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Keyword

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Details

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United States

The company is seeking individuals with singing skills for a Singing App Project. See the details below.

Rate:
Talent chosen will be paid $1700 for a project

Additional info:
Audition: None! Direct Booking;
You don't need much experience as it's casual and directors do all the directing


Strict COVID-19 safety protocol will be adhered to during the production of this commercial and it will be produced in accordance with public health guidelines at the time of filming.

$1700 / Project

Singing

Both genders

Talent

Talent Needed for Singing App Project

The company is seeking talent with singing skills for Commercial. See the details below.

Rate:
$1,000/project

Additional info:
Audition: None! Direct Booking;


Strict COVID-19 safety protocol will be adhered to during the production of this commercial and it will be produced in accordance with public health guidelines at the time of filming.

$1000 / Project

Searching for Talent with Singing Skills for Commercial

Auditions for "I am Jacques Dutronc" musical. In need of cast. ONLY LOCAL TALENT WILL BE CONSIDERED. Please see the breakdown below.

About the project: 
Jacques Dutronc is to the French speaking world what Frank Sinatra is to the English. An iconic French superstar of the 60s and beyond, his music, style, and good looks made him a larger-than-life character adored by generations of fans.
In this musical fantasy/comedy based on his life and music, Dutronc becomes a time-traveling rock star when he must atone for his mistakes in order to get into heaven.
A colorful cast of characters, including God, who is a female, help him along his journey, with the dialogue of the play in English and the performances of Dutronc’s musical hits entirely in French.
I am Jacques Dutronc is a love letter to French music and culture, with a sci-fi twist and lots of comedy that audiences will love.

Rate:
This is a non-paid performing opportunity.

Additional info: 
PRODUCTION DATES:
April 14th – 22nd, 2023
Fridays and Saturdays at 8 p.m. Sundays at 2 p.m.
TECH WEEK:
Monday April 10th - Thursday April 13th, 2023
Performers and some production volunteers MUST be available for all tech week rehearsals and all performances. There are no exceptions!
PLEASE LIST ALL POTENTIAL DATE SCHEDULE CONFLICTS.
Casting and staffing decisions and rehearsal schedules are based in part on this information.
Rehearsals:
There will be approximately 20 rehearsals for this production, plus tech week and performances. The exact rehearsal schedule is to be determined, but rehearsals are usually 2 weekday nights per week, from approximately 7 p.m. until 9:30 p.m. There is the possibility of some Sunday evening rehearsals and some weekend daytime rehearsals.
The rehearsal schedule intensifies as opening night draws closer. Tech week rehearsals can run later into the evening.
No experience is necessary. All roles are open. 
Headshots and resumes are encouraged but not required.
This is a full, memorized Black Box Musical.
There are singing and non-singing roles in this production. Most dialogue is in English, however certain roles will require the performer to learn and perform songs in French. Several roles require an authentic French accent.

When applying, please include your information.

Able to portray mid to late 40s/Baritone.
Present Day Jacques is an iconic French music & film star in the twilight of his music career but in the prime of his blossoming acting career. He is a cool, cigar smoking, whisky drinking cat with a heart of gold, but a bit of a short fuse. He has a swagger and confidence about him. Speaks English with a French accent.
This is a lead role with mostly dialogue in English, however, must learn & sing two songs in French in the show.

Male

Present Day Jacques Dutronc

Baritone/Tenor.
Young Jacques is an iconic French music and film star in the early days through the heydey of his music career. Handsome.
This is a lead role mostly featured in vignettes/flashbacks where many of Dutronc’s hits are performed in French with a live band. He does have some dialogue in English with a French accent. Must be a strong vocalist with a star quality presence. Must be able to learn and perform multiple songs in French.
Ability to play guitar is a plus but not mandatory.

Young Jacques Dutronc

This is English speaking, non-singing role. Director Goldberg is in charge of admissions for the English speaking section of Heaven. While written as a female, this role can be changed to a male or any gender identity. What matters most is that this character is an over-the-top, high energy, stressed out, seen-it-all, talkative, sometimes overbearing, sometimes insecure & sometimes too sure of herself/himself person. Role carries a lot of the comedy in the play & speaks with a Brooklyn accent.

Director Goldberg

Baritone.
Must be a strong, stylish vocalist with star appeal.
While not mandatory, ideally this performer would be a strong lead guitarist with jazz improvisation/solo skills. This role is considered a supporting role because Thomas performs two solo songs in French with minimal dialogue in English with a French accent. This role will likely double as one of Jacques Dutronc’s band members/backup singers and other roles, so additional background performances in French may be required.

Thomas Dutronc

Mezzo-Soprano.
Young Francoise is an iconic French music superstar in the early days of her massive popularity. 
 Must be a strong, stylish vocalist with star appeal and a jaw dropping presence.
Mostly featured in vignettes/flashbacks where several of her hits are performed in French with a live band. She does have some dialogue in English with a French accent. Must be a strong vocalist with a star quality presence. Must be able to learn and perform multiple songs in French.

Young Francoise Hardy

The receptionist is a clunky, nerdy, but clever upstart who keeps the gears moving in the reception area of the English speaking section of Heaven. This role is written as female but could be male. She is a melting pot of characters like Carol Burnett’s Mrs. Wiggins, Allyce Beasley’s Agnes (Moonlighting).
Will double as a French groupie and for the brief appearances of Joan Baez and Gloria Gaynor. Some singing. Any vocal range could work. Must have excellent comedic timing and style.

Receptionist

God is that super cool aunt that everyone wishes they had, but she is also the real deal, seeing and knowing all. Having seen and known it all, she has a real laid back way of approaching things and presents a very calming and loving demeanor, unless another approach is called for. You get the feeling that she smoked a lot of weed in the 60s, and is one with the universe. 
Will double for the brief appearance of Mama Cass, Patsy Cline, and Janis Joplin. Some singing. Any vocal range could work.

Female

Directeur Clemenceau is the Director of the French speaking section of Heaven. He is a frenetic man in a dark suit and bowler hat, and likes to carry (and gesture with) a long black umbrella. He can move in an overly formal way.
Will double as Meatloaf, Ozzy Osbourne, Elton John and a member of One Direction for their brief appearances. Speaks with a thick (but understandable) French accent. Some singing. Any vocal range could work.

Directeur Clemenceau

Mezzo-Soprano.
We meet older Francoise near the end of the play, shortly after her time on earth ends. She is still beautiful and elegant, and is joyful to reunite with Jacques in Heaven. She performs a duet with Jacques, in French, at the climax of the play.

Older Francoise Hardy

4-6 ensemble members will double in multiple roles (these may change/vary depending on who is cast).

Frank Sinatra

Elvis

Paul McCartney

Michael Jackson

Dutronc Back-Up Singer

Hardy Back-Up Singer

One Direction Members

George Harrison

Reporter

John Lennon

Sonny Bono

Mick Jagger

Man #2

Bob Dylan

Ed Sullivan

Producer

Barry Manilow

Delgado

Stage Manager

Cher

Mrs. Loud

Karen Carpenter

French Groupie #2

Doctor

Lead Electric Guitarist

Rhythm Electric Guitarist

Bass Guitarist

Drummer

Keyboardist

Casting Call for "I am Jacques Dutronc" Musical

NATIONWIDE CASTING.
Directors are currently looking for singers. 
Please, see more details below.

Rate:
Paid and unpaid projects based on your experience and requirements of the project.

Additional information:
Union and Non-Union (both are most welcome).
People from all walks of life can apply (any age).
Location - Must be located in Canada, USA or India.

When applying, please submit a resume and reels/short clips/portfolio (in accordance to the designations you are applying to). 
No application will be entertained without portfolio (work clips that show directors what you are capable of - clips that are made by using phone camera are also accepted - showcase your best skills).
Subject line: "(Your name) - (Designation you are applying to) - (Union/Non-Union)".

Freshers and Experienced (both are accepted).
Ethnicity - All ethnicities are accepted. 
Languages - All languages are accepted. Languages other than English, Hindi, Punjabi will require subtitles on your portfolio.

Singers

Actors

In Need of Singers for Upcoming Project

An open call for the musical "Duval" is an invitation for actors and performers to audition for roles in the production. 
ONLY LOCAL TALENT WILL BE CONSIDERED. Please see the details below.

Additional info: 
Performance: March 18.

When applying, please include 1 minute monologue or singing audition.

LISA

PSYCHIATRIC DOCTOR WITH AN UNHEALTHY ADDICTION.

TRICIA

JANET

DIANE

PASTOR LO

DETECTIVES

Casting Call For Musical Show "Duval"

Central Florida’s professional musical theatre will hold annual auditions for its 2023-2024 Series of musicals and the 6th Annual Florida Festival of New Musicals. Seeking cast. ONLY LOCAL TALENT WILL BE CONSIDERED. Please see the breakdown below.

Additional info: 
The Playhouse is seeking professional Equity (O.A.T. Category 4 Contract for Mainstage Musicals & Staged Reading Contract for the Festival) & Non-Equity musical theatre performers. Actors of all ethnicities are strongly encouraged to audition. Housing is not provided.
Audition requirements:
· Prepare 16-32 bars of an up-tempo and a ballad (classic musical theatre pieces preferred) and a one-minute comic monologue.
· Bring sheet music in your key - an accompanist will be provided. No tapes or CDs please.
· Bring two non-returnable headshots and resumes.
For shows requiring dancing, combinations will be taught at the call-backs in March.
The Playhouse is an equal opportunity employer and is committed to providing a respectful, safe workplace free from harassment and discrimination. They are committed to celebrating all dimensions of diversity and ensuring that everyone feels a sense of inclusion and belonging. They do not discriminate on the basis of race, religion, color, national origin, gender, sexual orientation, gender identity or expression, age, marital status, veteran status, disability status, parental status, genetic information, political affiliation or any other basis as protected by law.
The Playhouse is a 501(c)(3) non-profit charitable organization and is proudly affiliated with Actors’ Equity Association, the professional union of stage actors and stage managers, and the National Alliance of Musical Theatres.
For more information please see the attachment.

If you are interested, please apply.

(Vocal Range: F below middle C to two Fs above middle C)
Lana Mae runs the Wishy Washy Washateria. She’s been in a bad marriage for five years, but is oblivious to her husband’s philandering and cheating. Her thoughts regarding marriage and love are throwbacks to the 50s. She dresses brightly and uniquely, her hair is larger than normal, and she lives her life through colorful Southern colloquialisms. Cheerful, bighearted, a real diamond-in-therough. 
"Honky Tonk Laundry"

LANA MAE HOPKINS

(Vocal Range: G below middle C to two Fs above middle C)
Katie finds a job working for Lana Mae in the laundry and sets out to help Lana Mae break free from her husband. KATIE is a bit more prim and proper than Lana Mae, with a touch of neurosis thrown in for good measure, and her accent is not nearly as strong. Katie learns from Lana Mae how to open up and face her fears, especially after the "pills kick in." 
"Honky Tonk Laundry"

KATIE LANE MURPHY

(Vocal Range: F below middle C to B Flat one octave above middle C)
A devoted wife and mother who floats effortlessly through life with a smile, whether doing
housework, doting on her daughter, or taking a time-out to bake a cake. Though a woman with opinions on everything from how best to raise her child to preparing a well-balanced meal, she automatically defers to those around her, the result of her hallmark virtue: consummate politeness.
"Ruthless"

JUDY DENMARK

(Vocal Range: E below middle C to B above middle C). She’s convinced herself, after years of failing to make it as an actress in New York, that true fulfillment could be found not only in front of an audience, but in front of a classroom. Returning to her hometown to become a third-grade teacher, she takes a strictly professional approach to putting on the annual school show.
"Ruthless"

MISS THORN

(Vocal Range: Middle C to B Flat above middle C): An assistant to a Broadway star, her behavior cycles from professional to erratic to downright bizarre. One minute she’s fiercely loyal, the next she’s imitating the star’s every move, clearly wanting to be her, not work for her. Her slipping into foreign accents would suggest she marches not to a different drummer, but to an entire drum corp.
"Ruthless"

(Vocal Range: Tenor who can sing high A).
"A Swingin’ Christmas: The Holiday Music of Tony Bennett"

MAN #1

(Vocal Range: Tenor who can sing high B Flat in full voice).
"A Swingin’ Christmas: The Holiday Music of Tony Bennett"

MAN #2

(Vocal Range: Soprano with wide range who can also sing Alto notes).
"A Swingin’ Christmas: The Holiday Music of Tony Bennett"

WOMAN #1

(Vocal Range: Soprano/Mezzo Soprano).
"A Swingin’ Christmas: The Holiday Music of Tony Bennett"

WOMAN #2

(Vocal range: Mezzo-Soprano, comfortable to an E and beyond, preferably a legit sound): Abandoned at the altar, Marge is an aspiring dentist from Brooklyn who finds herself in the Catskills on what would have been her honeymoon weekend. (Think Jennifer Grey in DIRTY DANCING) Duped into falling for the suave band leader, she ultimately finds self-esteem, learns the value of honesty and friendship and finds love where she least expected it.
"Breaking Up is Hard to Do"

MARGE GELMAN

(Vocal range: Alto with some Mezzo-Soprano ability, comfortable to a C and beyond, preferably a pop sound): An aspiring nightclub singer, Lois lives her life as if in a Betty
Grable movie. She brings her best friend Marge up from Brooklyn to the Catskills for Labor Day Weekend. In trying to help her friend Marge recover from heartbreak, she inadvertently puts her in the line of fire with Del, the hotel’s suave but manipulative bandleader.  Sweet young girl.
"Breaking Up is Hard to Do"

LOIS WARNER

(Vocal range: Tenor, comfortable to an A): An Elvis wannabe, Del is not the brightest bulb on the tree. (Think Conrad Birdie or Joey from FRIENDS). Del will do anything to get ahead, including misleading Marge into thinking he loves her and stealing his cousin Gabe’s songs for his own use.
"Breaking Up is Hard to Do"

DEL DELMONACO

(Tenor, Bb-C range): The clumsy, brainy & terribly shy Guy Friday at the hotel, Gabe is on a fast track to joining his father’s orthodontia practice. Lacking the self-confidence to perform his own music, Gabe he is secretly the songwriting genius behind the music Del claims as his own. When Gabe meets Marge, he is compelled to take action to win her heart and, ultimately, to reveal himself as the true musician, performing his own songs in front of the whole resort.
"Breaking Up is Hard to Do"

GABE

(Vocal Range: Alto, comfortable to a C and really rich in the low to mid register): The owner of the mid-size hotel named after her (Esther’s Paradise), Esther is a survivor. Since the death of her husband, she has single-handedly kept the hotel afloat using crafty solutions, boundless energy and creativity to keep guests happy. She is fiercely independent, refusing help or support from anyone, and she’s always there with a quip or smart remark.
"Breaking Up is Hard to Do"

ESTHER

(Baritone, should have range to an F# or a G): The resident “tummler” at Esther’s Paradise. He is all about the punch line (& the set-up). A confirmed bachelor, Harvey spends most of his life cracking wise & avoiding any show if genuine emotion or vulnerability. When he witnesses the extreme lengths to which Marge will go to make love work for her again, he is inspired to take a leap of faith with Esther, the one person who truly appreciates the man behind the jokes.
"Breaking Up is Hard to Do"

HARVEY

(Vocal Range: C3 - A4): An authoritative, stern, and wise Moe who is single and very large in stature.
"Five Guys Named Moe"

BIG MOE

(Vocal Range: Bb2 - Ab4): A hungry Moe who is merry, optimistic, cheery and overweight.
"Five Guys Named Moe"

EAT MOE

(Vocal Range: C3 - G4): The bespectacled, clear-sighted "leader" of the group who is irreverent and magnetic.
"Five Guys Named Moe"

FOUR-EYED MOE

(Vocal Range: C3 - Ab4): A small, single Moe who likes his chicks large. He is sensitive to his size and very short-tempered.
"Five Guys Named Moe"

LITTLE MOE

(Vocal Range C3 - G4): A straight-laced, conservative, and high-classed Moe with a sense of humor.
"Five Guys Named Moe"

NO MOE

(Vocal range Ab2 - G4): Gloomy young man who is depressed about his girlfriend issues. A naive, self-absorbed, deadbeat alcoholic who needs to get his life together.
"Five Guys Named Moe"

NOMAX

Performers For Series Of Musicals & 6th Annual Florida Festival

Auditions for "Jersey Boys" & "Beauty and The Beast" shows. Seeking cast. ONLY LOCAL TALENT WILL BE CONSIDERED. Please see the breakdown below.

Rate:
$350.00 – $450.00 per week.

Additional info: 
Auditions:
PLEASE PREPARE TWO CONTRASTING VOCAL SELECTIONS IN THE STYLE OF THE SHOW IN WHICH YOU ARE AUDITIONING. PLEASE NO MORE THAT 32 BARS PER SONG. PLEASE BRING SHEET MUSIC IN YOUR KEY. ACCOMPANIST WILL BE PROVIDED.
MEN: PLEASE WEAR SNEAKERS OR CHARTER SHOES FOR THE DANCE CALL.
FEMALES: PLEASE WEAR CHARACTER HEELS FOR THE DANCE CALL.
PERFORMERS OF ALL ETHNICITIES, GENDER IDENTITIES, AND AGES, AS WELL AS PERFORMERS WITH DISABILITIES, ARE ENCOURAGED TO SUBMIT MATERIALS.
"Jersey Boys"
Rehearsals begin: Monday, April 17th - April 22nd, 2023
Previews begin: Thursday, April 27th, 2023
Opening night: Friday, April 28th, 2023
Closing performance: Sunday, May 28th, 2023
"Beauty and the Beast"
Rehearsals Begin: Monday, May 29th - Thursday, June 8th, 2023
Previews Begin: Thursday, June 8th, 2023
Opening Night: Friday, June 9th, 2023
Closing Performance: Sunday, July 23rd, 2023 (Possible Extension to July 30th)
Please see the attachments.

When applying, please include headshot, resume & and a video audition that includes two contrasting 1-minute monologues. If you have an interest in any specific role, please make sure to note that on your video.
Send video submissions with the link to a YouTube, Vimeo, or another video-sharing service file. YouTube: please make your video setting Public or Unlisted.
Vimeo: Please set the viewing settings to “Anyone” or “Only people with a password”, and make sure to include the password.

$450 / Week

Must be 5’9” or shorter; must have a strong tenor with a sweet and strong falsetto and be able to sing in the style of Frankie Valli. Strong tenor to high A or Bb plus strong falsetto up to treble G; charismatic and charming; must be a very strong actor (comfortable with narrative text) and have a gritty side as well as a polished veneer; must be very comfortable with traditional four-part harmonies. Lead vocalist of The Four Seasons.
"Jersey Boys"

FRANKIE VALLI

Preferably tall; strong tenor/bari-tenor voice needs strong high G. Must be very comfortable with traditional four-part harmonies; must be comfortable with narrative text; an intelligent, sensitive, and introspective musical prodigy. The ability to play piano is a plus, but not necessary. The youngest and last member to join the group.
"Jersey Boys"

BOB GAUDIO

Strong bass/baritone voice and low E would be an asset.; must be very comfortable with traditional four-part harmonies; must be comfortable with narrative text; a quiet dreamer who longs for life after The Four Seasons. Has a good ear for vocals and helps train Frankie with his singing. Ability to play bass a plus.
"Jersey Boys"

Singing Casting Calls in Orlando