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United States

The company is seeking individuals with singing skills for a Singing App Project. See the details below.

Rate:
Talent chosen will be paid $1700 for a project

Additional info:
Audition: None! Direct Booking;
You don't need much experience as it's casual and directors do all the directing


Strict COVID-19 safety protocol will be adhered to during the production of this commercial and it will be produced in accordance with public health guidelines at the time of filming.

$1700 / Project

Singing

Both genders

Talent

Talent Needed for Singing App Project

The company is seeking talent with singing skills for Commercial. See the details below.

Rate:
$1,000/project

Additional info:
Audition: None! Direct Booking;


Strict COVID-19 safety protocol will be adhered to during the production of this commercial and it will be produced in accordance with public health guidelines at the time of filming.

$1000 / Project

Searching for Talent with Singing Skills for Commercial

Auditions for theatre production of "The Full Monty" - video submissions. Seeking Equity actors for roles. ONLY LOCAL TALENT WILL BE CONSIDERED. Please see the breakdown below.

Rate:
LOA
$768 weekly minimum (Ref. to COST)

Additional info: 
Theatre Company is actively seeking diverse and inclusive casting for each and every single role without regard to disability, race, ethnicity, age, gender, color, size or national origin.
Fly IN: July 6th
First Rehearsal: July 7th
Opening Performance: July 28th
Closing Performance: August 20th
Fly OUT: August 21st
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to apply.

When applying, please include your headshot and resume and audition video.
Please prepare a short cut of a pop, rock, contemporary musical theatre song. i.e in the style of the show. Directors want you to feel fully confident in what you are singing and would prefer you sing something from your book that represents the show. However, see attachment to some songs from the show with provided accompaniment and sheet music.

$768 / Week

Jerry’s estranged wife and high school sweetheart now Teddy’s fiancee. She earnestly wants Jerry to be an active parent for Nathan, but wrestles with strong reservations about his character and her own lingering feelings for him. Vocal Range: Alto, strong belt/mix up to C5.

Female

Pam Lukowski

Dave’s wife. Loud, outgoing, brash...the “leader” of the wives and girlfriends. Her reality comes in dealing with her hubby's struggles and trying to hold her marriage together. Vocal Range: High alto, strong belt/mix up to C5.

Georgie Bukatinsky

Harold's wife. Charming and energetic, and loves the finer things in life his job affords them. Flamboyant on the surface, her love and understanding are real. Classy, but easily one of the girls. Comedic triplethreat. Vocal Range: Alto, strong belt/mix up to C5. Comfortable with vocal improv.

Vicki Nichols

(50+) Piano player of indeterminate years...a total old pro; she’s been married eight times and has seen...and done...it all; sassy, quick-witted, larger than life. Vocal Range: Low alto, Belt up to Ab5.

Jeanette Burmeister

ENSEMBLE

Casting Call For "The Full Monty" Show

The company is conducting auditions for Min Kahng's "The Song of the Nightingale," and they are in search of vocalists. Please see the details below.
ONLY LOCAL TALENT WILL BE CONSIDERED.

About the project:
When Mei  Lin, an ambitious kitchen-maid, hears that the emperor of china is searching for the nightingale – the bird whose song brings hope to the people of the land, she offers to help find and capture the bird in exchange for a lofty promotion. This transaction has tragic consequences, however, as mei lin soon learns that the emperor is a foolish ruler who cannot see beyond the bird's plain outer appearance. Based on a Hans Christian Andersen fairy tale, the song of the nightingale is a magical, musical romp that reminds us that true beauty and worth is always found within.

Rate:
All roles open, Non-AEA. A gas stipend will be offered to performers in this production.

Additional info:
Callbacks are by invitation only on February 18, 2023.
ALL conflicts from March 23rd through April 14th MUST BE NOTED.
Rehearsal Dates: Rehearsals will begin (approximately, depending on cast conflicts) on March 26 and are generally Saturdays at 10:00 am-3:00 pm, Sundays at 6:00 pm - 9:00 pm, and Monday through Thursday nights at 7:30 pm -10:30. You will not be called to all rehearsals.
Performance Dates and Times: Friday, April 28 - Sunday, May 14, 2023
Fridays & Saturdays: 8 pm, Saturday & Sunday Matinees: 2 pm - Totaling 10 performances.
Video audition: Please record yourself singing 16 to 32 bars WITH accompaniment, NO A CAPPELLA. You can sing a song in the style of the show or from the show.

When applying, please include the audition form (attached below), your headshot, and your resume with your video audition.
The submission deadline is Saturday, February 11 at 8 pm.

Mezzo with a strong mix and belt. Strong-willed and outspoken, she is the only one with courage enough to tell the Emperor the truth about things.

MEI LIN

Baritone. Childishly brash and temperamental. He is not mean- spirited, just obliviously immature.

Male

EMPEROR

Female dancer. She is the spirit of the show, at once playful and full of deep wisdom. Meek, yet powerful.

NIGHTINGALE

Lyric baritone. A fisherman in love with MEI LIN.

XIAO HAI

Mezzo. The Emperor’s older sister who really runs the show, but is not yet able to stand up for herself.

MADAM WU

Tenor. Emperor’s Lord-in-Waiting and the Palace Aesthetician. He’s fabulous.

BING WEN

Tenor/dancer. A mechanical, boy-band-esque bird. Also plays various ENSEMBLE roles.

FAKE NIGHTINGALE

Mother to TAI YUN and XIAO HAI. Also plays various ENSEMBLE roles.

HEAD FISHER

Older actor, a nervous person. Also plays various ENSEMBLE roles.

HEAD CHEF

DEATH

NARRATOR

PEASANT

GUARD

MESSENGER

WATCHMAKER

DOCTOR

FISHERMEN

PALACE FOLK

DRESSERS

MODELS

COURT MEMBERS

SERVANTS

Professional Casting for "The Song of the Nightingale" Show

NATIONWIDE CASTING.
Directors are currently looking for singers. 
Please, see more details below.

Rate:
Paid and unpaid projects based on your experience and requirements of the project.

Additional information:
Union and Non-Union (both are most welcome).
People from all walks of life can apply (any age).
Location - Must be located in Canada, USA or India.

When applying, please submit a resume and reels/short clips/portfolio (in accordance to the designations you are applying to). 
No application will be entertained without portfolio (work clips that show directors what you are capable of - clips that are made by using phone camera are also accepted - showcase your best skills).
Subject line: "(Your name) - (Designation you are applying to) - (Union/Non-Union)".

Freshers and Experienced (both are accepted).
Ethnicity - All ethnicities are accepted. 
Languages - All languages are accepted. Languages other than English, Hindi, Punjabi will require subtitles on your portfolio.

Singers

Actors

In Need of Singers for Upcoming Project

The company is holding auditions for several shows in its 2023 season and looking for talent, please see the details below.
ONLY LOCAL TALENT WILL BE CONSIDERED.

About the project:
Orange Blossoms" by Victor Herbert, March 2023.  
"Ragtime" by Ahrens & Flaherty, July-August 2023.  
"Iolanthe" by Gilbert & Sullivan, July-August 2023.  
"A Celebration of Chorus", July-August 2023 Famous choruses from musicals, operas, and operettas.  

Rate:
All roles are volunteer positions (non-AEA), and no compensation other than reimbursement for mileage and parking is offered.

Additional info:
If you are auditioning for a lead role in Orange Blossoms you are strongly encouraged to audition on 1/30 or 1/31.
Bring your head shot, resume and most importantly, your calendar.
If you're seeking one of these roles and are unable to audition on these dates you may submit a video audition.

If you are interested, please apply.

Paris divorce solicitor and Kitty’s godfather.
Baritone (Bb3 - F4).
"Orange Blossoms"

Albert Brassac

Brassac’s gum-chewing American secretary.
Alto (C4 - Eb5).
"Orange Blossoms"

Tillie Jones

Brassac’s office receptionist Speaking role (also in Men’s chorus).
"Orange Blossoms"

Octave

Constantly falling in love; currently consumed by love for Helene.
Tenor (C#4 - Ab5).
"Orange Blossoms"

Baron Roger Belmont

A young French country girl. Soprano (D4 - G5).
"Orange Blossoms"

Kitty Savary

A fast-talking American friend of Tilly.
Baritone (C3 – F4).
"Orange Blossoms"

Jimmie Flynn

A haughty Brazilian divorcee. Soprano (F4 - Bb5).
"Orange Blossoms"

Helene de Vasquez

Roger’s butler, who plans to marry Ninetta.
Speaking role.
"Orange Blossoms"

Auguste

Roger’s maid. Soprano (E4 - Ab5).
"Orange Blossoms"

Ninetta

(must have solid high “C” [C6]).
Ensemble.
Soprano/Alto.
"Orange Blossoms"

Cecilia Malba

Ensemble.
Soprano/Alto.
"Orange Blossoms"

Christiane de Mirandol

Julie Bresil

Yolande DuPont

Paulette de Trevors

Simone Garrick

Ensemble.
Tenor/ Bass.
"Orange Blossoms"

Thomas Fitzpatrick

Frank Curran

Oliver Stewart

Denny Murray

(soprano): Female-presenting;  An Arcadian shepherdess and Ward in Chancery, Phyllis is in love with Strephon, but that doesn’t prevent her from enjoying the attention she receives from other men. Smart, rustic, teasing, and sure of herself. She becomes heartbroken when she believes Strephon has been unfaithful.
"IOLANTHE"

Phyllis

(contralto): Female-presenting; An imposing fairy who expects respect and will enforce it, she is also capable of both mercy and romantic infatuation. While she believes in rules, her practical nature allows her to compromise in the end. This role includes a small amount of physical comedy.
"IOLANTHE"

Queen of the Fairies

(soprano): Female-presenting; A leader among the fairies, she is unafraid to say exactly what she thinks. Mischievous.
"IOLANTHE"

Celia

(mezzo-soprano): Female-presenting;  A leader among the fairies, she is more diplomatic than Celia, but also quite willing to use sarcasm when it suits her.
"IOLANTHE"

Leila

(speaking role with ensemble singing): Female-presenting;  A leader among the fairies, she is less wise than Celia or Leila but open with her questions.
"IOLANTHE"

Fleta

(baritone): Male-presenting; An Arcadian shepherd who is also half a fairy (down to the waist), he is in love with Phyllis and also has a close, loving relationship with his mother Iolanthe. An idealistic believer in romance, he is willing to persevere in order to achieve the marriage of his dreams until his heart is broken when Phyllis believes he has been unfaithful.
"IOLANTHE"

Strephon

(baritone): Male-presenting; A conflicted person who tries to do right by his wards and by the law, but who is also tortured by the conflict between his perceived duty and his personal desires. This role involves strong patter singing, portrayal of depths of emotion, and a small amount of physical comedy.
"IOLANTHE"

Lord Chancellor

(tenor): Male-presenting; Leader of the House of Lords. Aristocratic, pompous, and always trying to one-up Mountararat. Initially resistant to change, he winds up embracing it.
"IOLANTHE"

Lord Tolloller

(baritone): Male-presenting; Aristocratic, pompous, and always trying to one-up Tolloller. He whines when things don’t go his way
"IOLANTHE"

Lord Mountararat

(bass): Male-presenting;  Stalwart, steady, and thoughtful. This role involves standing in one place on stage for a long period of time.
"IOLANTHE"

Private Willis

(soprano/alto): Smart, active, communal, and prone to fall in love.
"IOLANTHE"

Chorus of Fairies

(tenor/baritone): Rigid, staid, self-important, but able to eventually see a good thing when it comes their way.
"IOLANTHE"

Chorus of Peers

(baritone with strong top range; range: Ab to G, with a sustained high F#).
Dance skill required; Pantomime pianist; Needs to be able to show the transformation from proud, confident, privileged and stubborn to shock, grief, heartbreak, anger, madness.
**Seeking for an actor who can hold the stage with posture, attitude, charisma and engagement.
Whether in times of glory or disaster he needs to find a way to provide leadership qualities
"RAGTIME"

Coalhouse Walker, Jr

(lyric soprano; range: low G# to high F# on staff)
A mother’s daughter, not extremely mature to the demands of womanhood/motherhood yet raised to be a good woman.
**Seeking a dynamic actress who can clearly portray the emotional arc of the songs she is
singing as well as a romantic connection with Coalhouse. Heavy vocal/acting demands.
"RAGTIME"

Sarah

Anglo-American (lyric soprano; range: low G to high Eb on staff)
Needs to show a gentle/motherly side and very compassionate beyond social expectations, optimistic and hopeful of the good in people. The events of the musical are heavily from Mother’s point of view so we see how the events affect her.
**Seeking an actress who can really own her role as the backbone of the family. Leads with dignity, wisdom and determination. Portrays qualities of a solid protagonist.
"RAGTIME"

Mother

Anglo-American(baritone; range: B to E on staff) Needs to show the range from being very cautious and resistant to change, to finally coming around to having compassion for Coalhouse and what new ideology he stands for.
**Seeking an actor that can portray strong bravado and the determination/stubbornness of an Anglo-man in an Anglo-man’s world. Also needs to show a severe change of heart/mind to show compassion and understanding to other people and their struggles.
"RAGTIME"

Singing Casting Calls in San Jose