Casting Performers for "Steel Magnolias" Play
The company is holding auditions for the "Steel Magnolias" show and looking for singers. Please see the details below. About the project: Steel Magnolias has rapidly become a classic of American theatre. It is a powerful slice-of-life comedy that is as moving and emotional as it is laugh-out-loud funny. Following a small group of women through a series of life events, both large and small, the play is a rich exploration of what makes community, how friendships are built and what it’s like to live through trials and triumphs together. We watch these women celebrate together, grow together and grieve together. And we watch as their friendships grow stronger with time. Community and strong relationships can grow amongst any group of people. Whether it’s your school friends, work associates, people at your church or neighbors you encounter at a hair salon, there is an innate desire for connectivity that drives us all. Additional info: Performance Dates: Friday, September 12 & 19 - 7:30pm Saturday, September 13 & 20 - 7:30pm Sunday, September 14 & 21 - 2:00pm Rehearsals: Start on Wednesday, June 11 6:30-9:30pm(Read Through) Wednesdays, 6:30pm to 9:30pm Thursdays, 6:30pm to 9:30pm Sundays, 1pm to 4pm Please bring a prepared monologue (60-90 seconds) of the genre or character you prefer to be considered. Memorization is not required. If you are more confident with script-in-hand, please use your script. If you do not have a monologue prepared, one from show will be provided at audition. Please note all will be considered for all roles unless you specify otherwise. Be sure to have your calendar to list ALL of your conflicts. If interested, please apply.
6 roles
She is the owner of the beauty shop in fictional Chinquapin Parish, Louisiana, where Steel Magnolias is set. Truvy loves her work as a hair stylist and is, in fact, obsessed with everything having to do with hair (e.g., “Baltimore is the hair capital of the world!”). She is married to a “slug” who spends most of his time parked in front of the TV and is the mother of twin 18-year-old sons (“Poot” and Louie) who will soon be moving out and leaving her “nest.”
A young hairstylist, when the play begins she is applying to Trudy’s beauty salon for a job. Recently married to a shady character named Bunky Dupuy, her fugitive husband has taken off with her car, money, and even most of her clothes, leaving her in an understandably fragile state. She is justifiably nervous and concerned about her finances and her future. From Zwolle, Louisiana, she is naïve about the ways of the world.
The former “First Lady of Chinquapin,” she is a “grande dame” who has only recently lost her husband (Lloyd) of almost 50 years, the former Mayor of the town. She is still adjusting to being a new widow. Clairee is from a wealthy and distinguished family (the Marmillions) and is confident in her social position in the town. Physically, she has a sweet tooth and is likely a little plump, a feature which she exaggerates; she is also attractive and stylish.
Shelby is the “prettiest girl in town.” She is ideally blonde (can be wigged if necessary), slim, charming, ebullient, and appealing. The daughter of M’Lynn and Drum Eatenton, sister to Tommy and Jonathan, and soon to be wed to Jackson Latcherie, Shelby is free-spirited and tends to speak her mind, which often brings her into conflict with her mother.
Though she has the look and constitution of someone a decade younger. Socially prominent in the town, married to Drum Eatenton, a successful and affluent man, M’Lynn is herself a career woman who works as a counselor at the local Mental Guidance Center. She is mother to Shelby and two sons, Tommy and Jonathan. She worries a great deal about her headstrong daughter and the two clash frequently over some of Shelby’s life choices, specifically Shelby’s choice to have a baby.
A wealthy curmudgeon, she is acerbic but ultimately lovable. Possessed of a sharp tongue, she can be sardonic, severe, sarcastic, scathing, severe, snarky, and stinging – BUT the barbs must never totally mask that a good, kind, and caring woman exists beneath the veneer of a brittle older woman.