in history. A laugh riot of a comedy, Golf With Alan Shepard is about bickering, birdies, and bonding. Fore!

Additional info: 
"Pickleball":
Callback: June 26th.
Rehearsals begin August 28, 2023
Performance dates: October 27-November 26, 2023
"Golf with Alan Shepard": 
Callback: June 25th.
Rehearsals begin July 17, 2023
Performance dates: August 25 – September 24, 2023

If you are interested, please apply.

Actors For "Golf With Alan Shepard"

Attractive alpha identifying female, her name describes her, fit: flexible, and athletic, ultra-competitive, Jillian Michaels type. She hates to lose and once killed a man on the court with her kill shot.
“Pickleball”

PERFECT

Gay, widowed, identifying female. She misses her deceased wife and Pickleball partner Betsy, who died on the court. Billie is somewhat athletic, not overly outgoing, attached to her phone, and, as a former collegiate tennis star, she’s a banger on the court.
“Pickleball”

BILLIE

Handsome (just ask him) identifying male, a self-anointed ladies’ man, who plays Pickleball strictly to pick up single women. Not a true athlete, but you hate him anyway because he is a natural at everything he tries, including Pickleball.
“Pickleball”

LARRY

Overweight, formerly athletic, identifying male. He has just injured both butt muscles diving for a shot just inside the line. He is loudmouthed, in excruciating pain, and he waddles rather than walks. Jackie Gleason type.
“Pickleball”

SHELDON

Fit, fairly athletic identifying male. He is Sheldon’s doubles partner, whom Sheldon blames for his injured butt. He might be Jewish and he might not, but he does take offense at being called a Schmuck.
“Pickleball”

SPIKE

Eerie, ghostly, identifying male. Alas, he is the unfortunate victim of Perfect’s kill shot. He doesn’t walk. He floats. If Karloff or Vincent Price were alive, they would be the ideal Ralph.
“Pickleball”

RALPH

Seeking Cast For "Golf with Alan Shepard" & "Pickleball" Shows

Open audition notice for "The Diary of Anne Frank" play. Looking for cast. Please see the breakdown below.

About the project: 
The Diary of Anne Frank premiered on Broadway in 1955, only 10 years after Anne Frank’s death and eight years after the publication of her diary documenting two and a half years spent in hiding from Nazi persecution. In a world turned upside down by the Holocaust, Anne Frank held on to her faith in humanity. This story of resilience, optimism and a young girl’s extraordinary spirit transcends time and offers hope to today’s world. Winner of the Tony Award, the Pulitzer Prize and the Critic’s Circle Award.

Additional info: 
Auditions will be cold readings from the script.
In reference to our audition notices:
Most characters directors encounter currently are on the binary and are written with he/him or she/her pronouns, and you will see that in the descriptions they provide. However limiting the descriptions are, the casting seeks to be as inclusive as possible, and directors invite gender non-conforming, genderqueer, transgender, and non-binary actors to apply for the roles they most identify with. They will also list race/ethnicity when specific to the character but are otherwise seeking all races and ethnicities. It is the policy of Theatre that all auditions are open to the public. All interested people, newcomers and stage veterans alike, are welcome. 
Performance dates:
Please note special scheduling due to Jewish high holidays
September 21, 22, 23 (matinee and evening), 24(matinee)
September 28, 29, 30 (matinee and evening)
October 1 (matinee).

(Must be able to play 17 years old), pretty, quiet, obedient, demure, frail, friendly, very intelligent, overwhelmed by the trials of hiding, very close to her mother and father. Like Anne, she longed for a friend in whom she could confide. She played the role of peacemaker when Anne overstepped. She was a good girl and was admired by all.

MARGOT FRANK

Father of Anne and Margot, a wise fair, loyal, attentive, patient, intelligent, level-headed, optimistic, genuinely liked people, devoted to his wife, Edith.

OTTO FRANK

(must play mid 40’s) A lovely woman, from a wealthy German family, reticent, loving, moral, concerned, gracious, cultured, devoted to tradition, devastated by her relationship with Anne, is barley holding on based on the issues of isolation and hiding.

EDITH FRANK

(Actress must be able to play in her mid-40s) loud, egotistical, talky, often crude, suspicious, bossy, moody, self-important, overbearing, critical of others, flirtatious, manipulative, does not like to be bossed around, tries to run the household.

MRS. VAN DAAN

Dour, selfish, complaining, ungrateful, dictatorial, highly critical of his son Peter, easily irritated, is rather withdrawn from the others.

MR VAN DAAN

(Actor must be able to play 17-19 yrs. old) withdrawn, unsure, awkward, immature, shy, sometimes amusing, attached to his cat, hates his mother and father’s constant quarrels, ages from the introverted teenager to the more mature 19-year-old who enjoys the company of the girls.

PETER VAN DAAN

Dentist, stodgy, old-fashioned, disciplined, hypercritical, selfish, doesn’t like Anne’s behavior, not a people person. picky, unhappy with everything, whiny, a perfectionist, easily angered.

DUSSEL

Austrian refugee living in the Netherlands, entrusted by Otto Frank with provisioning the occupants of the Annex and hiding them from the outside world. She was courageous, empathetic, compassionate, and friendly.

MIEP

Helps Miep with the responsibilities of feeding and hiding the occupants of the Annex, employee of Mr. Frank’s company, a trusted colleague and friend. He is sympathetic to their plight, and is an honest and good man.

Mr. KRALER

Jobs In Acting For Stage Play "The Diary of Anne Frank"

In need of male and female performers for the "Fiddler on The Roof" play. For more information see the details listed below.
ONLY LOCAL TALENT WILL BE CONSIDERED!

About the project:
"Fiddler on the Roof" is the beloved story of the small, tradition-steeped town of Anatevka, Russia, where Jews and Russians live
in delicate balance. The time honored traditions of Anatevka are both embraced and challenged by Tevye and his colorful
community, as they witness his daughters, Tzeitel, Hodel and Chava, grow up and fall in love in a time of extraordinary
change. Fiddler on the Roof’s Broadway premier became the longest-running Broadway musical in history, a title it maintained
for almost 10 years. It is a story that captures the essential human longings for love, community, success, freedom, family, and
meaning. Fiddler on the Roof features such iconic songs as the beautiful “Sunrise, Sunset,” the boisterous “If I Were a Rich
Man”, and the classic “Matchmaker, Matchmaker.”

Rate:
$300.00 – $500.00 per week

Additional info:
All video submissions should include a link to a YouTube, Vimeo, or other video-sharing service file. YouTube: please make your video setting Public or Unlisted.
PLEASE PREPARE TWO CONTRASTING VOCAL SELECTIONS IN THE STYLE OF THE SHOW AND ONE MONOLOGUE.
MATERIAL FROM THE SHOW IS PERFECTLY ACCEPTABLE. PLEASE NO MORE THAN 32 BARS PER SONG.
PLEASE BRING SHEET MUSIC IN YOUR KEY. ACCOMPANIST WILL BE PROVIDED.
MEN: PLEASE WEAR SNEAKERS OR CHARACTER SHOES, AND BRING KNEE PADS IF YOU HAVE THEM.
FEMALES: PLEASE WEAR CHARACTER HEELS FOR THE DANCE CALL.
REHEARSALS BEGIN: MONDAY, JULY 24TH - THURSDAY, AUGUST 4TH, 2023
PREVIEWS BEGIN: THURSDAY, AUGUST 3RD, 2023
OPENING NIGHT: FRIDAY, AUGUST 4TH, 2023
CLOSING PERFORMANCE: SUNDAY, SEPTEMBER 17TH, 2023
See the attachment for more info. 

Apply, if interested.

$500 / Week

UNDERSTUDIES WILL BE CONSIDERED
Tevye is a like-able, hard-working, pious man who sees the positive side of life. Strong patriarch but gentle father of 5 daughters he has raised according to the Scriptures. He is humorous and relaxed, but when pushed, can show stubbornness and rage. Strong actor who must carry the show and have a good connection with the audience. Range: A2-F5

Theater Auditions in Orlando