Performers Needed for 2025–2026 Mainstage Season
The company is holding auditions for 2025–2026 Mainstage Season, and looking for performers, please see the details below. ONLY LOCAL TALENT WILL BE CONSIDERED. About the project: Mainstage Driving Miss Daisy Jekyll & Hyde Elf The Musical And The There Were None Hairspray West Side Story Groff Studio Series Deceived It’s a Wonderful Life: A Live Radio Play Every Brilliant Thing The Shark Is Broken Dear Evan Hansen Family Series / Theatre For Young Audiences The Nutcracker (Robin & Clark) Treasure Island (Robin & Clark) Additional info: What to Prepare: Please prepare TWO contrasting 16 bar cuts of songs of your choice (OR) prepare ONE 16-32 bar cut. Songs from upcoming season are fine, but directors ask that you do adhere to the above bar cut structure. You may not be asked to sing your second selection. An Accompanist will be provided. Please bring sheet music properly marked and in a binder for the Accompanist. If wishing to be considered for Groff Studio Theatre Plays: Please prepare ONE (1 Min) Monologue (OR) TWO (30-40 second) Contrasting Monologues. ALL Auditioners should bring a current Headshot and Resume. Please apply if interested
87 roles
Seeking female identifying actor to play an early 70’s Jewish widow and former school teacher at the beginning of the play, aging to 97 by the end of the play. Daisy is resistant to change and clings to her traditions. Initially cantankerous and prejudiced, her views evolve through her interactions with the character of Hoke. (Non Singing) "DRIVING MISS DAISY"
Seeking male identifying actor to play a 60-year-old African-American chauffer, aging to 85 by the end of the play. He is a member of the working class. Hoke is initially treated with prejudice by Daisy, but their relationship blossoms into a strong bond of friendship and respect. (Non Singing) "DRIVING MISS DAISY"
Seeking male identifying actor to play Daisy’s son. A businessman who represents the transformation of the south from an agrian to an industrial culture. He is a shrewd businessman who pushes his mother towards a more technologically advanced lifestyle. He hires Hoke as his mother’s chauffer, despite her initial resistance. Non-Singing "DRIVING MISS DAISY"
Jekyll is a doctor obsessed with discovering the true nature behind the good and evil in man and Emma's fiancé. After he uses an experimental formula on himself, his evil side - Edward Hyde - takes control. As Hyde, he is violent, commanding, and a sexual deviant attracted to Lucy. (Vocal: Tenor) "JEKYLL & HYDE"
The daughter of Chairman Danvers and Jekyll's beloved fiancé who is refined and desired by all of the socialite men. (Vocal: Soprano) "JEKYLL & HYDE"
The gorgeous 'main attraction' at a local gentleman's club. At the bottom of her luck, she becomes the object of Hyde's obsession. Lucy is feisty and wild, but also cautious and aware. Vocal: Mezzo-Soprano "JEKYLL & HYDE"
Serves as Jekyll's lawyer and helpful friend. He advises the troubled doctor on personal and professional affairs. (Vocal: Bass/Baritone) "JEKYLL & HYDE"
Emma's loving father and Chairman of the Board of Governors. A charming and gentle man. (Vocal: Baritone) "JEKYLL & HYDE"
The secretary of the Board of Governors and Jekyll's rival for Emma's affections. (Vocal: Baritone) "JEKYLL & HYDE"
A member of the Board of Governors "JEKYLL & HYDE"
A hypocritical, sadistic man of the cloth and a member of the Board of Governors "JEKYLL & HYDE"
A well dressed ‘man about town’ and member of the Board of Governors. "JEKYLL & HYDE"
A pompous retired army man and member of the Board of Governors. "JEKYLL & HYDE"
The Queen’s Counsel – quick, methodical and business like – a member of the Board of Governors. "JEKYLL & HYDE"
Born a human but raised at the North Pole as a Christmas Elf, Buddy is eager to find his place in the world. He is a child at heart and that child-like curiosity makes him both endearing and gets him into trouble. (Vocal: Tenor C2 - Ab2) "ELF The Musical"
Buddy's girlfriend. She works at Macy's and has a bit of a cynical outlook on life and love because of the men she's dated. She is caught off guard by Buddy's genuinely big heart. (Vocal: Mezzo Soprano D5-D3) "ELF The Musical"
Buddy's workaholic father. He is a Children's book writer, but lacks any of the childlike spirit that Buddy has. He is selfish, tense, and generally angry with life. (Vocal: Tenor G4-A2) "ELF The Musical"
Walter's wife. Though she is sweet and willing to take him in, she thinks Buddy is crazy at first. Wishes her husband would spend more time with the family. (Vocal: Alto Eb5-F3) "ELF The Musical"
Walter's secretary. Takes an instant liking to Buddy simply for the novelty of it. Though she aims to please and is a bit of a suck-up, she feels under appreciated. Some dance preferable. (Vocal: Alto Eb5-D4) "ELF The Musical"
Walter's boss. He is what Walter will become if he continues down the path he is on. A tyrannical, workaholic who cares nothing about the people around him or who work for him. (Vocal: Tenor) "ELF The Musical"
Macy’s Department Store Manager. A good, friendly character just trying to do their job and get by. (Vocal: F#4-B2) "ELF The Musical"
Just another workingman. Loves his job and Christmas, but also likes to kick-back and watch the game when a rare opportunity arises. A natural storyteller. (Vocal: Baritone E4-A2) "ELF The Musical"
One of Walter's right-hand men/OR woman. They are desperate to keep their job, and perhaps the dumber of the two. "ELF The Musical"
One of Walter's right-hand men/ OR woman. They are desperate to keep their job and is the schemer of the two. "ELF The Musical"
Thomas Rogers is the first character to appear in the play. Rogers and his wife have been hired as caretakers of the eight guests who will be arriving. Thomas, a butler, has been put in charge of the household, attending to everyone’s needs. He is overwhelmed by his duties, displaying exasperation and ill will. Unfortunately, his wife is the main recipient of his frustrations. "AND THEN THERE WERE NONE"
While she is technically employed as a cook, like her husband, Ethel is expected to go beyond the scope of her position. Ethel is frail, nervous and overwhelmed. Trapped beneath the thumb of her demanding husband, she is unhappy and lost. "AND THEN THERE WERE NONE"
General MacKenzie sticks out among the others and doesn’t seem to be comfortable socializing. One might suspect that he suffers from a guilty conscience. Defensive about the accusations directed at him, MacKenzie prefers to talks about the love and devotion he felt for his dear wife Lesley. "AND THEN THERE WERE NONE"
A retired criminal judge, Wargrave is a sober and rigid man of the law. Thanks to his many years at the bench, he is able to maintain a cool head even when circumstances become increasingly dire. "AND THEN THERE WERE NONE"
Dr. Armstrong is a highly successful nerve specialist. He was invited under the pretense of treating Mrs. Owen. His demeanor is that of a weak and somewhat sorrowful person who can easily be taken advantage of. "AND THEN THERE WERE NONE"
Handsome, youthful, from a wealthy family and oozing with superiority and little moral judgment, Anthony seems the least ashamed of his checkered past. "AND THEN THERE WERE NONE"
A former police officer from South Africa, Blore presents himself as wise and available to give advice to others. He is the first to act in a variety of situations, but his actions don’t always yield positive results. "AND THEN THERE WERE NONE"
A former governess, Vera was hired to serve as secretary to Mrs. Owen, wife of the mysterious host. Intelligent and poised, Vera is at first excited by the prospect of this adventure, but her enthusiasm eventually evolves into an urgent desire to leave the island. "AND THEN THERE WERE NONE"
Possibly the least likable character in the household, Emily comes off as righteous, judgmental and negative. Her rules for proper living allow for no exceptions. "AND THEN THERE WERE NONE"
Captain Lombard is confident and self-assured and more than proud of his military service in Africa. He is flirtatious with Vera but treats her with a somewhat superior attitude. He misjudges her and is surprised by her capability. "AND THEN THERE WERE NONE"
Our story's unsuspecting protagonist, she is large and in charge. Confident, talented, and incredibly determined. A romantic with a good heart and desire to cut up the dance floor. Always on top of the latest trends. This role should be played by a white actress. Dancer. (Vocal: Mezzo Soprano/Belting G5-G3) "HAIRSPRAY"
Tracy's big and blonde mother. She is a working housewife who has lost her confidence and dream to be a plus-size clothing designer. Boisterous and commanding. Often played by a male in drag. This role should be played by a white performer. Mover (Vocal: Tenor/Belting G5-F3) "HAIRSPRAY"
The charismatic host of the Corny Collins' Show. Good looking and smooth talking, he is a genuinely nice guy both on and off camera. Corny should be played by a white actor. Non-Dancer/Moves well enough. (Vocal: Tenor A4-D3) "HAIRSPRAY"
The star heartthrob on Corny Collins' show. He is extremely attractive and talented. Hoping to get his big break with a recording contract, he unexpectedly falls for Tracy. This role should be played by a white actor. Dancer. (Vocal: Baritone A5-G3) "HAIRSPRAY"
Tracy's best friend and dorky sidekick. Not the brightest girl, but she has good intentions. Bursting to get free of her mother's dominating control, she falls for Seaweed with childlike curiosity. This role should be played by a white actress. Strong Mover. (Vocal: Soprano/Belting G5-A3) "HAIRSPRAY"
Link's girlfriend and Tracy's nemesis. She is pretty, thin, shallow, snobby, and racist. Can't dance but is expected to win Miss Baltimore Hairspray. Always feels the need to be the center of attention. This role should be played by a white actress. Strong Mover (Vocal: Mezzo Soprano/Belting F5-A3) "HAIRSPRAY"
Amber's mother and the director of Corny Collin's show. She is a devious taskmaster and snobby racist. The former Miss Baltimore Crabs will go to any length to ensure her daughter is the next big thing. This role should be played by a white actress. Non-Dancer (Vocal: Alto/Belting/Legit E5-G3) "HAIRSPRAY"
Tracy's classmate and friend, who is discriminated against due to his skin color. He is cocky but surprisingly lovable. Talented in song and dance. He falls for Penny. Seaweed should be played by a Black actor. Strong Dancer. (Vocal: Tenor/Belting D5-F3) "HAIRSPRAY"
Seaweed and Little Inez's mother, she also appears as the Guest DJ on the Corny Collin's Negro Day show. Big, blonde, beautiful and proud of it. She is sassy and confident. This role should be played by a Black actress. Non-Dancer. (Vocal: Alto/Belting E5-F3) "HAIRSPRAY"
Penny's strict mother. Very conservative, controlling, and closed minded. This role should be played by a white actress. Non-Dancer. (Vocal: Mezzo Soprano/Belting/Legit B4-D4) "HAIRSPRAY"
Tracy's simpleminded and kind father. He owns a joke shop and supports his daughter in spite of everything else. He also loves his wife, Edna, very much. This role should be played by a white actor. Non-Dancer. (Vocal: Baritone A5-A3) "HAIRSPRAY"
Seaweed's little sister. Dancer. (Vocal: Mezzo Soprano/Belting E5-C5) "HAIRSPRAY"
A romantic young man (Caucasian) and former leader of the Jets, he has found a new lifestyle now. Tony finds himself violently torn between his friendships and love. Falls in love to Maria and meets an untimely death. Genuinely sweet and sincere. (Vocal: Tenor Bb4-Bb2) "WEST SIDE STORY"
A spritely, quick-tempered leader (Caucasian). He seeks to eliminate the Sharks and establish his own gang's dominance. Tony's best friend, he is eventually murdered by Bernardo. Strong Dance/Athleticism. (Vocal: Tenor G4-Bb2) "WEST SIDE STORY"
A hopeless romantic and innocent (Puerto Rican/Hispanic) young girl. She falls in love with Tony and finds herself at the center of the violent conflict between the two gangs. Bernardo's sister. (Vocal: Soprano C6/High C – A#3/Bb3) "WEST SIDE STORY"
A proud, strong, handsome (Puerto Rican/Hispanic) man. Bernardo seeks to carve out territory as a sense of identity for he and his friends. Maria's brother and Anita's boyfriend. Leader of the Sharks. Strong Dancer/Athleticism. Strong Partnering skills. (Vocal: Baritone D#4/Eb4 – A#2/Bb2) "WEST SIDE STORY"
Feisty and assertive (Puerto Rican/Hispanic). She dispenses "older sister" advice to Maria and tries to shield her from the dangers of the gangs. Bernardo's girlfriend and Maria's friend. Strong Dancer/Partnering Sills. (Vocal: Mezzo-Soprano D5-F3) "WEST SIDE STORY"
An angry and, at times, naive Shark who turns murderous and vengeful. (Puerto Rican/Hispanic) Suitor to Maria and friend of Bernardo's. "WEST SIDE STORY"
A spunky tomboy who is desperate to become a member of the Jets. The other Jets mock her for her ambitions, but generally appreciate her company. Full of energy and heart. Strong Dancer. "WEST SIDE STORY"
The Most aggressive member of the Jets, a cat-like ball of fury. Strong Dancer/Athletic. (Vocal: Baritone G4-G2) "WEST SIDE STORY"
The owner of the candy store where the Jets hang out. He tries to guide the Jets youthful angst and provides a safe haven for Tony. Old fashioned and wise in his ways. (Non-Singer/Non-Dancer) "WEST SIDE STORY"
A local police detective (Caucasian) frustrated by the ongoing violence between the Jets and Sharks. Blunt, brash, and unapologetic. (Non-Singer/ Non-Dancer) "WEST SIDE STORY"
The local beat cop. He has no patience for the gang conflict and tries to keep tensions from erupting between them. Regularly mocked by the local gangs. (Non-Singer/Non-Dancer) "WEST SIDE STORY"
Nerdy, overly cheerful, and ill-equipped social director at the school dance (“Mambo”). (Caucasian) Speaking role. No dance background. (Non-Singer/Non-Dancer) "WEST SIDE STORY"
A young married woman, about 25, with possibly a nervous disposition. Bella loves and trust her husband, and only begins to doubt his sincerity when circumstances force her to do so. As the story progresses, she must accept a new reality, and find a strength – and cunning – she didn’t know she had. "DECEIVED"
Bella's husband, 35 – 40, debonair and charming. Jack is the most loving, sympathetic and supportive partner he could possibly be, or so it seems for most of the play. "DECEIVED"
The housekeeper, 50’s – 60’s, hard of hearing. A lifetime “in service” has taught her to remain as dutiful and discreet as possible, and to keep her opinions to herself except in extreme circumstances. "DECEIVED"
The young housemaid, her eye on the main chance. Smart and perceptive, she thinks she sees and opportunity to outsmart everyone. "DECEIVED"
Plays George Bailey / Young George "IT’S A WONDERFUL LIFE: A Live Radio Play"
Plays Announcer, Joseph, Mr. Gower, Henry F. Potter, Uncle Billy Bailey, Ernie, Pete Bailey (Child), Mr. Bailey, Old Man Collins, Ed, Man, Giuseppe Martini, Nick, Bridge Keeper, Binky "IT’S A WONDERFUL LIFE: A Live Radio Play"
Plays Harry Bailey / Young Harry, Bert The Cop, Clarence Oddbody, As-2, Sam Wainwright, Lawyer, Dr. Campbell, Randall, Tom, Man 2, Charlie, Carter, Horace the Bank Teller, Tommy Bailey (Child), Mr. Welch "IT’S A WONDERFUL LIFE: A Live Radio Play"
Plays Mary Hatch Bailey / Young Mary "IT’S A WONDERFUL LIFE: A Live Radio Play"
Plays Violet Bick / Young Violet, Matilda, Ruth Dakin Bailey, Rose Bailey, Mrs. Hatch, Passerby at Run on Bank, Mrs. Thompson, Mrs. Davis, Schultz, Janie Bailey (Child), Zuzu Bailey (Child) "IT’S A WONDERFUL LIFE: A Live Radio Play"
This is the main character, played by a single actor who embodies various roles throughout the play. They are the narrator and guide the audience through the story, interacting with them and recreating the childlike wonder of all the brilliant reasons to stay alive. "EVERY BRILLIANT THING"
The Storyteller takes on the role of the father, providing a perspective on the family dynamics and the mother's struggles. "EVERY BRILLIANT THING"
The Storyteller portrays the vet, highlighting the small moments of joy and connection in the story. "EVERY BRILLIANT THING"
The Storyteller also acts as a lecturer, offering insights into the mother's condition and the importance of hope. "EVERY BRILLIANT THING"
The Storyteller uses a sock as a prop, representing a symbol of the child's connection to their mother and the world around them "EVERY BRILLIANT THING"
The Storyteller embodies the character of Sam, a friend of the mother, showing the importance of support and connection "EVERY BRILLIANT THING"
The Storyteller portrays Mrs. Patterson, a figure who represents the community and the support network available to the family. "EVERY BRILLIANT THING"
An English actor and writer, in Jaws he portrayed Quint, a shark hunter and captain of the Orca. "THE SHARK IS BROKEN"
A young American actor. In Jaws, he portrayed Matt Hooper, a marine biologist hired by Martin Brody. "THE SHARK IS BROKEN"
An American actor. In Jaws, he portrayed police chief Martin Brody. "THE SHARK IS BROKEN"
A high-school student with social anxiety and low self-esteem. Longing to fit in, he observes the world around him while he tries to find an in. Believable High Schooler (Vocal: Pop Tenor G2-B4 "DEAR EVAN HANSEN"
Evan’s busy single mom, Heidi, works as a nurse while attending night school. Though she’s a doting mother, her unavoidable absence adds to Evan’s distress. (Vocal: Pop Alto/ belt F3-Eb5) "DEAR EVAN HANSEN"
A social outcast who struggles to deal with his impulses, Connor Murphy shows a different side of rejection and longing. Seen as a delinquent due to his drug use and aggression, Connor’s mental well-being isn’t addressed, leading to him taking his own life. Though Connor dies in Act One, his ghost is seen throughout the show. Believable High Schooler (Vocal: Pop Bari/Tenor G2-G4) "DEAR EVAN HANSEN"
The biggest victim of all the Dear Evan Hansen characters, Zoe Murphy is Connor’s younger sister and the love interest of Evan. Having practically hated Connor while he was alive, she wishes she could have known him better, and turns to Evan, who has lied about being Connor’s friend. Believable High Schooler (Vocal: Pop Soprano F3-E5 – Bottom F to E two above middle C) "DEAR EVAN HANSEN"
Connor and Zoe’s mum is trying her best but often doesn’t know what to do. The stay-at-home mum is scrambling to keep the fragile family together and finds solace in Evan, accepting him and all his comforting lies. (Vocal: Pop Soprano F#3-E5/belt) "DEAR EVAN HANSEN"
Larry is Zoe and Connor’s busy and distant father. Where his children saw a lack, he fills a gap in Evan’s life. Due to his cold demeanor, along with the general family dysfunction, he and the other members of the Murphys are blamed for Connor’s death by the public. (Vocal: Pop Bari/Tenor F#2-G4) "DEAR EVAN HANSEN"
The over-achieving Alana is always looking for extracurricular activities to add to her college applications. Getting caught up in Evan’s web of lies, she joins him in a quest to start a fundraising campaign called The Connor Project leading to a viral moment for Evan which ultimately exposes him. Believable High Schooler (Vocal: Pop Soprano F3-E5) "DEAR EVAN HANSEN"
A begrudging family friend of Evan, Jared helps keep the fictitious friendship alive by fabricating emails sent between Evan and Connor before his tragic passing. Believable High Schooler (Vocal: Pop Tenor A2-B4 /Bottom A to top B) "DEAR EVAN HANSEN"