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United States

The company is seeking individuals with singing skills for a Singing App Project. See the details below.

Rate:
Talent chosen will be paid $1700 for a project

Additional info:
Audition: None! Direct Booking;
You don't need much experience as it's casual and directors do all the directing


Strict COVID-19 safety protocol will be adhered to during the production of this commercial and it will be produced in accordance with public health guidelines at the time of filming.

$1700 / Project

Singing

Both genders

Talent

Talent Needed for Singing App Project

The company is seeking talent with singing skills for Commercial. See the details below.

Rate:
$1,000/project

Additional info:
Audition: None! Direct Booking;


Strict COVID-19 safety protocol will be adhered to during the production of this commercial and it will be produced in accordance with public health guidelines at the time of filming.

$1000 / Project

Searching for Talent with Singing Skills for Commercial

Seeking performers for the “Guys And Dolls” show. See the details listed below.
ONLY LOCAL TALENT WILL BE CONSIDERED.

Additional info:
CALLBACKS DATE:
Monday, February 13, 2023, from 6:00 – 10:00 pm 
SHOW INFORMATION:
Performances are May 5, 6, 12, 13, 19, & 20.
Rehearsals start the week of March 26, 2023.
WHAT TO PREPARE: Prepare 16 bars of an up-tempo and 16 bars of a ballad from any Broadway musical of that genre. Songs from the show are also allowed. Please bring your sheet music marked for the pianist.

If you are interested, please apply to schedule your audition.

Audition song #25 “Luck Be a Lady”, callback song #17a “I’ve Never Been in Love Before” with Sarah. A charming and self-assured gambler. Sky is able to adapt to any situation but ready to reel off prepared anecdotes regarding his view of the world. Despite his failings, Sky is immensely likeable and oozes style. His character goes through a considerable transformation during the show. A strong baritone singer.

Male

Sky Masterson

Callback song #27 “Sue Me” with Adelaide. A feckless and humorous manipulator, Nathan is the facilitator of illegal gambling in town. He maintains a distance by acting only as a broker, seldom a gambler. A consummate businessman with divided loyalties; he pacifies his fiancé Adelaide with vague promises of a marriage ‘some time’ in the future. He is always waiting for his big break which never seems to come. Comic timing is a must. “Sue Me” is his one big song. Baritone.

Nathan Detroit

Audition song #28 Sit Down You’re Rockin’ the Boat.” Callback song #10 “Guys and Dolls” with Benny. An eccentric gambler and one of Nathan’s closest associates who helps him set up the crap games. Comic timing is a must. Strong tenor singer.

Nicely-Nicely Johnson

Callback song #10 “Guys and Dolls” with Nicely. He is a gambler and one of Nathan’s primary associates. Strong Baritone singer.

Benny Southstreet

He is the older, wiser leader of the Salvation Army in Times Square. He is a reasoned old man with a warm heart that harbors only the kindest intentions, even if he tends to be a little gullible. Family to Sarah Brown. Choral singing only (his solo has been cut).

Arvide Abernathy

He is a tough, by-the-book policeman engaged in what he perceives to be a battle of wits with Nathan to stop the craps game. This is primarily an acting role. Comic timing and acting ability are essential.

Lt. Brannigan

A variety of men. Only Rusty Charlie has solo singing (in a trio “Fugue for Tinhorns). Big Jule is an intimidating hustler from Chicago, temperamental and a sore loser. Harry the Horse, Angie the Ox, and others. Lots of ensemble singing. The ability to dance/move is a big plus but not essential. Mission Band members. Choral singing only.

Gamblers

Audition song #15 “If I Were a Bell”, callback song #17a “I’ve Never Been in Love Before” with Sky. An idealistic but sheltered missionary, Sarah is kind- hearted but too categorical in her view of the world. She learns she has an adventurous side and goes through character changes over the course of the show. Must feel comfortable with classic musical theatre singing as well as jazz. Very strong soprano voice needed.

Female

Sarah Brown

Audition song #8 “Adelaide’s Lament”, callback song “#27 “Sue Me” with Nathan. A strongly comic and classic show girl. A club singer and Nathan’s longsuffering fiancée, Adelaide is not always the brightest. Weary of the disruption Nathan’s involvement in the craps game causes to their relationship, she longs for quiet family life away from New York. Comic timing a must, good dancing ability is a plus.

Adelaide

The regional director of the Save-a-Soul mission, she is authoritative through necessity but motivated by charity. She cuts loose in the song “Sit Down You’re Rockin’ the Boat.”

General Cartwright

Hot Box Dancers

Mission Band Members

Casting Call for “Guys And Dolls” Show

NATIONWIDE CASTING.
Directors are currently looking for singers. 
Please, see more details below.

Rate:
Paid and unpaid projects based on your experience and requirements of the project.

Additional information:
Union and Non-Union (both are most welcome).
People from all walks of life can apply (any age).
Location - Must be located in Canada, USA or India.

When applying, please submit a resume and reels/short clips/portfolio (in accordance to the designations you are applying to). 
No application will be entertained without portfolio (work clips that show directors what you are capable of - clips that are made by using phone camera are also accepted - showcase your best skills).
Subject line: "(Your name) - (Designation you are applying to) - (Union/Non-Union)".

Freshers and Experienced (both are accepted).
Ethnicity - All ethnicities are accepted. 
Languages - All languages are accepted. Languages other than English, Hindi, Punjabi will require subtitles on your portfolio.

Singers

Actors

In Need of Singers for Upcoming Project

Canada

ONLY LOCAL TALENT WILL BE ACCEPTED.
Looking for 2 men, 2 women to be in the cast of an exciting new revue "TORONTO STRIKES BACK!". 
Please, see the details below.

Additional information:
Date: July 8, 2023.
Non-Equity, but the hope of future paying shows after July. If you're looking to strut your stuff in a brand new musical comedy revue, this is it.

If you are interested, please apply.

The Musical "Toronto Strikes Back!" Seeks Talent

ONLY LOCAL TALENT WILL BE ACCEPTED.
Directors are currently in need of performers who will portrait roles in "Next to Normal" play. Please, see the details below.

About the project:
"Next to Normal" explores how one suburban household copes with crisis and mental illness. Dad's an architect; Mom rushes to pack lunches and pour cereal; their daughter and son are bright, wise-cracking teens, appearing to be a typical American family. And yet their lives are anything but normal because the mother has been battling bipolar disorder for 16 years. Next to Normal takes audiences into the minds and hearts of each character, presenting their family's story with love, sympathy and heart.

Additional information:
Performances are June 2, 3, 9, and 10 at 8pm, June 4 and 11 at 2pm in Georgetown.
Rehearsals are Mondays and Wednesdays 7 to 10 PM, Sundays 6 to 9 PM and beginning Wednesday, March 8.
Audition Requirements:
- Please prepare one song from contemporary music theatre repertoire, in the style of Next to Normal;
- Please bring sheet music in your correct key, double-sided, hole punched and placed in a 3-ring binder. A pianist will be provided. Karaoke tracks will not be accepted as accompaniment;
- You will be provided with a reading from the script at the time of booking your audition so that you will have an opportunity to familiarize yourself with the text;
- Please bring a theatre resume and headshot if available.
- Arrive in enough time to check in, get settled and complete the audition form (if you haven’t already done so).
Those auditioning must be 19 years old by January 1, 2023.
Call Backs will be held Wednesday, February 15th, 2023 at 7 PM and you will be notified by phone by February 12 if you are required for a call back.
PLEASE NOTE: Not all parts will require call backs. Directors will only call back those they need to see again. However, if call backs are required for a part you are interested in, you must be available for the call back in order to be considered for the role.
Casting decisions will be made following the callbacks. All those who auditioned will receive the results of their auditions by February 17th. Those who have been cast will receive results by phone. All others will receive results via email.
Please see the attachment for more details.

When applying, please indicate which character you are interested in auditioning for as well as your preference of audition date and time (February 8th, 2023 at 7 PM and Saturday, February 11th, 2023 at 1 PM).

Delusional, bipolar, and depressed. The sexiness of her yesterdays has only recently begun to soften. She is determined to make her family perfect but is tortured by a death in the family.
Vocal range top: F#5.
Vocal range bottom: G3.

Diana

Diana & Dan's son. Dashing, athletic, and bright. He is a playful man and everything a mother could imagine.
Vocal range top: C5.
Vocal range bottom: B2.

Gabe

Diana's husband. He is handsome and genuine. Though a constant in Diana's tumultuous life, he has grown tired and weary of her antics.
Vocal range top: B4.
Vocal range bottom: Ab2.

Diana & Dan's troubled daughter. An accomplished pianist and hardworking student, her struggles are exacerbated by her mother's behavior. She greatly admires Henry.
Vocal range top: G5.
Vocal range bottom: G3.

Natalie

Natalie's classmate. The all-around musician, philosopher, and slacker. He has an intoxicating capacity for sympathy and romance.
Vocal range top: B4.
Vocal range bottom: G#2.

Henry

Diana's handsome psychiatrist. Quite assured in his practice and considered somewhat of a rock star.
Vocal range top: A4.
Vocal range bottom: A2.

Dr. Madden

"Next to Normal" Show Looking for Performers

ONLY LOCAL TALENT WILL BE ACCEPTED.
Actors/singers are being sought for the musical production of "The Spitfire Grill." Please see the details below.

About the project:
Based on the hit 1996 film, The Spitfire Grill is a heartwarming and inspirational musical tale of redemption, perseverance, and family. Set in a small Wisconsin town, the show features a gorgeous, soulful score and several strong roles for women.
A feisty parolee follows her dreams, based on a page from an old travel book, to a small town in Wisconsin and finds a place for herself working at Hannah’s Spitfire Grill. The Grill is for sale, but there are no takers for the only eatery in the depressed town, so newcomer Percy convinces Hannah to raffle it off. Entry fees are one hundred dollars and the best essay on why you want the Grill wins. Soon, mail arrives by the wheelbarrow and things really start cookin’ at the Spitfire Grill.

Additional info:
Callbacks: As Needed 
Performances: Only Seven Shows –  April 14-29, 2023 (Friday and Saturday at 8:00 PM and  April 23, 2023, Sunday at 2 PM) 
Please prepare 32 bars or 90 seconds of a contemporary (1970s+) musical theater song (no Cappella singing). 
There will be cold readings from the show – Do not need to prepare a monologue at this time. 
Note: There will certainly be movement, but this is not a dance show.
No equity contracts are available at this time. All positions are volunteer. 
Please see the attachment for details.

If you are interested, please apply.

Pretty, if a bit rough-edged, her face declares the strength of her youth and a sadness beyond her years. Her accent has a southern Appalachian cadence. Strong folk/country belt to ‘D’, some head voice required.

Percy Talbot

A tough-skinned and flinty old bird with a short, no-nonsense manner bordering on the bitter. Mezzo/alto chest range.

Hannah Ferguson

A plain, soft-faced creature with a shy, almost ethereal manner. Shimmering folk soprano with strong high belt to ‘D’.

Shelby Thorpe

The out-of-work foreman of the stone quarry. Frustrated working man clinging to the past. Solid folk/rock voice with an edge (Top ‘G’).

Caleb Thorpe

A young small-town policeman with an appealing intensity and a restless nature. Strong folk tenor to a ‘G’ (touches an ‘A’).

Sheriff Joe Sutter

Postmistress and busybody, a woman with narrow eyes and a sour tongue. Solid singer in mezzo/alto chest range. Carries close harmony.

Effie Krayneck

A mysterious figure who never speaks. An actor with powerful eyes and a very strong sense of his body. (Nonsinging). Due to the nature of this role, the actor will only be required for a very brief rehearsal process closer to the show dates.

The Visitor

Performers Needed for "The Spitfire Grill" The Musical

ONLY LOCAL TALENT WILL BE ACCEPTED.
The production of "An Incomplete List of All the Things I'm Going to Miss When the World is No Longer" is looking for performers. More details are below.

About the project:
The musical is a cutting-edge, queer pop musical that takes a bold and thought-provoking look at death, life after death, and experimentation with hallucinogenic drugs. This electrifying and emotional journey is set against the backdrop of a global announcement of the exact time Earth will cease to exist, and follows a community of friends and lovers as they gather together for one last, ferocious party before the end of the world. 

Rate:
$350+ CAD aptoxim. $262.
Compensation is based on a box office split, as well as any fundraising efforts that are made by the company. $350 is the guaranteed minimum payment for the production.
For more details about this production, please see the attachments.

When applying, please submit a head shot and resume.

$262 / Project

He/him. The Wanderer. A strategic floater. Learned early in age what to do/say to make the world benefit him but might not know the consequences of his own actions. Someone who is not ill-intentioned, but not always well-intentioned either. Bass/Baritone.

Orlin

She/Her. Black or a Person of Color is preferred. The Carrier. A hardened woman, bound to one place. Someone who has lost belief in trust and concreteness long ago. Alto.

Trust

Job in Acting for Paid Musical

ONLY LOCAL TALENT WILL BE ACCEPTED.
Seeking performers for "The Rocky Horror Show". Please, see more details below.

About the show:
In this cult classic, sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named "Rocky."
Fran-N-Furter and his motley crew did the "Time Warp" on Broadway in a 25th anniversary revival. Complete with sass from the audience, cascading toilet paper, and an array of other audience participation props, this deliberately kitschy rock 'n' roll sci-fi gothic musical is more fun than ever.

If interested, please apply.

Range: Mezzo Soprano Belt, Bb3-Eb5.
One of Frank’s servants. Role can be divided between Usherette/Trixie and Magenta based on cast size.

USHERETTE (TRIXIE)/MAGENTA

Non-Singing Role.
Follows our two hero’s through the story by narrating directly to the audience.

NARRATOR

Range: Bari Tenor, Bb2-G4.
Quirky, but very much in love with his fiancé, Janet. Overly optimistic at times.

BRAD MAJORS

Range: Mezzo Soprano Belt, A3-Eb5.
Good girl who is madly in love with Brad. Always seems to be frightened of something. Keeps losing more of her clothes throughout the story. Emotionally weak and caves into pressure easily.

JANET WEISS

Range: High Rock Tenor, D3-B4.
Creepy man resembling more of a zombie. Often makes harmless conversation seem awkward and foreboding. One of Frank’s servants.

RIFF RAFF

Range: Mezzo Soprano Belt, E4-E5.
One of Frank’s servants.

COLUMBIA

Male Transvestite (Range: Baritone, D3-G4).
Master of the castle. Welcomes Janet and Brad with open arms. Obsessed with creating a man to be part of his sexual entourage. Master of seduction.

FRANK 'N' FURTER

Range: Tenor, A3-G4.
Frank’s magnificent creation. Sexually appealing with prominent muscles.

ROCKY

Baritone, E3-F#4.
Eddie, delivery man, “went to pieces.” Misses the rock and role of life. Comes back to life only to die after his solo. Scott is Eddie’s Uncle. Role can be split depending on cast size.

EDDIE/DR. SCOTT

Various Singers and party goers at the castle. Ensemble with a lot of opportunity to get the audience in creative ways.

PHANTOMS/TRANSYLVANIANS (SATB)

Casting Call for "The Rocky Horror Show" Play

ONLY LOCAL TALENT WILL BE CONSIDERED.
Seeking performers for the Musical "Frankenstein". Please, see the details below.

About the project:
SYNOPSIS: With earnest ballads and soaring ensemble numbers, this compelling musical brings the suspense and romance of the classic tale to life in a uniquely faithful, yet thoroughly innovative adaptation of Mary Shelley's original novel. In his quest to discover the secret of life, Victor Frankenstein, a brilliant young scientist, creates a human of his own design that turns out to instead be a horrifying beast.
This is no "Hollywood monster," but a flesh-and-blood man who, while terrifying in appearance, grows to become articulate, cunning, and thirsting for revenge upon the creator who abandoned him. A tragic love story and exploration of humanity, Frankenstein: The Musical breathes new life into the world-renowned story of man and creator pitted against one another in epic battle.

Additional info:
Please see the attachment for more details.

If interested, please apply.

Baritone-Tenor.
A brilliant, young scientist. He is able to bring life back to the dead.

VICTOR FRANKENSTEIN

Non-singing role, usually part of the ensemble. Acts as the narrator.

.

ROBERT WALTON

Bass/Baritone with Tenor capabilities.
The subject of Victor’s grand experiment. Intense, strong, but also soft and fragile at times. Must be able to project a strong range of vocals and emotions.

THE CREATURE

Soprano.
Victors love. Becomes Finance and wife through the show. Lyrical with belt. Moves the story along outside of the Creature/Victor dynamic. Shows more of the home life Victor is giving up to pursue his dreams

ELIZABETH LAVENZA

Tenor.
Victor’s lifelong friend. He sees his duty is to protect Victor from himself. As a priest, he loves everyone and wants only good for the Frankenstein family and his best friend.

HENRY CLERVAL

Operatic Bass/Baritone.
Father to Victor and William. His transition is perhaps one of the strongest and saddest in the show, going from a man of such strength to a more defeated man as he loses his family throughout the show.

VICTOR’S FATHER (Alphonse Frankenstein)

ANY VOICE TYPE.
Dies shortly in Act 1. Usually part of the ensemble/soloist. Very sweet voice and an nurturing demeanor.

VICTOR’S MOTHER (Caroline)

Range is flexible.
Governance to William, she loves the family as if it were her own. Must have a strong range of emotional display because her end is perhaps the most tragic/horrifying in the show.

JUSTINE LAURENCE

A poor cottager. Part of ensemble as well. Range and age is flexible.

THE BLIND MAN

Range is flexible.
The blind man’s daughter. Mother of a baby she holds close. Part of ensemble as well. Range and age is flexible.

AGATHA

The power behind this show. Drives everything forward and makes this story all the more haunting. Vocal strength and choir skill is recommended. Facial expressions very important as well. Most will have solo lines as this is a vocal heavy show.

Singing Casting Calls in Buffalo