Casting Call for "The Girl on the Train" Stage Play
"The Girl on the Train" play looking for actors. Please see the breakdown below. About the project: Synopsis: A new stage adaptation based on Paula Hawkins' international bestseller and the blockbuster DreamWorks film, The Girl on the Train, is a gripping psychological thriller. Rachel Watson escapes her troubles by fixating on a seemingly perfect couple she sees from her train window. But when the woman she’s been secretly watching vanishes, Rachel is drawn into a dangerous mystery, where she uncovers secrets, lies, and shocking revelations that will change everything. Additional info: Sign-ups start at 7:00pm Auditions begin at 7:30pm Auditions will consist of cold readings from sides. No monologues will be required. Roles available for 3 women and 4 men. Open to actors of all races, ethnicities, and body types. Directors encourage individuals of any gender identity, race, ethnicity, or disability to audition. Rehearsal Schedule: Please bring your conflict dates to auditions. If you’re going away or doing another show this summer, no problem. Directors can work around summer plans or other summer shows. There will be a few rehearsals in July, but rehearsals will begin on a more regular schedule in mid-to-late August and September. The exact days and times will be arranged based on the cast schedules. Combat/Intimacy: Some roles in this show will include staged intimacy and scenes of emotional or physical conflict. These moments will be thoughtfully choreographed to ensure the comfort and safety of all involved. Performance dates: Friday 10/17- Sunday 10/19 Wednesday 10/22 - Sunday 10/26 If you are interested, please apply.
7 roles
British. Any body type. Rachel is the girl on the train, stuck at a low point after her divorce from Tom. Struggling with alcoholism, she lost her job but continues commuting past the home they once shared. She also begins to fixate on a seemingly perfect couple, Megan and Scott, whom she watches from the train. When one of them vanishes, she plunges into the investigation and gets wrapped up in the mystery. Rachel is a mentally and physically intense role and rarely leaves the stage.
British. Any body type. Charming on the surface, calculating underneath—Tom is Rachel’s ex and now Anna’s husband. He presents as the perfect family man, but his hidden emotional manipulation played a major role in Rachel’s unraveling—a nuanced and central character with a dark side. Tom will be required to kiss Rachel and engage in choreographed physical aggression.
British accent. Any body type. Though Kamal’s background is Bosnian, another character mistakenly describes him as “Asian"-looking (in the UK, this can refer to South Asian), so directors are ideally seeking someone with darker features to reflect how he's perceived in the story. Kamal is a calm, compassionate therapist who’s been helping Megan work through personal challenges and better understand herself. Professional and composed, he brings a steady, grounded presence to the story.
British. Any body type. D.I. Gaskill is the lead detective on Megan Hipwell’s case. He is experienced and grounded, and the only truly objective voice amid a cast of unreliable narrators. He navigates the tangled relationships of those involved, steadily working to uncover the truth. The role of D.I. Gaskill involves no intimacy and is not subject to physical violence.
British. Any body type. Scott, Megan’s husband, is intense, emotionally driven, and struggling with trust and control in their relationship. His interactions with Rachel begin under false pretenses and evolve into a brief, uneasy connection. Scott’s short fuse and emotional volatility make him a complex and layered role. Scott will need to portray physical intimacy with Rachel and Megan, and moments of choreographed aggression with both.
British. Any body type. Megan Hipwell is everything Rachel wishes she could be—radiant, carefree, and magnetic. But behind her perfect image, Megan is restless and reckless. Her sudden disappearance drives the story, revealed through flashbacks and memories. Megan will kiss both Scott and Kamal, portray scenes involving physical violence, and discuss sensitive topics related to child loss.
British. Any body type. Once the “other woman,” Anna is now Tom’s wife and mother to their baby. She lives in the home Tom once shared with Rachel. Stylish and self-assured, she’s determined to protect her family from Rachel, whom she sees as unstable and potentially dangerous. Beneath her polished exterior, she is ready to stand her ground when her new life is threatened. Anna is not involved in any staged intimacy or physical violence.
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