Equity Actors Needed for 2025-26 Season

She’s clever, attractive, and determined to fight the fascists in her own way. Gino is entranced by her, though they disagree about how to approach life. Vocal range: alto with an edge. Athletic movement ability required. PRINCIPAL ROLE. "GLORY RIDE"

The Cardinal of Tuscany is a rebel in red robes. In his ballad “800 Souls” he wrestles with himself: Should I obey the Pope or Mussolini, or my own conscience? He’s secretly joined the Resistance but worries that his courageous acts will endanger the families that depend on him. Vocal range: baritone. PRINCIPAL ROLE. "GLORY RIDE"

A timid but lovable accountant who masterminds an ingenious plan to smuggle children to freedom. Great comic timing. Like Leo Bloom in The Producers, Nico is an inadvertently amusing introvert. Casting against type, we are looking for someone who is good-looking but does not realize it. Those who’ve portrayed Bob Gaudio in Jersey Boys might be a good fit. Vocal range: baritone, but with a tenor timbre. Athletic movement ability required. PRINCIPAL ROLE. "GLORY RIDE"

A powerful, complex role – Blackshirt leader and Gino's former best friend. Like Javert in Les Miserables, Carita tracks Gino’s moves and cracks down on freedom. Carita is a proud Italian nationalist. He’s convinced that he is doing the right thing – after all, by imposing his brand of fascism, he’s pacifying the Germans and keeping away the even more brutal Nazis. Vocal range: commanding baritone. Athletic movement ability required. PRINCIPAL ROLE. "GLORY RIDE"

Cool, rebellious, Il Lupo is the head Partisan. He will go to any length to fight for freedom. Nothing to lose. Nothing to fear. He challenges each of our Resistance heroes — how far will you go for what you believe? How will you fight tyranny? Vocal range: strong bari-tenor. Will also understudies the role of ‘Gino.’ Athletic movement ability required. "GLORY RIDE"

18+ to play ages 10 to 14. Alto range. Athletic movement ability required. "GLORY RIDE"

Major Carita's superior. Baritone. "GLORY RIDE"

Carita's henchman. Bari-tenor. Athletic movement ability required. "GLORY RIDE"

Dalla Costa’s skeptical, amusing assistant. Athletic movement ability required. Vocal range: alto with an edge. Will also understudy ADRIANA. "GLORY RIDE"

Males and females with a mix of vocal ranges to play Townspeople and multiple roles. Athletic movement ability required. "GLORY RIDE"

Irish, a lifelong sailor and renowned legend in the sailing community. High emotional IQ, eccentric, wise, with a romanticized view on life. Embodies a Santa like quality, dedicated to preserving the magic of life at sea, but has trouble facing harsh truths about prioritizing others over himself as he faces the end of his life. Baritone. "THE CHEQUERBOARD WATCH"

Mid-30s. British, a driven and perfectionist captain from an upper-class naval family. Charismatic and capable, he is haunted by his father’s high expectations and his own insecurities. As the pressures of the voyage and his obsession with success mount, he begins to unravel, becoming increasingly ruthless and mirroring the harsh methods of his former superior. Baritone. "THE CHEQUERBOARD WATCH"

Strong, spunky, first mate disguised as a man, a truth only few know but don't discuss. Seen as the Captain's right hand, she is fair, and everyone looks to her for guidance, especially as the Captain spirals. Mezzo/Belt. Will double as FRENCH WOMAN. "THE CHEQUERBOARD WATCH"

Jamaican, loves being a sailor and part of the crew. Speaks a blend of Jamaican patois and English. Queer, a happy-go-lucky free spirit with a wise Jamaican proverb always in his back pocket. Mischievous and provocative when he’s ready. Puts up a confident front but internally struggles with his role in society. Tenor. "THE CHEQUERBOARD WATCH"

Igbo, born in Britain to an Igbo mother who was a former slave. He serves as second mate. Amicable but guarded, he’s mindful of racial issues and calls out discrimination when necessary. Devoted to returning to Igbo land after losing his mother, he scoffs at the young, hopeful energy aboard. Baritone. "THE CHEQUERBOARD WATCH"

Brazilian, former slave. Tall, brawny, a gentle giant. Carpenter on board who is a selective mute due to the abuse he experienced as a lad on Captain Woodard’s ship. He is sensitive and has a strong emotional IQ that often goes unnoticed. Baritone. "THE CHEQUERBOARD WATCH"

Irish, red-haired stowaway. Found in Act 2, he lost his wife and daughter in the famine. A lost soul, timid and shy but hard working, he is grieving but ultimately seeking hope and a new start. Tenor. Will double as BARTENDER TOM. "THE CHEQUERBOARD WATCH"

Mid-30s. Born into slavery in South Carolina and freed by Captain Edwards, Solomon is a seasoned sailor, storyteller, and spiritual guide. He draws on his Congolese heritage to inspire the crew with humour and wisdom. Baritone. "THE CHEQUERBOARD WATCH"

British, high-born, newly joined the ship after his father discovered his queer tendencies. With a strict upbringing, he tends to mask his authentic identity and is very green, struggling to adjust to seafaring life. Tenor. "THE CHEQUERBOARD WATCH"

British, boatswain responsible for overseeing the crew, deck duties, and inventory, relaying orders from the first mate and captain. Ambitious, with a chip on his shoulder, he desires to rise through the ranks. He can be amicable but can also be a bully at times. Tenor. "THE CHEQUERBOARD WATCH"