Singing Audition in "The Sound of Music" Play
ONLY LOCAL TALENT WILL BE ACCEPTED. Upcoming fall production of THE SOUND OF MUSIC is looking for singers. More details are below. Additional information: What is Expected: - Prepare approximately 45 seconds of a song of your choosing; ideally one verse and a chorus. - Upon arrival at your audition, you will receive a monologue to read over prior to your audition. Take a few minutes to look it over. You are not required to memorize it. Put as much inflection and emotion into your reading as you deem appropriate. Rehearsals will be Sundays from 1:00-5:00 pm, starting in July through to showtime. Wednesdays from 6:00-8:30 pm. Wednesday rehearsals will start in September, and will be scheduled only if we feel it necessary. The plan at this point is to have specific weeks we rehearse with ensemble members. This will allow flexibility for those that are interested in being a part of the show but may not be able to commit to a whole summer of rehearsals. They can decide how many rehearsals they can comfortably commit to attend and they'll use that to help them decide casting for a variety of roles. For example: Leads will be expected at all rehearsals. The Nuns of the Abbey will have 3-4 rehearsals for their scenes. Members of the dance/party scene will have 2-3 rehearsals for their scene. Festival Contestants will have 2-3 rehearsals for their scene. If you're interested, plleaase apply.
20 roles
Soprano/Mezzo Soprano. A spirited, warm-hearted postulant at Nonnberg Abbey who struggles with the rules of convent life. She brings joy and music back into the von Trapp household through her kindness, courage, and love.
(Baritone) A widowed Austrian naval captain who runs his household with military precision. Initially stern and emotionally distant, he gradually rediscovers his warmth through Maria and his children.
FEATURED CHARACTER. (Mezzo Soprano) The oldest von Trapp child, on the cusp of adulthood, romantic and impressionable. She begins to question her sheltered life after falling in love and growing close to Maria.
FEATURED CHARACTER. (Tenor or High Baritone) The eldest son, trying to act mature and grown-up. He's intelligent and curious, with a desire to prove himself.
(Soprano/Mezzo Soprano) Playful and mischievous, Louisa enjoys pranks and jokes. She’s spirited and loves the fun Maria brings into their lives.
(Soprano/Mezzo Soprano) Wise, dignified, and compassionate, she serves as Maria’s mentor and spiritual guide. Her powerful presence and soaring voice inspire strength and faith.
(Tenor/Baritone) A charming, self-interested music promoter and friend of the Von Trapps. Though he avoids politics, he ultimately supports what is right.
(Mezzo Soprano/Soprano) A wealthy, sophisticated woman romantically involved with the Captain. Practical and poised, she cannot compete with Maria’s emotional connection to the family.
(Tenor) A telegram delivery boy and Liesl’s love interest, who gradually aligns with the German regime. His character represents the loss of innocence in a time of political unrest.
(Alto) Stern and rule-abiding, she questions Maria’s suitability for convent life.
(Mezzo-Soprano) Kind-hearted and sympathetic toward Maria, she provides balance to stricter sisters.
(Soprano) Quiet and contemplative, another voice in the group of nuns evaluating Maria.
(Non-singing role-The Butler) The von Trapp household butler, formal and obedient. Has subtle pro-Nazi leanings later in the show. Playing age: 30+ (but could go younger).
(Non-singing role- The Housekeeper) Efficient and practical, she runs the household staff. She’s skeptical of change but not unkind. Playing age: 30+ (but could go younger).
(Non-singing role) A stern Nazi official tasked with pressuring the Captain into accepting a naval commission. Playing age: 25+
(Non-singing role) A Nazi supporter and antagonist figure who clashes with the Von Trapps.
(Non-singing role) A maid of the von Trapps.
ENSEMBLE ROLE. (Mostly Sopranos, Mezzo-Sopranos, Altos) A chorus of devoted women who uphold convent life and tradition. They provide powerful choral moments and commentary, particularly in songs like "Preludium" and "Climb Ev'ry Mountain."
(Mixed ensemble, singing/non-singing) Austrian socialites and friends of the Captain; serve in ballroom and concert scenes.
(Non-speaking, non-singing) A singing trio and a soloist who are called to the stage at the Festival to accept their third and second place prize.
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