Audition for Singing in "Spamalot" Play

Lead role. [Vocal Range: G2 - E4, Baritone]. Male-presenting role. The King of England who sets out on a quest to form the Knights of the Roundtable and find the Holy Grail. Great Humor. Good singer. Comfort with performing intimacy with Lady of the Lake.

[Vocal Range: G2 - E4 (if possible G4 or D5), Baritone/Tenor] A Knight of the Roundtable. Ironically called ‘Sir Robin the Brave,’ though they couldn’t be more cowardly. Joins the Knights for the singing and dancing.

[Vocal Range: G2 - E4 (if possible G4), Baritone] Male-presenting role. A Knight of the Roundtable. He is fearless to a bloody fault but through a twist of fate, does discover his ‘softer side.’ Comfort with performing intimacy with Ensemble 1 - Herbert.

[Good whistler, Vocal Range: B2 - F4 (G2 optional), Baritone/Tenor] King Arthur’s horse and servant. Underappreciated but always longing for King Arthur’s approval. Good, funny, physical mover.

[Vocal Range: B2 - G4 (ideally up to B4), Tenor] Male-presenting role. A Knight of the Roundtable. Begins as Dennis, a lower class ‘mud gatherer’ who becomes Knighted and transforms into the dashing Sir Galahad. Comfort with performing intimacy with Lady of the Lake.

[Vocal Range: G2 - E4 (if possible G4), Baritone] A Knight of the Roundtable. An inept scholar.

[Vocal Range: E3 - B5, Mezzo-Soprano+] Female-presenting role. Strong, beautiful, possesses mystical powers. The leading lady of the show. Great singing voice is essential, as she must be able to sing effortlessly in many styles and vocal registers. Scatting is an asset. Comfort with performing intimacy with Arthur and Galahad.

Ensemble 1 [Vocal Range: A2 - A4, Baritone/Tenor]. A tweedy academic.

Ensemble 1 [Vocal Range: A2 - A4, Baritone/Tenor]. A sickly little fellow who, despite others’ beliefs, claims he is “not yet dead.”

Ensemble 1 [Vocal Range: A2 - A4, Baritone/Tenor]. The condemnatory French sidekick to the French Taunter.

Ensemble 1 [Vocal Range: A2 - A4, Baritone/Tenor]. In Sir Robin’s band.

Ensemble 1 [Vocal Range: A2 - A4, Baritone/Tenor]. The hopeful and frilly prince who loves to sing and pines for his love atop a tower. Comfort with performing intimacy with Lancelot. Also various other knights, peasants, monks, and whatnot.

[Vocal Range: G3 - E4, Tenor]. Plays GUARD 1, BROTHER MAYNARD, a long-winded monk, and ROBIN from Scene 3, along with various other knights, peasants, monks, and whatnot.

[General Ensemble Vocal Range] Master of character voices, Plays THE FRENCH TAUNTER, an arrogant, condescending, over-the-top French guard, the KNIGHT OF NI, an absurd, cartoonish leader of a peculiar group of Knights, LANCE from scene 3, and TIM THE ENCHANTER, a ghostly being with a Scottish accent, along with various other knights, peasants, monks, and whatnot.

[Vocal Range: D3 - E4, Tenor or D4 - E5, Mezzo/Soprano]. Plays FINNISH MAYOR, jolly and red-faced, who advertises the merits of their hometown and the drunken, useless GUARD 2, along with various other knights, peasants, monks, and whatnot.

[General Ensemble Vocal Range] Plays PRINCE HERBERT’S FATHER, a wealthy, brutish Yorkshireman man at odds with his sensitive son, THE BLACK KNIGHT who is always ready to duel despite multiple injuries, SIR BORS, a strong and courageous knight, along with various other knights, peasants, monks, and whatnot.

[General Ensemble Vocal Range] Plays SIR NOT APPEARING, a knight who doesn’t get much stage time, THE DANCING MONK, along with various other knights, peasants, monks, and whatnot.

[General Ensemble Vocal Range] Female-presenting role. Plays DENNIS GALAHAD’s MOTHER, a shrill peasant woman, along with various other knights, peasants, monks, and whatnot.

Roles are required as well, to build a 12 person Ensemble. All Ensemble Roles are dance roles to at least some extent.