Equity Performers for 2026 Season Shows

King of Britain. Proud, imperious, used to absolute authority, and undone by age, ego, and betrayal. "KING LEAR"

Lear’s eldest daughter. Sharp, commanding, ambitious, ruthless when threatened. "KING LEAR"

Lear’s middle daughter. Cunning, cold, eager to match and outdo her sister in cruelty. "KING LEAR"

Lear’s youngest daughter. Honest, principled, and unwilling to flatter — her integrity is her undoing and her strength. "KING LEAR"

Goneril’s husband. Decent at heart, slow to act, grows in moral clarity as the world collapses. "KING LEAR"

Regan’s husband. Brutal, authoritarian, revels in violence. "KING LEAR"

Noble, steady, recognizes Cordelia’s worth when others reject her. "KING LEAR"

Suitor to Cordelia, drops his claim when her dowry disappears. "KING LEAR"

Loyal, credulous, devoted to Lear, blinded by misplaced trust, ultimately sees the truth too late. "KING LEAR"

Gloucester’s elder son. Naïve and trusting, forced into disguise as Poor Tom, proves resilient and compassionate. "KING LEAR"

Gloucester’s illegitimate son. A citizen of the world, expert code-switcher who can move through social structures and expectations with fluency and confidence. Driven by a deep sense of injustice about the rules of the world, but able to play by them to get what he wants. "KING LEAR"

Blunt, loyal to Lear even in disguise, the play’s moral anchor. "KING LEAR"

Lear’s jester, sharp-tongued truth-teller cloaked in riddles and song. "KING LEAR"

Goneril’s steward. Obsequious to power, petty, eager to serve cruelty. "KING LEAR"

Rightful Duke. Exiled to the Forest of Arden, philosophical, generous, finds freedom in nature. "AS YOU LIKE IT"

His usurping brother. Harsh, suspicious, quick to anger, rules by fear until his sudden conversion. "AS YOU LIKE IT"

Duke Senior’s daughter. Brilliant, witty, playful, resilient, finds power in disguise and freedom in Arden. "AS YOU LIKE IT"

Duke Frederick’s daughter. Loyal, warm, devoted to Rosalind, humorous and grounded. "AS YOU LIKE IT"

Young gentleman. Noble-hearted, athletic, romantic, underestimated by his brother and eager to prove himself. "AS YOU LIKE IT"

Orlando’s elder brother. Cruel and jealous at first, transformed by love and redemption. "AS YOU LIKE IT"

The court fool. Quick-witted, bawdy, merciless in mockery, finds surprising tenderness in love. "AS YOU LIKE IT"

Lord attending Duke Senior. Melancholic, cynical, endlessly observant, sharp critic of human folly. "AS YOU LIKE IT"

A shepherd. Lovesick, earnest, endlessly pursuing the disdainful Phoebe. "AS YOU LIKE IT"

A shepherdess. Proud, beautiful, scornful, undone by Rosalind’s disguise. "AS YOU LIKE IT"

A shepherd. Wise, plainspoken, content with a simple life. "AS YOU LIKE IT"

A country woman. Simple, earthy, drawn into Touchstone’s orbit. "AS YOU LIKE IT"

Lord attending Duke Senior. Cheerful, loyal, sings of Arden’s joys. "AS YOU LIKE IT"

Duke Frederick’s wrestler. Strong, intimidating, but bested by Orlando. "AS YOU LIKE IT"

Servant to Orlando. Faithful, selfless, gives his savings and strength to aid Orlando. "AS YOU LIKE IT"

Tenor/High Baritone (A2 – B♭4). Former convict who rebuilds his life through compassion and faith. Haunted by his past yet redeemed by mercy, he becomes the moral heart of the story, wrestling constantly with justice and grace. "LES MISERABLES"

Baritone (F2 – F♯4). A rigid police inspector devoted to law and order. His absolute belief in duty drives his pursuit of Valjean and ultimately his own destruction. Commanding presence with vocal strength and control. "LES MISERABLES"

Mezzo-Soprano/Tenor (A3 – F5 / B2 – G4). Fantine — a factory worker cast aside, whose love for her child and descent into poverty expose the story’s deepest humanity. Enjolras — a passionate revolutionary leader, fearless and eloquent, the voice of youthful conviction. "LES MISERABLES"

Baritone (A2 – G4). Two extremes of morality: the Bishop of Digne, serene and merciful; Thénardier, a cunning innkeeper who survives by wit and corruption. Requires range, humor, and precise character transformation. "LES MISERABLES"

Mezzo – Alto (F3 – D5). Crude, funny, and ruthless; a comic predator who delights in others’ misfortune. Sharp instincts, fearless physicality, and strong belt-mix required. Appears in ensemble scenes when not featured. "LES MISERABLES"

Lyric Tenor or Baritone (A2 – A4). An idealistic student torn between love and revolution. Earnest, intelligent, and open-hearted, discovering courage and maturity through loss. "LES MISERABLES"

Soprano (B3 – C6). Raised in hardship yet radiant with hope. Innocent, curious, and compassionate, finding freedom and self-assurance through love. Bright, expressive voice. "LES MISERABLES"

Mezzo-Soprano with belt (F3 – E5). Streetwise, defiant, and heartbreakingly vulnerable. Her unrequited love for Marius reveals both grit and grace. Grounded, truthful. "LES MISERABLES"

ENSEMBLE: All vocal ranges. The living soul of Les Misérables. Strong part singers who can create distinct physical and emotional worlds; flexible, inclusive casting. "LES MISERABLES"

ENSEMBLE: All vocal ranges. The living soul of Les Misérables. Strong part singers who can create distinct physical and emotional worlds; flexible, inclusive casting. "LES MISERABLES"

ENSEMBLE: All vocal ranges. The living soul of Les Misérables. Strong part singers who can create distinct physical and emotional worlds; flexible, inclusive casting. "LES MISERABLES"

ENSEMBLE: All vocal ranges. The living soul of Les Misérables. Strong part singers who can create distinct physical and emotional worlds; flexible, inclusive casting. "LES MISERABLES"

ENSEMBLE: All vocal ranges. The living soul of Les Misérables. Strong part singers who can create distinct physical and emotional worlds; flexible, inclusive casting. "LES MISERABLES"