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United States

The company is holding auditions for "Fun Home" and looking for actors, please see the details below. 
ONLY LOCAL TALENT  WILL BE CONSIDERED.

About the project:
The winner of five 2015 Tony Awards including Best Musical, Fun Home is a musical adapted by Lisa Kron and Jeanine Tesori from Alison Bechdel’s 2006 graphic memoir of the same name. The story concerns Bechdel’s discovery of her own sexuality, her relationship with her gay father, and her attempts to unlock the mysteries surrounding his life. It is told in a series of non-linear vignettes connected by narration provided by the adult Alison character. Note: Parents are encouraged to research the content of this musical prior to auditions.

Rate:
There will be a stipend of $150-$250 depending on time commitment. 

Additional info:
Rehearsals run Jan 30-March 2, 2023 (evenings and occasional Saturdays, totaling 4-5 days a week). Shows are March 3-19, 2023.
Please prepare 32 bars of a song in the style of the show that displays your vocal range and a contemporary monologue under 2 minutes (comedy or drama). Actors may also be asked to read from the script. 

When applying, please include a resume, headshot, and audition form (see the attachment).

$250 / Project

Singing

The narrator of the story, very self-aware and able to insightfully comment on her own journey and the complex relationship with her father and his tragic death. Vocal: Alto – low E to light belt C#

Alison

Alison’s father, a high school English teacher who is also a funeral home director. A complex man with a temper, partially due to his repressed homosexuality. Loving and attentive (at times) to his children but also shows flairs of anger. Vocal: Tenor – B to G

Bruce

Alison’s mother has spent her life trying to be a good mother and wife, but is frustrated with her marriage and her husband’s relationships with other men. Vocal: Mezzo – Ab to mixed E

Helen

Freshman at Oberlin College and discovering her sexuality. Intelligent, well-read and socially awkward. *Must be comfortable with portraying a same-sex relationship with same-sex kissing. Vocal: Alto – strong mix-belt to C and mix to E

Medium Alison

Plays numerous roles from Roy, a young guy who is hired to do yard work, Mark, a junior in high school, Bobby Jeremy, the lead singer in a rock band. May appear shirtless in one scene (this is negotiable). Vocal: Tenor to a B

Roy/Mark/Bobby

Alison’s first girlfriend whom she meets at Oberlin. Joan is a poet, feminist, and activist. Unlike Alison, Joan is very comfortable in her own skin. *Must be comfortable with portraying a same-sex relationship with same-sex kissing. Vocal: Alto, strong with harmonies

Joan

Performers Sought for "Fun Home" Show

AMERICAS EXTREME TALENT 
ABOUT

Welcome AMERICA to the new music competition series AMERICAS EXTREME TALENT. A.E.T. begins with 30 extreme Talents.  A.E.T. is set out on a journey across the nation to discover a new crop of inspiring talent for the new Season in NEW YORK. Once the panel judges select the 30 hopefuls. America will have the chance to decide who is brought on to the show by voting TALENT that sings their own songs, their own lyrics, and their own style throughout the show. You can AUDITION ONLINE. 
We hear your cry AMERICA. 
A.E.T. is the new show that keeps it real.

$1000 / Week

MUST BE A-LISTER SOLO ARTIST PERFORM BEFORE A LIVE AUDIENCE JUDGE CONTESTANTS

PANEL JUDGE 1

MUST BE An A-LISTER SOLO ARTIST MUST BE ABLE TO JUDGE CONTESTANTS

PANEL JUDGE 2

PANEL JUDGE 3

HOST

Seeking Judges and Host for AMERICAS EXTREME TALENT

Canada

ONLY LOCAL TALENT WILL BE CONSIDERED.
The production debut with an exciting new musical "Murder for Two" is looking for two performers. Please, see the details below.

About the play:
In this hilarious 90-minute show, 2 performers play 13 roles in a witty and winking homage to old-fashioned murder mysteries. 
Officer Marcus Moscowicz is a small town policeman with dreams of making it to detective. One fateful night, shots ring out at the surprise birthday party of Great American Novelist Arthur Whitney and the writer is killed…fatally. With the nearest detective an hour away, Marcus jumps at the chance to prove his sleuthing skills—with the help of his silent partner, Lou. But whodunit? Did Dahlia Whitney, Arthur’s scene-stealing wife, give him a big finish?  Is Barrette Lewis, the prima ballerina, the prime suspect?  Did Dr. Griff, the overly-friendly psychiatrist, make a frenemy? Marcus has only a short amount of time to find the killer and make his name before the real detective arrives…

Additional information:
Please come prepared with a short monologue and song. 
Production Dates: December 21, 22, 23.

If interested, please apply.

An ambitious young officer eager to solve the case and make detective.
Ability to play the piano is an asset but by no means required.

Officer Moscowicz

10 colorful characters ranging from loopy widows to bickering neighbours, a ballerina and even a small boys choir this is the perfect role for impressionists and aspiring comedians. Ability to play the piano is an asset but by no means required.

'The Suspects'

Performers Wanted for "Murder of Two" Musical

ONLY LOCAL TALENT WILL BE ACCEPTED.
The theater company needs more cast members for the panto "Sleeping Beauty". More details are below.

Additional information:
Rehearsals are on Tuesday, Thursday and Sunday evenings in Surrey and the show runs late November to December 4th.

if interested, please apply.

Young or old, experienced or newbie, male or female.

Talent

"Sleeping Beauty" the Musical Panto Needs Talent

ONLY LOCAL TALENT WILL BE ADMITTED.
The company is searching for performers for 2023 Season. Please, see the details below.

Additional information:
The season consists of the next plays: 
9 to 5 - The Musical;
Andrew Lloyd Webber’s Sunset Boulevard;
Grease;
The Wizard of Oz.
Call Back Dates:
Monday, October 24, 6:30pm to 10:30pm.
Tuesday, October 25. 6:30pm to 10:30pm.
(Full call back schedule to be released closer to call back dates).
Please include all pertinent information to assist our panel to understand your experience and areas of interest. 
You are required to present one monologue (1-minute maximum) & to sing one song of your choice from the musical theatre canon. Please no songs from any of the musicals being presented as part of our 2022 Season. Please pick 16 bars that best show off your range and voice.  A pianist will be provided
If successful you will be contacted by e-mail or phone with further requirements including downloadable sheet music selections and reading sides if required.  A movement/dance call will take place on the call back date as well. Please familiarize yourself with the shows and characters.
For more details regarding this opportunities, please see the attachments.

If interested, please apply.

"9 to 5" the Musical.
The new girl at the firm. She has been burned by her husband’s affair and is searching for personal empowerment. Insecure, determined, and hopeful.
Vocal range: Ab3-F5.

Judy Bernly

"9 to 5" the Musical.
The firm top executive and a notorious chauvinist. He is capable of faking charm but usually shows his true colors as an arrogant, self-absorbed boss.
Vocal range: C3-Gb4.

Franklin Hart

"9 to 5" the Musical.
Mr. Hart’s attentive Administrative Assistant: the snitching queen of office gossip. She has an unrequited love for Mr. Hart and will do anything she can to win his approval.
Vocal range: G3-C5.

Roz Keith

"9 to 5" the Musical.
A handsome, young office accountant. Genuine, nice, and smitten with Violet.
Vocal range: B2-G4.

"9 to 5" the Musical.
Doralee’s husband. He is very supportive of her professional pursuits.
Vocal range: E2-G4.

Dwayne

"9 to 5" the Musical.
Violet’s awkward teenage son.

Josh/Compnay

"9 to 5" the Musical.
Franklin Hart’s wife, is clueless about her husband’s true nature.

Missy Hart/Company

"9 to 5" the Musical.
A young and vibrant secretary in Hart’s office.

Maria/Company

"9 to 5" the Musical.
Judy’s soon-to-be ex-husband. An average guy, he is sporting a little less hair and a little more paunch than he did ten years ago.

Dick/Company

"9 to 5" the Musical.
A secretary in Hart’s office with a tendency to gossip.

Kathy/Company

"9 to 5" the Musical.
A secretary in Hart’s office with a tendency to drink.

Margaret/Company

"9 to 5" the Musical.
Franklin Hart’s boss and Chairman of the Board. A good man, who may be wiser to Hart’s ways than he lets on.

Tinsworthy/Company

"9 to 5" the Musical.
Office employees, police officers, hospital employees.

COMPANY

"Sunset Boulevard" play.
Strong vocal, high baritone, not “pop” style young writer struggling to make his name in Hollywood. Not Hollywood in manner, but very Hollywood in looks. Tall, strikingly handsome, self-assured, yet with a manly rugged demeanor. An excellent singer with a natural film-style approach. Charming, with an opportunist-like quality. Vocal Range A2 to G4.

Joe Gillis

"Sunset Boulevard" play.
Baritone, Ex-film-director-turned-devoted-servant, with European accent. Norma's biggest fan and also her ex-husband.
Vocal Range G2 - Gflat4.

Max von Mayerling

"Sunset Boulevard" play.
Bari-tenor, Joe's friend, a generous, hardworking director's assistant. Clean cut professional, but fun. Betty's fiancé.
Vocal Range C3-G4.

Artie

"Sunset Boulevard" play.
Belt/mix, Artie's fiancée, a clean-cut, bright-looking girl, in her twenties. Sweet but sophisticated in a professional manner, a go-getter who wants to sincerely work with Joe…eventually falling for him.
Vocal Range A3 - G5.

Betty Schaefer

"Sunset Boulevard" play.
Famous film director. Baritone, Strong, imposing with a fatherly quality. Doubles as other roles.
Vocal Range Aflat2 - Dflat4.

Cecil B DeMille/Company

"Sunset Boulevard" play.
Baritenor, Boss of the studio, neurotic, stressed. Doubles in additional roles. Vocal Range D3-D4.

Sheldrake/Company

"Sunset Boulevard" play.
Tenor, expensive tailor to the stars. Doubles in additional roles.
Vocal Range C3-G4.

Manfred/Company

"Sunset Boulevard" play.
Joe’s slimy agent, is very “Hollywood”. Doubles in additional roles.

Morino/Company

"Sunset Boulevard" play.
Belter, Eve Arden-ish, DeMille’s wise-crackin’ assistant. Doubles in additional roles.

Heather/Company

"Sunset Boulevard" play.
Belt/mix, everyone’s best friend, girl next door. Doubles in other roles.

Larissa/Company

"Sunset Boulevard" play.
Soprano/mix, starlet wanna-be, Marilyn Monroe-ish. Doubles in additional roles.

Mary/Company

"Sunset Boulevard" play.
There are more than 20 named characters throughout the show with solo singing parts. A company of all ages, types and cultural backgrounds with strong vocals and movement abilities are encouraged to audition.

"GREASE" play.
Range: tenor, D4–B5 The leader of the Burger Palace Boys; good-looking, strong and confident, with an air of easy-going charm.

DANNY ZUKO

"GREASE" play.
Range: Soprano, A3–F#5 New girl in town; sweet, wholesome, naive, cute, and innocent.

SANDY DUMBROWSKI

"GREASE" play.
Range: Alto A3–C5 Leader of the Pink Ladies; tough, sarcastic, and outspoken but vulnerable.

BETTY RIZZO

"GREASE" play.
Range: Alto, A3–D5 A dreamer; good-natured but not too smart, she is heavily made up, fussy about her appearance, particularly her hair. She can't wait to finish high school so she can be a beautician.

FRENCHY

"GREASE" play.
Range Alto, C4–C5. The 'beauty' of the Pink Ladies; pretty and looks older than the other girls but betrays her real age when she opens her mouth. She tries to act sophisticated.

MARTY

"GREASE" play.
Range: Alto, A3-C5 Funny, loud, compulsive eater, and awkward member of the Pink Ladies. Loud and pushy with the girls, but shy with boys.

"GREASE" play.
Range: Tenor, D4-A5 The youngest of the guys; small, boyish, and open, with a disarming smile and a hero-worshipping attitude towards the other guys. He also plays the guitar.

DOODY

"GREASE" play.
Range: Tenor, C4–F5 The second in command of the Burger Palace Boys; toughlooking, tattooed, surly, and avoids any show of softness. He has an offbeat sense of humor.

KENICKIE

"GREASE" play.
Range: baritone, G3–A5 A member of the Burger Palace Boys; funny Italian American, he is a braggart and wheeler-dealer who thinks he's a real lady-killer.

SONNY LATIERRI

"GREASE" play.
Range: Tenor, D4-A5 The anything-for-a-laugh stocky type of boy; a clown who enjoys winding people up, he is full of mischief and is always dreaming up half-baked schemes and ideas.

ROGER

"GREASE" play.
Range: Ensemble/Part Flexible A typical 'teen audience' disc jockey; slick, egotistical and fast-talking. He is also a veteran 'Greaser.'

VINCE FONTAINE

"GREASE" play.
Range: Alto, C4–C5 The best dancer at St. Bernadette's; a loudmouth, she wins the dancing competition with Danny.

CHA-CHA, aka CHARLENE, DIGREGORIO

"GREASE" play.
Range: Tenor, A3–E5 The class valedictorian; physically awkward, with weak eyes and a high-pitched voice. He's a typical 'apple-polisher' - both smug and pompous, but gullible.

EUGENE FLORCZYK

"GREASE" play.
Range: Tenor, G4-E5 All-American, rock-star “greaser” student at Rydell High, whose real name is Clarence.

JOHNNY CASINO

"GREASE" play.
Range: Alto, D4-A4 A typical cheerleader; attractive, athletic, sure-of-herself, but can be given to bursts of disconcerting enthusiasm. She's a bit of a pain and unpopular with the Pink Ladies and can twirl a baton.

PATTY SIMCOX

"GREASE" play.
Range: Tenor, E4–F5 Frenchy's suave and slick guardian angel, who encourages her to stay in school.

TEEN ANGEL

"GREASE" play.
Tenor, A3–C5 A Radio Voice.

RADIO VOICE

"The Wizard of Oz".
The heroine of our Fairytale, young, full of energy, strength and kindness. Mezzo/mix Low G - E very strong singer with full sound.

Dorothy Gale

"The Wizard of Oz".
Professor Marvel portrays himself as one who knows many things and has great wisdom in all matters with the help of his crystal ball. Must be a strong actor. Wizard of Oz is a mysterious character that rules over Oz. Non singing unless doubled with other roles.

Professor Marvel/The Wizard of Oz

"The Wizard of Oz".
Hunk is the thinker of the bunch who speaks his mind. The Scarecrow is made of straw and walks with constant unrestricted movements. He has
no brain but often says more intelligent and insightful things than any other person in the musical. Strong Baritone up to F♯ (Opt A♭) with excellent musical timing.

Hunk/The Scarecrow

"The Wizard of Oz".
Hickory is emotionally charged farmhand who desires great things. He is quick witted and lovable. The Tin Man is the most loving and emotional character in the musical. He wants nothing more than to have his heart back. He is strong, protective, and encouraging. Strong Baritone/Tenor to G.

Singing Auditions in Vancouver