Singing Audition in "A Little Night Music" Musical
ONLY LOCAL TALENT WILL BE ACCEPTED. Seeking singers for production of "A Little Night Music". More details are below. About the play: Stephen Sondheim’s "A Little Night Music" is a sophisticated, witty, romantic, and deeply moving musical about love, regret, second chances, and the tangled web of relationships. It’s a romantic farce about the lives of several upper middle-class couples. Mismatched couples join for an evening of romantic musical chairs on the longest night of the year. Additional information: SHOW WEEK: March 23-29, 2026. TORONTO REHEARSALS BEGIN: November 23, 2025. Located at Eglinton and Mount Pleasant. Two rehearsals to be held near Runnymede Subway. REHEARSAL REQUIREMENT: Individual music rehearsals and small group rehearsals will be held in November and December. Rehearsals will be broken down by scene and actors will only be required to attend when their scene is being rehearsed. Rehearsals are mandatory - any NA must be agreed to in the contract and audition period. REHEARSAL DATES: Sunday Nov 23 Monday Nov 24 Wednesday Nov 26 Monday December 8 Wednesday December 10 Wednesdays Jan 7, 14, 21, 28; Feb 4, 11, 18, 25; March 4, 11, 18 Sundays Jan 11, 18, 25; Feb 1, 8, 22, March 1, 8, 15 22. TECH & PERFORMANCE WEEK: Performers without vehicles will be assigned carpools where available. Monday March 23 1030-10:30pm Tuesday March 24 10:30-10:30pm Wednesday March 25 4-10:30 Thursday March 26 opening night 4:30 Call time, 7pm performance Friday March 27 Performance Call time 5pm Saturday March 28 Performance Call time 5pm Sunday March 29 Performance Call time 11am, followed by all cast assist with strike. Submission Deadline October 7, 2025. If you're interested, please apply.
18 roles
Principal Role. Mezzo or 2nd Sop(A♭3–A♭5). Glamorous stage actress, witty and poised, but longing for lasting love. Strong actor-singer; must balance sophistication with vulnerability.
Principal Role. Baritone (C3–F♯4). Middle-aged lawyer, charming but somewhat pompous. Recently remarried, but still attached to Desirée. Comic subtlety and warmth required.
Principal Role. Soprano (G♯3–A5). Fredrik’s young wife. Innocent, flirtatious, and restless. Bright legit soprano with youthful energy.
Principal Role. Tenor (G3–B4,). Fredrik’s son, a conflicted seminary student. Intense, awkward, lovesick. Strong singing actor.
Principal Role. Mezzo (C3–E4). Desirée’s mother. Witty, worldly, with a sharp tongue. Excellent comic timing.
Principal Role. Mezzo (B♭3–D5). Wry, sardonic wife of Count Malcolm. Sharp humour masking deep hurt. Strong singer-actor.
Principal Role. Baritone (B2–F♯4). Vain, blustery dragoon officer. Must balance comic bravado with vocal strength.
Principal Role. Mezzo or 2nd sop (F♯3–F♯5). Earthy, sensual maid. Strong presence for “The Miller’s Son.” Requires comic and physical flair.
Featured Role – The Liebeslieder Quintet. Baritone G2–G♯4 .
Featured Role – The Liebeslieder Quintet. High Soprano G♯3–E6.
Featured Role – The Liebeslieder Quintet. Mezzo or 2nd Soprano G♯3–A♯5.
Featured Role – The Liebeslieder Quintet. Tenor (Tenor G♯2–A♯4).
Featured Role – The Liebeslieder Quintet. Mezzo G♯3–G♯5.
Ensemble Position. Madame Armfeldt's manservant. Has a tryst with Petra.
Ensemble Position. Desiree's maid, who is with her constantly. Silent part.
Ensemble Position. Maid at Madame Armfeldt's manse. Silent part.
Ensemble Position. Page at Madame Armfeldt's manse. Silent part.
Ensemble Position.
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