Actors Needed for "The Guy Who Didn’t Like Musicals" Show

Just a guy who doesn’t like musicals. Born and raised in Hatchetfield, he is perfectly content with his mundane office job and his mediocre Beanie’s coffee. Key relationships: Emma (love interest), Bill (best friend/coworker), Ted (frenemy/coworker), Charlotte (friend/coworker), Davidson (boss) Content: This role involves staged violence (including interactions with a prop gun) and staged intimacy with Emma.

A barista trying to work her way through community college. She has exactly two aspirations in life: to start a pot farm and to not die in Hatchetfield. She hates musical theatre just as much as Paul does. Key relationships: Paul (love interest), Hidgens (professor-turned-enemy), Zoey (enemy/coworker), Nora (boss) Content: This role involves staged violence (including interactions with a prop gun) and staged intimacy with Paul.

A kind-hearted, recently divorced man who just wants to connect with his teenage daughter, Alice. Key relationships: Paul (best friend/coworker), Ted (frenemy/coworker), Charlotte (friend/coworker), Alice (daughter), Deb (daughter’s girlfriend) Content: This role involves staged violence (including interactions with a prop gun).

A self-described sleazeball who wants to sleep with as many women as possible. He is currently having an affair with Charlotte. Key relationships: Paul (frenemy/coworker), Bill (frenemy/coworker), Charlotte (affair partner/coworker) Content: This role involves staged violence (including interactions with a prop gun), staged intimacy with Charlotte, and strong sexual innuendo.

An anxious woman desperate to repair her failing marriage with Sam…even as she cheats on him with Ted. Key relationships: Paul (friend/coworker), Bill (friend/coworker), Ted (affair partner/coworker), Sam (husband) Content: This role involves staged violence (including interactions with a prop gun) and staged intimacy with Ted and Sam.

An eccentric, reclusive biology professor who (somehow) theorized this exact scenario 30 years ago. While he’s been preparing for the apocalypse, he’s also been writing his very own musical… Key relationships: Emma (student), Greg/Stu/Workin’ Boys (old college chums) Content: This role involves staged violence (including interactions with a prop gun) and strong sexual innuendo.

Charlotte’s scummy cop husband who is cheating on her with Zoey. Key relationships: Charlotte (wife), Zoey (girlfriend) Content: This role involves staged violence (including interactions with a prop gun), staged intimacy with Charlotte and possibly Zoey, and strong sexual innuendo.

A general of the United States army who tries to help Paul escape Hatchetfield. He works for PEIP, a secret organization that investigates paranormal, extraterrestrial, and inter-dimensional phenomena. Content: This role involves staged violence (including interactions with a prop gun).

Catty and self-absorbed. Works at Beanie’s to pay the rent but is really an actress…or will be, anyway. She enjoys proximity to power and is having an affair with Sam. Key relationships: Emma (enemy/coworker), Sam (boyfriend), Nora (boss) Content: This role involves staged violence (including interactions with a prop gun), sexual innuendo, and possible staged intimacy with Sam.

Paul’s boss at Coven Communications Research and Power (CCRP). He is one of the first to be infected. Key relationships: Paul (employee) Content: This role involves strong sexual innuendo.

Owner of Hatchetfield’s local coffee shop, Beanie’s. She employs Emma and Zoey as baristas and introduces the “Tip for a song!” policy that Emma hates. Key relationships: Emma (employee), Zoey (employee) Content: This role involves mild sexual innuendo.

Hidgens’ old college chums. The subjects of his musical. Key relationships: Hidgens (friend) Content: This role involves possible staged violence.