Equity Actors Needed for 2025- 26 Season Shows

Female-identifying. A once-in-a-generation genius. Eccentric.Focused, to a fault. Can be less-than-sensitive. Always playing psychological 3-D chess; operating on a totally different level than civilians. Like many geniuses, has a megalomaniac streak. Gets bored easily; likes applause; sometimes accused of being unfeeling. LOVES costumes and drama. "MS. HOLMES & MS. WATSON - APT. 2B"

Female-identifying. American. Formerly type-A high-achiever. Recently divorced; struggling to find herself, feels broken. Reflexively defensive. Once had great bedside manner. Sometimes accused of being a loser; is not a loser. Wry. Smart. "MS. HOLMES & MS. WATSON - APT. 2B"

Female-identifying. Irene Adler: A whip-smart, super-charming sex worker finding success at the highest levels. Always playing psychological 3-D chess; operating on a totally different level than civilians. Has incredible charm, confidence, and wit, and she knows it. You may want to be Irene, or you may want to be with Irene; but you can’t ignore her. Mrs. Hudson: Holmes & Watson’s long-suffering landlady. Mrs. Drebber: Seemingly an ordinary housewife. "MS. HOLMES & MS. WATSON - APT. 2B"

Male-identifying. Moriarty: A criminal so great you’ve never heard of him. A master blackmailer; knows just when to play his cards. Always playing psychological 3-D chess; operating on a different level than civilians. Wears many masks. A professional. Amoral, but you’d like him. Lestrade: An inspector new to his position at Scotland Yard. Not very imaginative. Often says the wrong thing. Elliot Monk: An amoral tech billionaire from Texas. "MS. HOLMES & MS. WATSON - APT. 2B"

Jane and Michael Banks's new nanny. She is extraordinary and strange, neat and tidy, delightfully vain yet particular, and sometimes a little frightening but always exciting. She is practically perfect in every way and always means what she says. A mezzo soprano with strong top notes, she should be able to move well. She can have a more traditional soprano sound, but precision and diction is the key. Female-presenting. Vocal range top: C6. Vocal range bottom: Gb3 "MARY POPPINS"

The narrator of the story; is a good friend to Mary Poppins. An everyman, Bert has many occupations, including hurdy-gurdy player, sidewalk artist and chimney sweep. Bert watches over the children as well as the goings on in Cherry Tree Lane. He has charm, speaks with a Cockney accent and is a song-and-dance man. Male-presenting. Vocal range top: F#4. Vocal range bottom: B2 "MARY POPPINS"

The father to Jane and Michael Banks, is a banker to the very fiber of his being. Demanding "precision and order" in his household, he is a pipe-and-slippers man who doesn't have much to do with his children and believes that he had the perfect upbringing by his nanny, the cruel Miss Andrew. His emotional armor, however, conceals a sensitive soul. A baritone, George may speak-sing as necessary. Male-presenting. Vocal range top: Eb4. Vocal range bottom: Bb2 "MARY POPPINS"

George's wife and Jane and Michael's mother. A former actress, she is loving and distracted homemaker who is busy trying to live up to her husband's desire to only associate with "the best people" as well as be the model wife and mother. She suffers from the conflicting feelings that she's not up to the job of "being Mrs. Banks," yet, she is, and more. She has great warmth and simplicity to her tone. Female-presenting. Vocal range top: D5. Vocal range bottom: A3 "MARY POPPINS"

The housekeeper and cook for the Banks family. Overworked and harassed, she's always complaining that the house is understaffed. Her intimidating exterior is a cover for the warmth underneath. Mrs. Brill doesn't have a high opinion of nannies in general and Mary Poppins in particular. She does not have to be a strong singer. Female-presenting. Vocal range top: D#5. Vocal range bottom: F#3 "MARY POPPINS"

The houseboy to the Banks family. Lazy, sleepy and grumbling, he never gets things right and believes himself to be useless. He doesn't do a lot of singing, but his "Spoonful" solo can be a fun surprise. Male-presenting. Vocal range top: G#4. Vocal range bottom: F3 "MARY POPPINS"

The head of the bank where Mr. Banks is employed, is an Edwardian stuffed-shirt. He can speak/sing his lines if necessary. Male-presenting. Vocal range top: D4. Vocal range bottom: C3 "MARY POPPINS"

Covered in a patchwork of old shawls, and her pockets are stuffed with bags of crumbs for the birds. She tries to sell her crumbs for the birds. She tries to sell her crumbs to passersby, who ignore her as if she doesn't exist. Sings "Feed the Birds." There can be a gruff, folksy quality to her voice that reflects the hardness of her life. Female-presenting. Vocal range top: C5. Vocal range bottom: Gb3 "MARY POPPINS"

George's overbearing and scary nanny. With her bottle of nasty-tasting brimstone and treacle to keep naughty children in line, she is a bully who only knows one way of doing things - her way. A soprano with an alto belt, there can be some heaviness to her voice along with range. Female-presenting. Vocal range top: F5. Vocal range bottom: Gb3 "MARY POPPINS"

Jane and Michael’s nanny at the beginning of the show. Overwhelmed and upset, she has absolutely had her fill of the Banks children. Female-presenting. "MARY POPPINS"

A neighborhood fixture who is respected by and observant of households on his beat. Male-presenting. "MARY POPPINS"

The haughty next-door neighbor of the Banks family who treats her dog, Willoughby, as if her were child. Female-presenting. "MARY POPPINS"

A retired Royal Navy man and neighbor of the Banks family. A physically large man with a loud and booming voice, he speaks in Navy jargon and has a soft spot for his neighbor, Miss Lark. Can be any vocal range as needed. If Admiral Bloom doubles as the Banks Chairman, he can be a baritone. Male-presenting. "MARY POPPINS"

Uniformed and officious, he makes sure no one breaks park regulations. His life is defined by rules, but he secretly hankers after his childhood. Male-presenting. "MARY POPPINS"

A statue in the park. Female-presenting. "MARY POPPINS"

The Bank Chairman's humorless secretary. Female-presenting. "MARY POPPINS"

A businessman seeking a loan from the bank for a shady business deal. He speaks with a German accent. Male-presenting. "MARY POPPINS"

An honest businessman seeking a loan to build a factory for his community. He speaks with an accent from Northern England. Male-presenting. "MARY POPPINS"

Owns a magical gingerbread shop. She is a mysterious woman of great age who speaks with a Caribbean accent (or any accent that would make her seem exotic). Female presenting. "MARY POPPINS"

Ensemble. "MARY POPPINS"

Ensemble. "MARY POPPINS"

Ensemble. "MARY POPPINS"

Ensemble. "MARY POPPINS"

Ensemble. "MARY POPPINS"

Ensemble. "MARY POPPINS"

Ensemble. "MARY POPPINS"

Ensemble. "MARY POPPINS"

Ensemble. "MARY POPPINS"

An affluent, middle-aged woman. "JAGGED LITTLE PILL THE MUSICAL"

A middle-aged man with a clean-cut, corporate appearance. "JAGGED LITTLE PILL THE MUSICAL"

Eighteen years old, athletic male. "JAGGED LITTLE PILL THE MUSICAL"

Ensemble including the featured roles. "JAGGED LITTLE PILL THE MUSICAL"

Ensemble including the featured roles. "JAGGED LITTLE PILL THE MUSICAL"

Ensemble including the featured roles. "JAGGED LITTLE PILL THE MUSICAL"

JILL, COURTNEY & DENISE – Three moms. Ensemble including the featured roles. "JAGGED LITTLE PILL THE MUSICAL"

JILL, COURTNEY & DENISE – Three moms. Ensemble including the featured roles. "JAGGED LITTLE PILL THE MUSICAL"

JILL, COURTNEY & DENISE – Three moms. Ensemble including the featured roles. "JAGGED LITTLE PILL THE MUSICAL"

Jo’s mom. Ensemble including the featured roles. "JAGGED LITTLE PILL THE MUSICAL"

Ensemble including the featured roles. "JAGGED LITTLE PILL THE MUSICAL"

Ensemble including the featured roles. "JAGGED LITTLE PILL THE MUSICAL"

Ensemble including the featured roles. "JAGGED LITTLE PILL THE MUSICAL"

Ensemble including the featured roles. "JAGGED LITTLE PILL THE MUSICAL"