Auditions for Musical "It Should Have Been You"

(Mezzo-Soprano, G3–F#5). The responsible, overlooked older sister of the bride. Jenny is bright, organized, and kind-hearted, often putting others’ needs before her own, including those of her Jewish American family. She’s witty, self-deprecating, and struggles with body image and self-worth. Throughout the show, she learns to stand up for herself and embrace her own happiness. Strong comedic timing and emotional depth required.

(Soprano, F#3–F#5). The beautiful, confident bride who seems to have it all together, until her wedding day starts unraveling. Rebecca loves her fiancé but is harboring a secret from her Jewish American family. She’s passionate, quick-tempered, and torn between doing what’s expected and following her heart. Needs a strong belt and vulnerability beneath the polish. This character is LGBTQ.

(Tenor, D3–A4). Rebecca’s ex-boyfriend and Jenny’s ex-best friend, who shows up uninvited to stop the wedding.The nice Jewish-boy next door that The Steinbergs always thought Rebecca would end up with. Marty is charming, confident, and romantic. He’s the “hero” type, but in a farcical, quirky and lovable way. Needs strong vocals and comedic timing.

(Mezzo-Soprano, E3–E5). Jenny and Rebecca’s overbearing Jewish mother. A powerhouse of energy, opinions, and biting humor. She adores her daughters fiercely but expresses it through control and criticism. Beneath her brash exterior is deep love and insecurity. Excellent comedic instincts a must.

(Baritone, G#2–F#4). The patient and good-natured Jewish father of the bride. Murray is warm, funny, and occasionally clueless but always well-intentioned. He’s the peacemaker in the family and provides much of the show’s heart. A lovable “dad” with great timing and a big heart.

(Mezzo-Soprano, D3–E5). The groom’s socialite mother. Georgette is polished, pretentious, and sharp-tongued, but uses her wit as a weapon to mask vulnerability. She’s very close with her son and is not happy about the wedding as it means she will no longer be the most important woman in his life. A sophisticated woman who knows how to deliver a killer one-liner.

(Baritone, F#2–F#4). The groom’s father, a wealthy and aloof businessman. George is charming but detached, often distracted by work or appearances. He tries to play the diplomat but tends to say the wrong thing at the wrong time. Dry humor and subtle charm are key. Strong mover is a plus.

(Tenor, Bb2–Gb4). The groom. Handsome, charismatic, and seemingly perfect, but harboring a major secret that drives the show’s central twist. Brian genuinely cares for those around him, but struggles with honesty and expectation. Requires a strong actor-singer with emotional nuance and comedic skill. Strong mover is a plus. This character is LGBTQ.

(Mezzo-Soprano, G3–F#5). Rebecca’s best friend and maid of honor. Fun, loyal, and protective, but hiding a past that threatens the wedding. Annie is outspoken, impulsive, and passionate. Must balance humor with sincerity. This character is BIPOC and LGBTQ.

(Tenor, C3–A4). The groom’s best man. Greg is upbeat, loyal, and just a bit clueless. He provides comic relief and lightens the tension between the families. Needs strong comedic energy. This character is LGBTQ.

(Baritone, A#2–A4). The quick-witted, unflappable wedding planner. Albert keeps the chaos at bay with dry humor and grace under pressure. He’s seen it all, and often knows more than he lets on. A deliciously sharp role with impeccable comedic flair and a touch of mystery.

(G#3-Eb5). Waiter & bride’s aunt. *These tracks may be split depending on audition turnouts.

(B2-G4). Waiter & bride’s uncle. *These tracks may be split depending on audition turnouts.