Equity Actors for Theatre Company's 2025-26 Seasons

To play age 10. Female Identifying - a young girl but an old soul. Curious and resilient. NOTE - Actor should have a strong comfort level with movement and text. "The Good Peaches"

Female Identifying - a storyteller. Sage and fierce. "The Good Peaches"

Female Identifying - a seamstress. Caring and wise, but also has a hard edge and it’s that strength that she passes on to her daughter. "The Good Peaches"

Male identifying. Calm, grounded, and warm. Strong singer who plays guitar. Multi-instrumentalist a plus. "Hundred Days"

Female identifying. Fierce, free-spirited. Struggles with some mental health issues, but remains hopeful. Strong singer; instrumentalist a plus. Featured. "Hundred Days"

Seeking an actor/musician with strong musical ability and vocals. Multiinstrumentalists are a plus. "Hundred Days"

Female identifying. Intelligent, strong-willed. A survivor under extreme circumstances. Quite beautiful, which gives her more power (and trouble) than she might otherwise have. Capable of standing up to extreme pressure. Passionate. Nursing a terrible heartache. Not immune to the fears and superstitions of the culture around her. Fears the consequences of her sins. Sometimes unsure of her child’s origins, in a superstitious way. Survives and forgives. "The Scarlet Letter"

Female identifying. The governor’s younger wife. Quite unhappy. Very religious. Fearful of the new country and dark Satanic forces, which she believes are all around her. Bitterly disappointed in life, and clings to dogma as a life raft. Almost Hester’s contemporary. Deeply self-loathing, under everything—which makes her vicious. Desperately wants a child. Tries hard to be Good and Righteous. Quite obsessed with Hester Prynne. "The Scarlet Letter"

4-5 years old. NOTE: This is a role for an adult puppeteer. An extremely spirited, impish child. Not so much “cute” as a child who takes an almost disturbing, otherwordly-level of Delight in being bad or disobedient. Half-feral. Dark side. Prone to repeating what she hears. The kind of child who, if you turn your back for half a second, will roll in a mud puddle and herd their siblings into a “prison” with a sharpened stick. Not actually malevolent, probably. Precocious. "The Scarlet Letter"

Male identifying. Preferably slightly younger than Hester. A man raised to the clergy, of very deep and genuine faith. Quite handsome. Passionate. A powerful and emotional preacher. Worshipped by his congregation. Not particularly good with children. A good man, but up against the forces of his culture and his weaknesses, he sometimes quails (but who does not?). Believes that he has sinned irrevocably, and that God will punish those sins. Develops a serious heart condition. "The Scarlet Letter"

Male identifying. Deeply, deeply intelligent, with a wicked sense of humor. Dark; often wry. Not unreasonable, in his way. Has secrets in his past; has done terrible things. Can be charming. Very good with children. Has a deep psychic wound, which he can find no relief for. Once was very very much in love with Hester—possibly still is, deep deep down—and cannot reconcile his betrayal. A good physician. A very dangerous man, but you wouldn’t know it to look at him. "The Scarlet Letter"

Male identifying. The governor of Massachusetts Bay Colony. Fond of making speeches. Believes that he has been chosen to rule by God; this is not always pleasant or easy for him. Feels himself obligated by duty to be harsher than he might actually be. Has a weakness for pretty things and little luxuries. Particularly friendly towards men, and tolerant of “good” women. A bit—a lot—frightened of his wife. Fairly clueless, really. "The Scarlet Letter"

Female Identifying - Mezzo - Magnetic, wily and charismatic. She has been wronged by the world and is owed a reward for everything she has endured. Or at least that is the story she believes. "Into The Woods"

Male Identifying - Baritone - kind, a loving husband, he really wants a child, and he wants badly to do right by his wife. "Into The Woods"

Female Identifying - Mezzo - smarter than her husband, braver too; she really wants a child too, but she is far more matter of fact in her quest. "Into The Woods"

Female Identifying - Soprano - stronger than she thinks, and until she has the attention of a prince, she does not realize that she does not really need the attention of a prince. "Into The Woods"

Male Identifying - Bari-Tenor - has a lot of ideas about what makes a man a man, and it includes mansplaining, and chest puffing, and that kind of thing. "Into The Woods"

Female Identifying - Mezzo - tough, mischievous, a girl boss in a red cape. "Into The Woods"

Male Identifying - Tenor - so so sweet, and so loving and so good at falling into opportunity. "Into The Woods"

Female Identifying - Soprano - it’s hard being a single parent, and for her, it shows. "Into The Woods"

Male Identifying - Bass/Baritone - a great storyteller, but he’s good at it so he can escape any real responsibility. "Into The Woods"

Female Identifying - Soprano - sheltered and ready to move out even though she is so ignorant of the world. "Into The Woods"

Female Identifying - Mezzo - mean step mom, but remember - it’s not easy being a single mom, especially with these daughters. "Into The Woods"

Male Identifying - Bari-Tenor - he loves love, he wants to be in love, and because he is not the brightest, he can fall in love with anyone, even that lady in a tower who he has barely gotten to know. "Into The Woods"

Female Identifying - Mezzo - she’s trouble and she has attitude to spare. "Into The Woods"

Female Identifying - Mezzo - she’s also trouble and she is great at matching her sisters attitude. "Into The Woods"

Male Identifying - Baritone - A chameleon. "Into The Woods"

The head chef of the clique. Recently emerged from the closet to co-habitate with Dwayne. In a not so former life, had a wife and 2 kids. "Hot Wing King"

Might not be the head chef, but is the head of the household. Holds Cordell and everyone down. Has been a mentor to his struggling nephew for years. Holds resentment towards Cordell for taking so long to legitimize their relationship. "Hot Wing King"

New friend. Playlists includes gospel and trap and that’s exactly how he talks. Met the duo at church. "Hot Wing King"

Old friend. Met the duo at the barber shop. Observant, laid-back. The Rock. "Hot Wing King"

35 - Everett’s father. A long-time dealer who is “about that life” Struggles with teaching his son how to be a man, but unsure if Cordell and Dwayne can be good father figures to his son. "Hot Wing King"