Seeking Cast for "Mcqueen" Film Project
Casting actors for "Mcqueen" Film, please see the details below. ONLY LOCAL TALENT WILL BE CONSIDERED. About the project: **McQueen will have two storylines: the McQueen film itself and the documentary About the making of the disaster it was behind the scenes. The documentary referenced takes place in late 1999 or early 2000s, so prep wardrobe accordingly. Rate: Roles are paid and non-union. Principal photography Will commence in Pittsburgh area September/October 2026. Additional info: Looking at performers with strong improv background/ad lib skills. When applying, please include a 30-to-60 second improv video submission in character. Submissions begin January 15, 2026. Anything received prior to this date will not be considered.
9 roles
The tough as nails partner for Jack McQueen in the film “MCQUEEN.” She is the perfect mix of Ellen Ripley, Sarah Connor and Cynthia Rothrock. Loyal to her dying breath.
The earnest, sincere host of the wrap around documentary on the making of “McQueen.” They are hosting the documentary “Wes Brantley: The Man. The Myth. The Mustache.” Pleasant, with either the vibe of NPR or PBS hosts.
(stunt coordinator) – The only stunt coordinator in Hollywood’s B-movie indie community that absolutely despises Wes Brantley and is actively trying to hurt or kill him with every stunt. He is the Wiley Coyote to Wes Brantley’s Road Runner and is the main villain
Reliable actor hired for his looks but also just the sweetest guy. He is a low-level character actor in Hollywood that gets hired on the smallest productions but really just enjoys the work. He gets a kick out of the fact that he’s on a movie set.
B-movie level producer in the mold of Golan-Globus/Cannon Films. Attempting to save money, they are constantly in deep with the sharks and over-leveraged on the film. Scheming to either keep the cost down or cash in on insurance, they bring in stunt coordinator Skip Jackson in order to “temporarily stop production” by injuring Wes Brantley.
B-movie level producer in the mold of Golan-Globus/Cannon Films. Attempting to save money, they are constantly in deep with the sharks and over-leveraged on the film. Scheming to either keep the cost down or cash in on insurance, they bring in stunt coordinator Skip Jackson in order to “temporarily stop production” by injuring Wes Brantley.
Remember this is a bad 80s grindhouse action film, so the more awkward the stunt work or untrained, the better.
Directors will prioritize performers with martial arts training/stunt background for these roles as the Ultimate Attack Squad for our movie’s villians.
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