Equity Dancers Needed for "Les Miserables" Show

Tenor, low A to high B. Ages from mid-thirties to early fifties over the course of the play. Intelligent, thoughtful, with strong physical strength and a deep belief in forgiveness. Mature and Compassionate.

Baritone, low F to F sharp. Ages from mid-thirties to late forties, early fifties. Serious, intimidating man with rigid respect for authority and dislike of rebellion. “Humble and haughty, like all fanatics… a dreamer of stern dreams.” Comfortable flying at heights

Soprano, B flat (below Middle C) to High C with belt, must be able to float a B flat, but not operatic-sounding. Innocent, beautiful, “tender without motive, happy because she breathes.”

(OFFER OUT. Looking for back up and u/s.) Mezzo-Soprano. low G flat to E flat. A survivor who loves deeply and with passion, would do anything for her daughter. Once beautiful and radiant.

Tenor or High Lyric Baritone low A to high A flat. Romantic hero. Good looking, young leading man. Earnest, self-taught, and pure-hearted.

Mezzo Belt (low F sharp to E) Waif – Down-trodden child of the streets but “Amid the grime and shame, she preserves traces of pride, a spark of love.”

Baritone (C to high G flat). Strong character with comedic ability and a dark side. A great swindler, who can transform from hospitable to formidable. “Knows how to do a little of everything, all of it badly.”

Alto / Mezzo Belt (low G sharp to D). Strong character with comedic ability and a dark side. “Loves nothing but her children, fears nothing but her husband.” Unethical but knows how to perform and survive.

Baritone / tenor (low A to high G). Charismatic with fierce dedication. Intellectually and physically a leader. “Angelically beautiful young man… capable of being terrible.”

All identities and physical types who are both excellent singers and excellent dancers in both contemporary musical theatre style and tap. Ensemble members play various featured roles in all shows as well as cover Principals.