Equity Actors Required for 2026 Season
Equity actors for roles in 2026 Season. See breakdown below. Rate: LORT Rep LORT B $1144 weekly minimum - until 6/28/26 $1213 weekly minimum - after 6/28/26 Additional info: Audition lunch 12:00 PM - 1:00 PM All roles will be understudied. Directors cast for Repertory, and therefore, all performers will be in more than one show. PREPARATION: For Non-singers: Please prepare EITHER a 1 1/2-minute Shakespeare monologue (no sonnets, please) OR a 1 1/2-minute contemporary monologue. For Singers: Please prepare a 1 1/2-minute contemporary monologue and 16-bars of a Broadway-style song that shows your range and vocal prowess. Also, please bring your headshot and resume stapled together. Repertory contracts: Contract 1: May 4, 2026 (1st Rehearsal) through September 5, 2026 (closing) Contract 2: May 4, 2026 (1st Rehearsal) through October 3, 2026 (closing) Contract 3: June 8, 2026 (1st Rehearsal) through October 3, 2026 (closing) EPA Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. "TROILUS AND CRESSIDA" Engelstad Shakespeare Theatre Contract Dates: May 4 – September 5, 2026 LORT B. Exact tracks/doubling are TBD "HAMLET" Engelstad Shakespeare Theatre Contract dates: May 4 – September 5, 2026 LORT B. Exact tracks/doubling are TBD "TWELFTH NIGHT" Engelstad Shakespeare Theatre Contract Dates: May 4 – September 5, 2026 LORT B. Exact tracks/doubling are TBD "SHE LOVES ME" Randall L. Jones Theatre Contract dates: May 4 – October 3, 2026 LORT B. Due to repertory casting model, SHE LOVES ME will share a large number of its cast with SOMETHING ROTTEN!, and therefore directors are seeking performers who can work across both styles of musical. "SEE HOW THEY RUN" Randall L. Jones Theatre Contract Dates: May 4 – September 4, 2026 LORT B. British accents required for all characters except as noted. If you are interested, please apply.
99 roles
King of Troy. The Trojans. "TROILUS AND CRESSIDA"
Priam’s daughter, a soothsayer. The Trojans. "TROILUS AND CRESSIDA"
Priam’s son. The Trojans. "TROILUS AND CRESSIDA"
Priam’s son. The Trojans. "TROILUS AND CRESSIDA"
Priam’s son. The Trojans. "TROILUS AND CRESSIDA"
Priam’s son. The Trojans. "TROILUS AND CRESSIDA"
Priam’s son. The Trojans. "TROILUS AND CRESSIDA"
Priam’s son. The Trojans. "TROILUS AND CRESSIDA"
The Trojans. "TROILUS AND CRESSIDA"
Cressida's father. The Trojans. "TROILUS AND CRESSIDA"
Cressida's uncle. The Trojans. "TROILUS AND CRESSIDA"
Cressida's servant. The Trojans. "TROILUS AND CRESSIDA"
The Trojans. "TROILUS AND CRESSIDA"
The Trojans. "TROILUS AND CRESSIDA"
The Trojans. "TROILUS AND CRESSIDA"
The general. The Greeks. "TROILUS AND CRESSIDA"
The Greeks. "TROILUS AND CRESSIDA"
The Greeks. "TROILUS AND CRESSIDA"
The Greeks. "TROILUS AND CRESSIDA"
Brother to Agamemnon. The Greeks. "TROILUS AND CRESSIDA"
The Greeks. "TROILUS AND CRESSIDA"
The Greeks. "TROILUS AND CRESSIDA"
Menelaus’s wife and queen. The Greeks. "TROILUS AND CRESSIDA"
Achilles’ favorite companion. The Greeks. "TROILUS AND CRESSIDA"
Achilles’ soldiers. The Greeks. "TROILUS AND CRESSIDA"
A cynical critic. The Greeks. "TROILUS AND CRESSIDA"
The Greeks. "TROILUS AND CRESSIDA"
The Greeks. "TROILUS AND CRESSIDA"
The Greeks. "TROILUS AND CRESSIDA"
Of Hamlet’s father. "HAMLET"
Prince of Denmark, son of the late King Hamlet & Queen Gertrude. "HAMLET"
Widow of King Hamlet, now married to Claudius. "HAMLET"
Brother to the late King Hamlet. "HAMLET"
"HAMLET"
Ophelia's brother. "HAMLET"
Father of Ophelia and Laertes, councilor to King Claudius. "HAMLET"
Servant to Polonius. "HAMLET"
Hamlet’s friend and confidant. "HAMLET"
Danish courtier. "HAMLET"
Danish courtier. "HAMLET"
Danish courtier. "HAMLET"
Danish courtier. "HAMLET"
Danish soldier. "HAMLET"
Danish soldier. "HAMLET"
Danish soldier. "HAMLET"
Prince of Norway. "HAMLET"
"HAMLET"
"HAMLET"
"HAMLET"
"HAMLET"
"HAMLET"
"HAMLET"
"HAMLET"
"HAMLET"
"HAMLET"
"HAMLET"
"HAMLET"
"HAMLET"
"HAMLET"
"HAMLET"
"HAMLET"
A lady of Messaline shipwrecked on the coast of Illyria (later disguised as Cesario). "TWELFTH NIGHT"
An Illyrian Countess. "TWELFTH NIGHT"
Olivia's waiting-gentlewoman. "TWELFTH NIGHT"
Olivia’s kinsman. "TWELFTH NIGHT"
Sir Toby’s companion. "TWELFTH NIGHT"
Steward in Olivia’s household. "TWELFTH NIGHT"
Olivia’s jester. "TWELFTH NIGHT"
A gentleman in Olivia’s household. "TWELFTH NIGHT"
Duke of Illyria. "TWELFTH NIGHT"
Gentleman serving Orsino. "TWELFTH NIGHT"
Gentleman serving Orsino. "TWELFTH NIGHT"
Viola’s brother. "TWELFTH NIGHT"
Friend to Sebastian. "TWELFTH NIGHT"
"TWELFTH NIGHT"
"TWELFTH NIGHT"
"TWELFTH NIGHT"
"TWELFTH NIGHT"
"TWELFTH NIGHT"
"TWELFTH NIGHT"
(male-identifying). A hopeless romantic, Georg knows how to gain success through his hard work, intelligence and loyalty, and finds himself befuddled at how little those skills are helping him in his love life. Vocal range: B2-F4. "SHE LOVES ME"
(female-identifying). Determined and eager, Amalia is another hopeless romantic unsure how to use her sales skills in her romantic life. She uses her intelligence in all her interactions, proving herself a skilled salesperson as well as a worthwhile foil for Georg. Vocal range: C4-B5. "SHE LOVES ME"
(male-identifying). Owner of his own Parfumerie, Mr. Maraczek is a paternal figure to those who work for him. He values loyalty, a trait he shows in his dedication and devotion to his wife. He suffers no fools, however, and can have a temper when pushed. Vocal range: B2-C4. "SHE LOVES ME"
(male-identifying). Another employee in the shop, Sipos’ sales skills revolve around his eagerness to please. He is conflict averse, though he is a fierce and devoted friend to Georg, with a willingness to share the lessons he’s learned through his career and marriage. Vocal range: A2-E4. "SHE LOVES ME"
(female-identifying). Also an employee in the shop, Illona falls in love with love, hopping from relationship to relationship. She’s eager to find a new way of doing things and find the love she sees Amalia dreaming of. Vocal range: F#3-E5. "SHE LOVES ME"
(male-identifying). A skilled salesperson of perfume, as well as of himself. He is able to identify what the other person wants and sell them what he has to offer. He is playful, ambitious, and prides himself on enjoying life while he can. Vocal range: B2-A4. "SHE LOVES ME"
(male-identifying). The delivery boy at Maraczek’s Parfumerie. Arpad’s exuberance is infectious and commitment to his job remarkable. He is ambitious and adorable, and observes everything going on around him, even if he doesn’t yet know when to keep his mouth shut. Vocal range: Bb2-E4. "SHE LOVES ME"
6 female-identifying & 5 male-identifying. A combination of ages and types; roles require a mix of strong singing, dance ability, physical comedy, strong acting. Ensemble Vocal ranges: Sopranos (A#3-F#5), Altos (A#3-F5), Tenor (A#2-G4), Baritone (A#2-F4). "SHE LOVES ME"
A consummate professional, he tries with all his might to maintain the dignity of the restaurant where he works. But even he has a breaking point. Requires a comic sensibility, despite the fact that the character has none. Vocal range: (C#3-B4). Featured ensemble role. "SHE LOVES ME"
Though he tries his best to maintain the integrity his boss demands, his nickname of “butterfingers” is well earned. Physical comedy skills important. Featured ensemble role. "SHE LOVES ME"
(female-identifying). A maid. Often confused, but sometimes more in-the-know than anyone else. A tad sarcastic. "SEE HOW THEY RUN"
(female-identifying). Pompous and superior. Has a drunk scene. Spends a lot of time in closets. Can take a punch. "SEE HOW THEY RUN"
(male-identifying). Sincere and overwhelmed. He truly loves his wife and his vocation. Generally, one step behind the plot. Runs a lot. "SEE HOW THEY RUN"
(female-identifying) Married to Lionel. Former actor who is struggling with the role of “Vicar’s Wife”. Loves Lionel but misses adventure. Bubbly and fun, if sometimes a bit snarky. Able to sing loudly and off-key. American. "SEE HOW THEY RUN"
(male-identifying) Charming and funny, former USO actor, and is dedicated to the US Army. An old “friend” of Penelope’s. Runs a lot. American. "SEE HOW THEY RUN"
(male-identifying). Menacing. Sick and tired of the British. Russian. Runs a lot. "SEE HOW THEY RUN"
(male-identifying) Serious but easily confused, and a bit judgmental. Penelope’s uncle. Runs a little. "SEE HOW THEY RUN"
(male-identifying). Good-natured and kind. A little slow on the uptake. Just happy to be here. "SEE HOW THEY RUN"
(male-identifying). Loud and in charge. Flustered. "SEE HOW THEY RUN"