Actors Needed for "White Christmas" Play Audition

Major Role A major singing star, Bob is the guiding force behind the song and dance team of Wallace and Davis. He wears his fame easily and is a born leader, but has some trouble with social and romantic interactions. Despite his occasional gruffness, he is a kind and principled man who is searching for his true love. ~ A skilled singer with a crooning style who moves well. Baritone.

Major Role The fun-loving, go-getting song-and-dance partner of the team of Wallace and Davis. An irrepressible clown, operator and incorrigible ladies’ man who is determined to see his friend happy, even if it requires scheming and outright deception. He has a boyish charm and charismatic appeal. ~ Jazz and tap-dancing needed–a song-and-dance comic performer. Bari-Tenor. *In order to audition for the role of PHIL, you need to prepare the additional dance routine here.

Major Role The sensible, responsible half of the upcoming song-and-dance team, The Haynes sisters. Despite her musical skill, she is hesitant to take the spotlight for herself. A woman of decent, upstanding principles, she is devoted to her younger sister. Like Bob, she hides her yearning for true love under a protective shell. ~ A skilled singer with a rich chest mix sound and a soprano extension. Must move well.

Major Role The younger, more ambitious, slightly scheming Haynes sister. While wholesome and adorable, she is charming and flirty—an irresistible charmer. ~ Jazz and tap dancing needed—a major song-and-dance performer. Chest Mix. *In order to audition for the role of JUDY, you need to prepare the additional dance routine here.

Major Role A retired U.S. Army General, adjusting to returning to civilian life in post World War II America. Once a powerful leader, he now struggles to run an inn in Vermont. He remains a man of great principle and dignity. Beneath his curmudgeonly military exterior lies a warm, compassionate man in need of family and love. ~ With the exception of one line, a non-singing role; no dancing required

Major Role Once a Broadway star, now the general’s housekeeper at the Inn, Martha has a dry, wry, wisecracking sense of humor. Bighearted yet unsentimental, she runs the General’s life in spite of his protestations. She is an irrepressible meddler, but she always meddles to help others (or so she believes!). ~ A winning, appealing character-comedienne with a strong belt voice

Supporting Role (potentially part of the ensemble) Army buddy of Bob and Phil’s, now a major television executive with the Ed Sullivan Show. Fast-talking, New York professional. ~ A Baritone

Supporting Role (also part of the ensemble) Bob and Phil’s two star chorus girls, they are brash, sexy, and fun, although perhaps not the smartest. They fit a ditzy blonde stereotype, although being blonde is not a requirement for the role.

Supporting Role (also part of the ensemble) Bob and Phil’s two star chorus girls, they are brash, sexy, and fun, although perhaps not the smartest. They fit a ditzy blonde stereotype, although being blonde is not a requirement for the role.

Supporting Role The ultimate taciturn New Englander, a solid, steady man who helps out at the inn and takes life at a slow pace. His “unmovable rock” energy meets Mike’s “unstoppable force” energy. (Can be double-cast with the role of Snoring Man.)

Supporting Role Bob and Phil’s stage manager/director. Has a tendency to be over-dramatic and completely hysterical, but will get things done. He is never seen without his whistle and clipboard, which he uses to attempt to keep order. His “unstoppable force” energy meets Ezekiel’s “unmovable rock” energy. (Can be double cast with the role of Ed Sullivan Announcer.)

Ensemble Role. Bob and Phil’s extremely competent assistant. Ensemble: Should sing and move well. This is 1950s Hollywood movie musical dancing with two large tap numbers.

Ensemble Role. The proprietor of “Jimmy’s Back Room,” a none-too-classy nightclub. Ensemble: Should sing and move well. This is 1950s Hollywood movie musical dancing with two large tap numbers.

Ensemble Role. Ensemble: Should sing and move well. This is 1950s Hollywood movie musical dancing with two large tap numbers.

Ensemble Role. Ensemble: Should sing and move well. This is 1950s Hollywood movie musical dancing with two large tap numbers.

Ensemble Role. Ensemble: Should sing and move well. This is 1950s Hollywood movie musical dancing with two large tap numbers.

Ensemble Role. Ensemble: Should sing and move well. This is 1950s Hollywood movie musical dancing with two large tap numbers.

Ensemble Role. Ensemble: Should sing and move well. This is 1950s Hollywood movie musical dancing with two large tap numbers.

Ensemble Role. Ensemble: Should sing and move well. This is 1950s Hollywood movie musical dancing with two large tap numbers.

Ensemble Role. Ensemble: Should sing and move well. This is 1950s Hollywood movie musical dancing with two large tap numbers.

Ensemble Role. Ensemble: Should sing and move well. This is 1950s Hollywood movie musical dancing with two large tap numbers.

Ensemble Role. (Offstage Voice) Ensemble: Should sing and move well. This is 1950s Hollywood movie musical dancing with two large tap numbers.

Ensemble Role. (Offstage Voice) Ensemble: Should sing and move well. This is 1950s Hollywood movie musical dancing with two large tap numbers.