Actors Required for Upcoming Shows
Open auditions for "Anything Goes", "9 to 5" the musical & "Always A Bridesmaid". Seeking cast. ONLY LOCAL TALENT WILL BE CONSIDERED. Please see the breakdown below. Additional info: What to prepare for Always A Bridesmaid: - A comedic style monologue utilizing a Southern accent, at least about 30 seconds in length. What to prepare for Anything Goes & 9 to 5: - 16 bars (30-45 seconds) of a vocal selection in the style of the show(s) you are auditioning for - You may perform your vocal selection a cappella or with a backing track via Bluetooth speaker - If you are auditioning for Anything Goes or 9 to 5 there will be an accompanying dance audition (with Tap section Callbacks (if needed): Thursday, November 13 (7:00 PM - 9:00 PM). Rehearsals will occur in the evenings and on weekends, official rehearsal schedules will be provided upon being cast. Production dates: - Anything Goes - Onstage January 9th - 24th - Always A Bridesmaid - Onstage February 6th - 21st - 9 to 5 - Onstage February 27th - March 14th If you are interested, please apply.
35 roles
A kind-hearted, spirited Southern charmer. "Always A Bridesmaid"
A hopeless romantic, sweet country woman, plain-spoken, and guileless. "Always A Bridesmaid"
A gregarious, energetic Virginia hostess and life-force. "Always A Bridesmaid"
Kinda flashy, kinda trashy, Southernto-the-bone flirt. "Always A Bridesmaid"
A tree-hugging, Birkenstock-wearing, acerbic Southern free spirit. "Always A Bridesmaid"
Headstrong with a dry wit, a nononsense Northern transplant. "Always A Bridesmaid"
A charismatic nightclub singer and former evangelist, she is clever, funny, persuasive and extremely confident. Strong singing and dancing required, as well as comedic timing. VOCAL RANGE: Alto/Belt. "Anything Goes"
Four (4) backup singers/dancers in Reno’s act, they are showgirls with pizzazz and personality. All roles require strong singing and dancing skills. VOCAL RANGE: Various. "Anything Goes"
A beautiful heiress with a strong sense of duty, she is willing to sacrifice love and marry to satisfy her mother’s wishes. Strong singing and dancing required. VOCAL RANGE: Soprano. "Anything Goes"
A young businessman who is in love with Hope, he charismatic and charming. Strong singing required and should be able to dance or move well. VOCAL RANGE: Baritone/Tenor. "Anything Goes"
Hope’s energetic, quirky, and good-natured aristocratic fiancé. English accent, strong singing and the ability to move well also required. VOCAL RANGE: Baritone. "Anything Goes"
Hope’s overbearing mother who is mainly concerned with money and social status. Sings with ensemble only. "Anything Goes"
A loveable gangster who is also loyal and willing to go the distance for a friend. Requires strong comic timing, plus the ability to sing and move well. VOCAL RANGE: Baritone. "Anything Goes"
A playful, independent, impulsive, and loveably clueless “dame” – a typical 20’s “gun moll” with a ‘Joisey’ accent. Strong singing and dancing. VOCAL RANGE: Mezzo/Belt. "Anything Goes"
A successful Wall Street banker who is nearsighted and thinks he is always right. Ability to move well is a plus. VOCAL RANGE: Baritone. "Anything Goes"
Captain of the S. S. American. Ability to move well is a plus. VOCAL RANGE: Baritone. "Anything Goes"
ENSEMBLE – all must sing and move well. Various roles will be cast from the ensemble. "Anything Goes"
ENSEMBLE – all must sing and move well. Various roles will be cast from the ensemble. "Anything Goes"
ENSEMBLE – all must sing and move well. Various roles will be cast from the ensemble. "Anything Goes"
The company's Head Secretary and Mr. Hart's Administrative Assistant, she is a single mother and typically stands up for what she believes in. Attractive, strong, ambitious. Vocal range top: D5 - Vocal range bottom: F3. "9 to 5"
A young, sexy spitfire who works at Mr. Hart's office. She is proof that there is more to a woman than just her looks. Strong southern accent needed (Preferably Dolly Parton coded) Vocal range top: E5 - Vocal range bottom: G3 "9 to 5"
The "new" girl at the firm, she has been burned by her husband's affair and is searching for personal empowerment. Insecure, determined, and hopeful. Vocal range top: F5 - Vocal range bottom: Ab3 "9 to 5"
One of the firm's executives and a notorious chauvinist. He is capable of faking charm but usually shows his true colors as an arrogant, self-absorbed boss. Vocal range top: Gb4 - Vocal range bottom: C3 "9 to 5"
The attentive office gossip queen and snitch. She has an unrequited love for Mr. Hart and will do anything she can to win his approval. Vocal range top: C5 - Vocal range bottom: G3 "9 to 5"
A handsome, young office accountant. Genuine and nice, and smitten with Violet. Vocal range top: G4 - Vocal range bottom: B2 "9 to 5"
Doralee's attractive husband. He is very supportive of her professional pursuits. Vocal range top: G4 - Vocal range bottom: E2 "9 to 5"
Franklin Hart's wife, clueless to her husband's true nature. "9 to 5"
A young and vibrant secretary in Hart's office. Vocal range top: D5 - Vocal range bottom: F4 "9 to 5"
Judy's soon-to-be ex-husband. An average guy, he is sporting a little less hair and a little more paunch than he did ten years ago. "9 to 5"
A secretary in Hart's office with a tendency to gossip. Vocal range top: D5 - Vocal range bottom: G4 "9 to 5"
A secretary in Hart's office with a tendency to drink. "9 to 5"
Franklin Hart's boss and Chairman of the Board. A good man, who may be wiser to Hart's ways than he lets on. "9 to 5"
Ensemble. "9 to 5"
Ensemble. "9 to 5"
Ensemble. "9 to 5"
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