Seeking Cast for 2025 - 26 Season Show
Casting male and female talent for the upcoming theatre season. See the details listed below. ONLY LOCAL TALENT WILL BE CONSIDERED. About the project: 1. "NOISES OFF" Equity rehearsal begins: Tuesday, September 2, 2025 Designer Run: Tuesday, September 23, 2025 Tech begins: Friday, September 26, 2025 1st Preview: Friday, October 3, 2025 Opening Night: Tuesday, October 7, 2025 Closing: Sunday October 26, 2025 2. "A CHRISTMAS CAROL" Equity rehearsal begins: Wednesday, November 5, 2025 (Note: Rehearsals Wed – Fri 2 – 8 pm, Sat AND Sun 10 am – 4 pm. Tech 12 – 9 pm) Designer Run: Tuesday, November 18, 2025 Tech begins: Friday, November 21, 2025 1st Preview: Friday, November 28, 2025 Opening Night: Wednesday, December 3, 2025 Closing: Saturday, December 27, 2025 3. "FAT HAM" DTC tech begins: Tuesday, January 27, 2026 (tech hours 12-9 pm) 1st Preview: Friday, January 30, 2026 Opening: Saturday, January 31, 2026 Closing: Sunday, February 8, 2026 4. "WHERE WE STAND" DTC tech begins: Friday, February 20, 2026 if no extension at Stage West (tech hours 12-9pm) If Stage West run extends, DTC tech will begin Tuesday, February 24, 2026 1st Preview: Wednesday, February 25, 2026 Opening: Thursday, February 26, 2026 Closing: Sunday, March 22, 2026 5. "MALCOLM X & REDD FOXX WASHING DISHES AT JIMMY’S CHICKEN SHACK IN HARLEM" Rehearsal: May 5, 2026 Previews: May 8, 2026 Open: May 12, 2026 Close: June 7, 2026 Rate: LORT Non-Rep $1144 weekly minimum (LORT B) $1051 weekly minimum (LORT C) $839 weekly minimum (LORT D) Additional info: Please prepare a brief monologue. Please bring your headshot and resume stapled together. When applying please send the following: Subject Line: DTC EPA 25-26 - Dallas AEA You MUST confirm you are a member of Equity in your email. You MUST be a member of Equity to make an appointment. You can indicate your preference of timeslot and directors will do their best to accommodate. Appointments for day-of in‐person scheduling are limited and available on a first‐come, first‐served basis. Non-union actors will be seen in the order of their arrival only when no Equity members are waiting to be seen.
32 roles
"NOISES OFF" FUTURE REPLACEMENT. The stressed director of Nothing On who’s not sure how the play is going to be ready in time—but who has found the time to romance both Poppy and Brooke.
"NOISES OFF" FUTURE REPLACEMENT. A veteran actress who’s making a long-awaited return to the stage, but her romantic involvement with Garry makes her comeback a tad erratic.
"NOISES OFF" FUTURE REPLACEMENT. An anxious actor whose nerves take a hit after Dotty seeks to make him jealous.
"NOISES OFF" FUTURE REPLACEMENT. A young and inexperienced actress who has a hard time keeping her focus.
"NOISES OFF" FUTURE REPLACEMENT. A somewhat dimwitted actor who fears violence and is prone to scaredy-cat nosebleeds.
"NOISES OFF" FUTURE REPLACEMENT. A cheery, levelheaded actress who is protective of her fellow actors.
"NOISES OFF" FUTURE REPLACEMENT. The emotional assistant stage manager who lives in Brooke’s shadow as her understudy and main competition for Lloyd’s affection.
"NOISES OFF" FUTURE REPLACEMENT. An elderly actor who is as adverse to his stage cues as he is prone to a whiskey bottle.
"NOISES OFF" FUTURE REPLACEMENT. The over-worked stage manager.
"A CHRISTMAS CAROL" FUTURE REPLACEMENT
"A CHRISTMAS CAROL" FUTURE REPLACEMENT
"A CHRISTMAS CAROL" FUTURE REPLACEMENT
"A CHRISTMAS CAROL" FUTURE REPLACEMENT
"A CHRISTMAS CAROL" FUTURE REPLACEMENT
"A CHRISTMAS CAROL" FUTURE REPLACEMENT
"A CHRISTMAS CAROL" FUTURE REPLACEMENT
"A CHRISTMAS CAROL" FUTURE REPLACEMENT
"A CHRISTMAS CAROL" FUTURE REPLACEMENT
"A CHRISTMAS CAROL" FUTURE REPLACEMENT
"A CHRISTMAS CAROL" FUTURE REPLACEMENT
"A CHRISTMAS CAROL" Plays multiple instruments including guitar, keys, and drums.
"A CHRISTMAS CAROL" Plays multiple instruments including Guitar, Bass, Keys, Euphonium, and Ukulele.
"FAT HAM" FUTURE REPLACEMENT Beautiful. Lonely. Smart. Thicc. Queer. Haunted. A kind of Hamlet.
"FAT HAM" FUTURE REPLACEMENT Juicy’s mother. Warm. Vivacious. Comfortable operating in extremes. A good and loving mother in her own way. A kind of Gertrude.
"FAT HAM" FUTURE REPLACEMENT REV: Tedra’s new husband, her dead ex-husband’s brother. Juicy’s uncle. Pig farmer and pit master. Electric. A kind of Claudius; PAP: the Ghost of Juicy’s father. Was in prison for killing someone until he got shanked. A kind of Hamlet’s father. Doubles as REV and PAP.
"FAT HAM" FUTURE REPLACEMENT Juicy’s friend. She loves and worries about him. A kind of Ophelia.
"FAT HAM" FUTURE REPLACEMENT A marine trying to heal from PTSD. Has a secret. Awkward. Has a depth that fills silence. A kind of Laertes.
"FAT HAM" FUTURE REPLACEMENT Larry and Opal’s mother. Tedra’s friend. Semi-churchy, but honestly she just wants to drink and praise the Lord. A kind of Polonius.
"FAT HAM" FUTURE REPLACEMENT Juicy’s cousin and oldest friend. A kind of Horatio.
"WHERE WE STAND" FUTURE REPLACEMENT A storyteller, host, and narrator. Honest and humble - astonishingly vulnerable, generous, and virtuosic - a warm gravitas. Shares their story (or conversation) directly with the audience, a community. At the end of a journey and at its very beginning. Able to own and amplify lyrical and poetic language. Able to lead in songs and call and response with the audience.
"MALCOLM X & REDD FOXX WASHING DISHES AT JIMMY’S CHICKEN SHACK IN HARLEM" FUTURE REPLACEMENT
"MALCOLM X & REDD FOXX WASHING DISHES AT JIMMY’S CHICKEN SHACK IN HARLEM" FUTURE REPLACEMENT
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