United States

Actors sought for "Sweeney Todd: The Demon Barber of Fleet Street" show. Please see the breakdown below.

About the project: 
Synopsis: Sweeney Todd, an unjustly exiled barber, returns to 19th century London, seeking vengeance against the lecherous judge who framed him and ravaged his young wife. The road to revenge leads Todd to Mrs. Lovett, a resourceful proprietress of a failing pie shop, above which he opens a new barber practice. Mrs. Lovett's luck sharply shifts when Todd's thirst for blood inspires the integration of an ingredient into her meat pies that has the people of London lining up... and the carnage has only just begun!

Additional info: 
A NOTE ABOUT CASTING:​ Today, London is—as it has long been—one of the most diverse cities in the world. 
This production of ​Sweeney Todd​ is looking to cast an inclusive and diverse company of actors who reflect the world we live in today.  
A NOTE ABOUT ACCENTS​: Accents listed are not expected at auditions and will be worked on throughout the rehearsal process. If you’re comfortable performing any of these accents, please let directors know during auditions and give it a try!
How to Prepare:
Auditioners will read from the script and should prepare 16 measures of a song that demonstrates their vocal abilities. Auditioners will be permitted to sing with their own tracks. You may also bring sheet music in the correct key for the accompanist.
Possible call backs on Wednesday, June 28 at 6:30 pm.
Rehearsals will begin July 24 and run Monday – Thursdays from 6:30 – 9:30 PM. 
Performance Dates: 
September 21 - October 1, 2023
Thursday, Friday, and Saturday shows begin at 7:30 pm.  Sunday shows begin at 2:30 pm.
Audition application is attached.

Singing

Sweeney escaped from prison after being wrongfully accused and jailed for fifteen years. Formerly a proud barber, a loving husband and a happy father, Sweeney is now consumed by loss and revenge. He has returned to London to right the wrongs committed against him, his wife, and his daughter. Sweeney is charming but hot-tempered, ferocious yet vulnerable. Speaks with an Estuary or London dialect.
Bass-Bari
Vocal range top: Gb4
Vocal range bottom: F2

African-American

Latino / Hispanic

White / Caucasian

Other

Asian

Middle Eastern

Native American

Pacific Islander

Indian/South Asian

Male

SWEENEY TODD

An entrepreneurial meat pie shop owner who will do whatever it takes to survive. She is in love with Todd and hopes that he’ll forget the past and build a new life with her. At first shocked by Sweeney’s bursts of violence, Lovett turns his desire for revenge into a profitable business venture. She is resourceful, ambitious, charismatic, and has great comedic timing.
Speaks with a Cockney accent.
Alto
Vocal range top: E5
Vocal range bottom: G3

Female

MRS. LOVETT

A youthful sailor who helps Sweeney return to London and unexpectedly falls in love with Johanna. He is idealistic, romantic, and a little reckless. His passions sometimes get the better of his reason and his enthusiasm sometimes makes him unintentionally comedic. Over the course of the show, he awakens to the horrors around him and becomes disillusioned with London.
Speaks with a standard British accent (RP).
Tenor
Vocal range top: F4
Vocal range bottom: Bb2

ANTHONY HOPE

Todd's long-lost daughter and Judge Turpin's young ward. Home-schooled and largely homebound. She has a rebellious, subversive, and romantic streak and longs to escape her confinement. Johanna is aware that Judge Turpin isn’t her real father and suspects that he might be a predator. Like her father, she has experienced trauma and possesses a buried capacity for violence. ​
Speaks with a standard British accent (RP).
Soprano
Vocal range top: A5
Vocal range bottom: Bb3

JOHANNA

A lecherous public official who portrays himself as a sanctimonious authoritarian. He takes advantage of his position to imprison Todd, assault Lucy, and take Johanna in as his ward. He is aware that what he wants and what he’s done is wrong yet chooses to ignore or push against his conscience. Embodies Puritanical hypocrisy: he lusts after Johanna, even as he professes to keep her innocent.
Speaks with a standard British accent (RP).
Bass-Bari
Vocal range top: Gb4
Vocal range bottom: E2

JUDGE TURPIN

A pompous public official who is responsible for the health and safety of London. He possesses a dry, deadpan sense of humor and enjoys wielding his power. He is not a sniveling civil servant. He is deeply loyal to Turpin, though in his heart of hearts he believes he’s better than the judge. The Beadle loves singing children’s nursery rhymes, which remind him of his youth.
Speaks with a standard British accent. 
Tenor
Vocal range top: D5
Vocal range bottom: D3

THE BEADLE

An eerie, poor soul living on the streets of London. She supports herself by begging and prostituting herself to sailors. The Beggar Woman is Sweeney’s wife, Lucy, who lost her mind after being assaulted by Turpin and taking poison. She has occasional flashes of lucidity and distrusts Mrs. Lovett. Like the oracle Cassandra, she is the only one who sees what’s happening, but no one will listen to her.
Speaks with a Cockney or Estuary accent.
Mezzo
Vocal range top: F5
Vocal range bottom: Ab3

BEGGAR WOMAN

An Irish former employee of Sweeney’s who has since developed a public persona as a flamboyant and flashy world-famous Italian barber. A charlatan who sells fake medicine and challenges other barbers to shaving contests. Pirelli is charming, calculating, and over-the-top comedic. Possess some anti-English sentiments and does not take lightly to being publicly embarrassed by Sweeney.
Speaks in both an Italian and Irish accent.
Tenor
Vocal range top: C5
Vocal range bottom: B2

ADOLFO PIRELLI

The owner of Fogg's Asylum. Fogg sells the hair of inmates to wigmakers. Considers the inmates “children” and takes pleasure in showing them off to visitors. Chooses to ignore the human rights of his patients in the name of scientific progress. An authoritarian who is really a coward at heart. Speaking role who sings with the ensemble. 
Speaks with an Estuary dialect.
Spoken

JONAS FOGG

The ensemble acts as a Greek Chorus, commenting on the action and participating in the tale. They are the show’s chief storytellers, taking on the roles of customers, townspeople, police, inmates at the insane asylum, Sweeney’s thoughts, & Sweeney’s victims. They stand in for us. The ensemble gets ample opportunities for vocal challenges and is showcased with solos and harmonies throughout the show. Sopranos, altos, tenors, baritones, and basses. Accents not necessary.

Both genders

ENSEMBLE

Cast For "Sweeney Todd: The Demon Barber of Fleet Street"

Theatre is announcing auditions for 2023-2024 season opening musical, "Jane Eyre". Seeking cast. ONLY LOCAL TALENT WILL BE CONSIDERED. Please see the breakdown below.

About the project: 
Nominated for five Tony awards, Charlotte Brontë's great love story comes to life with music to lift your heart and set your spirit soaring. This beloved tale of secrets and the lies that secrets create, of unimaginable hope and unspoken passion, reminds us what it is to fall deeply, truly and completely in love.

Additional info: 
Casting a medium-sized ensemble of strong singers and actors of all ages and ethnicities. Multiple roles per cast member is highly likely. 
Rehearsals will be maximized for efficiency, and cast members will be expected to work outside of rehearsals to learn the material (resources available to help). Please prepare a 16-32-bar cut (one minute or less) from a contemporary musical. An accompanist will be provided. Please do not prepare to sing a cappella. British accents are not required.

If you are interested, please apply.

F#3 - E5.
Our story's protagonist. A young, strong-willed woman who is outwardly quiet, watchful and shy. Her beauty does not come from her physical appearance but rather from her character, humor, and strength.

Jane Eyre

D#4/F5.
Jane's unpleasant aunt, who raises her until she is ten years old.

Mrs. Reed

D3 - G4.
The owner of Lowood School. He must be an imposing and frightening figure to Young Jane; cold-eyed, zealous and pontifical.

Mr. Brocklehurst

D4 - D5.
A teacher at Lowood, she is a hard-faced and embittered middle-aged woman whose nature has been warped by dogged obedience to Mr. Brocklehurst and a natural distrust of anything unusual or imaginative.

Miss Scatcherd

D4 - E5.
A servant at Lowood School. An ex-schoolgirl herself, she has been kept to do the dirty kitchen work and cleaning. She is semi-moronic and entirely without humor. Aged 15-25

Marigold

F3 - C5.
Rochester's elderly relation and the house-keeper of Thornfield Hall who is fussy, garrulous, and kind-hearted.

Mrs. Fairfax

Bb2 - Bb3.
The Butler at Thornfield, he is dry and intelligent, and a martyr to Mrs. Fairfax's whims. An understanding and reliable servant to Rochester.

Robert

A3 - D5.
Bertha Mason's minder and nurse who is caring and capable, and has an occasional fondness for the liquor pot.

Grace Poole

B2 - G4.
An intelligent and powerful male presence, he has been greatly damaged by life and is therefore quite prickly and demanding, but has a keen sense of humor and engaging personality.

Edward Fairfax Rochester

B3 - B5.
The clever, sophisticated, and stunningly beautiful woman who is to be married to Rochester. She is witty and graceful but also possesses a stunning voice.

Blanche Ingram

Blanche Ingram's mother. An amply proportioned woman who wears an expression of almost insupportable haughtiness, her eyes are fierce and her voice deep. She is pompous and dogmatic.

Lady Ingram

Lord Ingram

Mary Ingram

Mr. Eshton

Louisa Eshton

Amy Eshton

Colonel Dent

Mrs. Dent

C3 - G4.
Bertha Mason's brother. He is a well educated gentleman, but mentally and emotionally weak as he is haunted by the wrong he has done to Rochester and the need to care for his deranged, unhappy sister.

Richard Mason

C#4 - C#5.
Rochester's mad wife, kept in the attic of Thornfield Hall. She is strangely beautiful yet a criminally deranged bride stuck in the moment of her final happiness.

Bertha Mason

The Vicar

C3 - G4.
The appealing and handsome curate of the parish of Gateshead who is caring for Mrs Reed at her death. He is a complex young man, passionately devoted to his Christian faith and duty.

St. John Rivers

Servants

"Jane Eyre" Musical Casting Performers

The company is holding auditions for Sweeney Todd: The Demon Barber of Fleet Street, please see the details below.
ONLY LOCAL TALENT WILL BE CONSIDERED.

About the project:
One of the darkest musicals ever written, Sweeney Todd: The Demon Barber of Fleet Street is the unsettling tale of a Victorian-era barber who returns home to London after fifteen years of exile, to take revenge on the corrupt judge who ruined his life. While plotting his retaliation against the judge, Sweeney uses the tools of his trade to murder as many people as he can, while his business associate Mrs. Lovett bakes the bodies into meat pies and sells them to the unsuspecting public.

Additional info:
Those auditioning are encouraged to prepare a 16-32 bar Sondheim selection in the original production key. Accompanist will be provided, so please have properly marked sheet music. Auditionees will potentially be asked to do a cold reading from the script. Call back date and time will be announced closer to auditions.
Requests for an early audition for Sweeney Todd: The Demon Barber of Fleet Street must be made no later than June 04, 2023.

Please apply if interested.

Charming but hot-tempered, ferocious yet vulnerable. Formerly a proud barber, a loving husband and a happy father, now consumed by loss and revenge after his wrongful fifteen year imprisonment, Sweeney has returned to London after escaping from prison to right the wrongs committed against him, his wife and his daughter. Strong baritone/bass who can whistle.

Sweeney Todd

An enterprising meat pie shop owner who will do whatever it takes to survive. She is in love with Todd and hopes that he'll forget the past and build a new life with her. At first shocked by Sweeney's bursts of violence, Lovett turns his desire for revenge into a profitable business venture. She is resourceful, ambitious, charismatic, and has great comedic timing. Mezzo with a belt. Speaks with a Cockney accent.

Nellie Lovett

A youthful sailor who helps Sweeney return to London and unexpectedly falls in love with Johanna. He is idealistic, romantic and a bit reckless. His passions sometimes get the better of his reason and his enthusiasm sometimes makes him unintentionally comical. Over the course of the show he awakens to the horrors around him and becomes disillusioned with London. Tenor. Speaks with a standard British accent.

Anthony Hope

A poor youngster apprenticed first to Pirelli and then to Mrs. Lovett. He is industrious and eager to please, with a good sense of humor. Uneducated, but innately clever and observant, Tobias responds quickly to the kindness of Lovett but grows increasingly suspicious of Sweeney. Tenor. Speaks with a Cockney accent.

Tobias Ragg

A lecherous public official who portrays himself as a sanctimonious authoritarian. He takes advantage of his position to imprison Todd, assault Lucy, and take Johanna as his ward. He is aware that what he wants and what he's done is wrong, yet chooses to ignore and push against his conscience. He lusts after Johanna. Bass/baritone. Speaks with a standard British accent.

Judge Turpin

A pompous public official who is deeply loyal to Judge Turpin. He possesses a dry, deadpan sense of humor and enjoys wielding his power. Tenor with strong falsetto. Speaks with a standard British accent.

Beadle Bamford

An eerie, poor soul living on the streets of London. She supports herself by begging and prostituting herself to sailors. She has occasional flashes of lucidity and distrusts Mrs. Lovett. She is the only one who sees what's happening but no one will listen to her. Mezzo. Speaks with a Cockney accent.

Beggar Woman (Lucy)

An Irish former employee of Sweeney's who has since developed a public persona as a flamboyant and flashy world-famous Italian barber. A charlatan who sells face medicine and challenges other barbers to shaving contests. Pirelli is charming, calculating, and over-the-top comedic. High tenor. Speaks in both Italian and Irish accents.

Adolfo Pirelli

"Sweeney Todd" Musical Show Looking for Singers

Equity actors and singers for roles in Theatre 2023-24 Season. 
ONLY LOCAL TALENT WILL BE CONSIDERED. Please see the details below.

Rate:
SPT
$416 weekly minimum (SPT 4).

Additional info: 
"EIGHT NIGHTS"
First Rehearsal week of 9/4/23.
Opening 9/29/23.
Closing 11/05/23.
"A HOLIDAY CABARET"
First Rehearsal week of 11/06/23.
Opening 12/01/23.
Closing 12/17/23.
"BLUES FOR AN ALABAMA SKY"
First Rehearsal week of 01/02/24.
Opening 01/26/24.
Closing 03/03/24.
"CLYDE’S"
First Rehearsal week of 04/01/24.
Opening 04/24/24.
Closing 06/02/24.
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. 
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
PREPARATION:
- Please prepare monologue(s) no more than 2-3 minutes in length. If Singing: No more than 2 minute song selection, and sheet music to provide to accompanist. 
- Bring your Headshot and Resume.

If you are interested, please apply.

$416 / Week

Working class. Funny. Served 8 years in prison. White supremacist affiliation.
"CLYDE'S"

Jason

Able to change the temperature of a room with an entrance. Loves to expose vulnerabilities. Seductive. Brash. Controls the room. Wicked. Runs truck stop.
"CLYDE'S"

Clyde

Mindful. Interested in healing. Kind. Sensitive and caring, particularly to the younger generation. Uses cooking as a means of meditation.
"CLYDE'S"

Montrellous

Working to find a more spiritual path. Full of charm. Terrified of his boss.
"CLYDE'S"

Rafael

She is a survivor and has life skills. She is working towards building a mindful path.
"CLYDE'S"

Letitia

A 34-year-old woman who looks five years younger, a former backup singer at The Cotton Club.
"BLUES FOR AN ALABAMA SKY"

ANGEL ALLEN

A thirtyish black man, costume designer at The Cotton Club.
"BLUES FOR AN ALABAMA SKY"

GUY JACOBS

A 25-year-old woman, a social worker on staff at Harlem Hospital.
"BLUES FOR AN ALABAMA SKY"

DELIA PATTERSON

A 28-year-old man from Alabama, a six-week resident of Harlem.
"BLUES FOR AN ALABAMA SKY"

LELAND CUNNINGHAM

A forty-year-old doctor at Harlem Hospital.
"BLUES FOR AN ALABAMA SKY"

SAM THOMAS

Singers

AGES FROM 19-30s in Nights 1-3. Thin at 19. A refugee. Jewish. Doubles as AMY, 14, 20s, 30s, in nights 4-6 and NINA 19, 30s, in nights 7,8 and Anna in night 8.
"8 NIGHTS"

REBECCA BLUM

Rebecca's father - Jewish. Doubles as Joram, 40 in night 8.
"8 NIGHTS"

ERICH BLUM

Rebecca's Mother. No longer alive. Jewish. Doubles as REBECCA BLUM - ages 48-80s in nights 4-8.
"8 NIGHTS"

ANNA BLUM

AARON

BENJAMIN

Doubles as LACEY, 20s, in night 7.
"8 NIGHTS"

ARLENE

Half Japanese, Half White. Doubles as INGE in night 6.
"8 NIGHTS"

STEVEN

Equity Actors & Singers Needed For 2023-24 Season

Canada

ONLY LOCAL TALENT WILL BE ACCEPTED.
The musical "I Never Saw Another Butterfly" is looking for young performers.
Please, see the details below.

About the project:
"I Never Saw Another Butterfly" is a stirring musical about an inspirational teacher and the children of Terezin, a ghetto under Nazi rule during World War II.  

Additional information:
Auditions will be held in 8 minute time slots. Auditions will include reading a short monologue which directors provide, singing a short song of your choice which illustrates your vocal range (eg. O Canada), and some vocal range testing.  
Rehearsals will be held on Wednesday evenings and either Saturday mornings or Sunday afternoons depending on the availability of those who are cast. 
The show’s six performances will include two student matinees on November 9 and 10, evening performances on November 9, 10, 11 and an afternoon matinee on November 11.  

If you are interested, please apply to book a time slot.

Performers

"I Never Saw Another Butterfly" Musical Needs Performers

ONLY LOCAL TALENT WILL BE ACCEPTED.
The Musical "Irving Berlin's White Christmas" is looking for performers.
Please, see the details below.

Additional information:
What to prepare – the audition will consist of 3 parts – Singing, Acting, and Dancing (note: a dance-only audition is available, see details below).  
SINGING: Asking all performers to prepare TWO selections from the show.
Rehearsal Schedule – Sunday 1-5pm, Monday 6:30-9:30pm, and Wednesday 6:30-9:30pm.  
Rehearsals Start – Sunday September 10.  
Tech/Dress Rehearsals – December 10-14.
Evening Shows – December 15-16 & 20-23
Matinee – Sunday December 17.
School Matinee – Wednesday December 20.
Please, see attached the flyer.

If you are interested, please apply.

Male identifying. A major singing star, Bob is the guiding force behind Wallace and Davis. He wears his fame easily and is a born leader but has some social and romantic awkwardness that makes him endearing to the audience.
A superb singer with a crooning style. Range from C3 – A4.

Bob Wallace

Male identifying. The fun-loving partner in Wallace and Davis. Phil is a wonderful friend and will partake in any scheme he can cook up in order to make sure his best friend is happy (especially when he has something to gain). He has a boyish charm and is also quite dashing. A song-and-dance comic performer. Bari-tenor range from A2 – F4.

Phil Davis

Female identifying. Betty is the older and more sensible of the Haynes sisters. She has always taken care of Judy and is hesitant to leave her little sister alone, even though her chances for love and a career are on the line. She must have strong stage presence and a romantic side. Rich Mezzo-Soprano with a range from A3 – F5.

Betty Haynes

Female identifying. The younger Haynes sister who is beautiful and ambitious. Judy knows how to use all of her feminine appeal to her advantage, be it spunk, charm, sex appeal, or outright flirting. Her scheming is always good-hearted and this powerhouse performer’s greatest role is that of a devoted sister. Range from G3 – E5.

Judy Haynes

Male identifying. A retired army general who has taken up the simpler life of a Vermont innkeeper. Although he has the gruff exterior of a man who was career military, he is dignified, compassionate, and the ultimate heart of the show. Non-Singing role.

General Henry Waverly

Female identifying. Once a Broadway star, now the General’s housekeeper at the Inn, Martha has a very dry, wry, wisecracking sense of humor. Bighearted but completely unsentimental, she runs the General’s life despite his protestations. She is an irresistible meddler, but always for what she believes to be the other guy’s best interests. Alto with a range from G3 – D5.

Martha Watson

Male identifying. Army buddy of Bob and Phil’s now a major television executive with the Ed Sullivan Show. Fast-talking, New York professional.

Ralph Sheldrake

Has a tendency to be over-dramatic and completely hysterical but will get things done. Never seen without their whistle and clipboard.

Stage Manager

Female identifying. Sassy showgirls who work with Wallace and Davis. 
Not the brightest bulbs in the box, but a lot of fun and great dancers.

Rita and Rhoda

Male identifying. A handyman at the inn, Ezekiel is a good, old-fashioned New Englander who enjoys a slower pace in everything he does.

Ezekiel Foster

Soldiers

Bar patrons

Train passengers

Inn guests

New York performers

Dancers

The Musical "Irving Berlin's White Christmas" Needs Performers

ONLY LOCAL TALENT WILL BE ADMITTED.
Looking for performers for "Little Shop of Horrors" play.
Please, see the details below.

Additional information:
Performance Dates: October 20, 21, 22, 25, 26, 27 & 28,  2023.
Cast is required for every performance date.
Tech Week: October 15 - 19.
Tech and Dress rehearsals scheduled each night during tech week.
Cast is required for each night of tech week.
Rehearsal Times: Tuesday, Thursday and Sunday evenings (Cast called for rehearsals as needed).
Rehearsals Begin: July 6, 2023.
Summer Rehearsal Break: August 13 - 20th (No rehearsal during this week).
Media Day (ATTENDANCE IS MANDATORY): September 19, 2023.
What to Expect:  
Prepare 2 songs. 
There will be a small dance/movement audition.
Auditioners may be asked to read selections from the script during the audition.
What to Bring:
Your music selection (we will have copies of the assigned music selections);
A bottle of Water;
A pencil;
Wear Comfortable clothes you can move in;
Any questions or concerns you might have about the production.
Please, see attached the flyer.

If you are interested, please apply.

An insecure, put-upon florist's clerk and eventual hero. He is a genuine, well-meaning man who is taken for granted because of his clumsy ways and poor social skills.
Vocal range top: G4
Vocal range bottom: A2
Prepare: Selection from Grow for Me + 32 Bars of Individual Choice (Musical Theatre song strongly encouraged)

Seymour Krelborn

Bleached-blond, Billie-Dawn-like, secret love of Seymour's life. She has poor self-worth and education, but incredibly good looks and a sweet and vulnerable demeanor.
Vocal range top: D5
Vocal range bottom: G#3
Prepare: Selection from Somewhere That’s Green + 32 Bars of Individual Choice (Musical Theatre song strongly encouraged).

Audrey

The seasoned owner of the failing East Side flower shop and Seymour's nosy boss. He is profit-driven, greedy, and manipulative.
Vocal range top: F4
Vocal range bottom: G2
Prepare: Selection from You Never Know + 32 Bars of Individual Choice (Musical Theatre song strongly encouraged)

Mr. Mushnik

An egotistical dentist with a passion for leather and sadistic tendencies. 
Audrey's abusive boyfriend, who is targeted by Seymour.
Vocal range top: G4
Vocal range bottom: G2
Prepare: Selection from Be A Dentist + 32 Bars of Individual Choice (Musical Theatre song strongly encouraged)

Orin Scrivello

Puppet. An anthropomorphic cross between a Venus flytrap and an avocado, the plant has an appetite for human flesh that is appeased by Seymour. Puppeteer doubles as other sizes of the plant.
1 Lead Puppeteer
3 Puppeteers

The Plant (Audrey II)

An actor/vocalist located offstage. The voice is that of a conniving, street-smart 'villain.' 
A funky Rhythm and Blues voice is best.
Vocal range top: G4
Vocal range bottom: G2
Prepare: Selection from Git It + 32 Bars of Individual Choice (Musical Theatre song strongly encouraged) .

Voice Of The Plant

Crystal, Ronnette and Chiffon are Skid Row residents, acting as the occasional Greek Chorus. Young, hip, and smart, these girls are the only ones who have a grip on reality.
Vocal range top: F5
Vocal range bottom: Ab3
Prepare: Selection from Little Shop Of Horrors + 32 Bars of Individual Choice (Musical Theatre song strongly encouraged)

Crystal

Ronnette

Chiffon

The Ensemble take on a variety of roles throughout the show. 
The ensemble is composed of approx. 3 - 5 people. 
Vocal range top: N/A
Vocal range bottom: N/A
Prepare: Selection from Skid Row + 32 Bars of Individual Choice (Musical Theatre song strongly encouraged).

Ensemble

The Play "Little Shop of Horrors" Needs Performers

R&B soul Recording label looking for vocalist for multi-recording project.

R&B soul vocalist  must possess a level of talent.

Show some originality must  be current relevant in today’s music market and also must have a level on Music understanding with harmonies and vocal blends.

Singing Casting Calls in Fort Wayne