Seeking Actors for Upcoming Shows

(Female Identifying) A woman stuck in her life as an unhappily married waitress in a small town. Finds some happiness and expression through her meticulous baking of pies and her friendships with her coworkers, Dawn and Becky. Lives her life paycheck-to-paycheck, day by day, and wants nothing more than to get away and start fresh, unbeknownst to her destructive husband, Earl. Must have a fantastic pop/rock voice with great range. Vocal Range: F#3-F5. "WAITRESS"

(Female Identifying) She is the youngest of the waitresses. Thick glasses, hair parted 14 centimeters to the left — eccentric is the nice way to say she’s slightly unusual, and not so slightly OCD. She sets the tables, painstakingly ensuring each salt and pepper-shaker is equidistant from the napkin holder. Must have an excellent pop/rock/folk voice. Vocal range: G3-E5. "WAITRESS"

(Female Identifying) The oldest of the three waitresses. Irreverent, irascible, been there, made it back, and somehow kept her forward and sometimes wicked sense of humor with excellent comedic timing. Must have a soulful pop voice with an excellent pop belt. Vocal range: Eb3-E5. "WAITRESS"

(Male Identifying) Handsome, endearing, and neurotic. Has a warm, if clumsy, matter. Jenna’s gynecologist with whom an unexpected extramarital affair is born. Has a quirky sense of humor and a big heart, despite the fact that he’s contributing to the affair. Must have impeccable comedic timing and must move well. Should have a very strong pop/rock tenor that can navigate the musical style of Sara Bareilles with ease. Vocal Range: Bb2-Bb4. "WAITRESS"

(Male Identifying) Jenna’s husband. Peaked in high school, handsome in a gruff way, but that face is clouded with broken dreams, drowned with cheap beer. Just enough narcissism mixed with stupidity, to be a potent Molotov cocktail that can explode into unexpected anger one second and then turn into a sobbing mess the next. Guitar playing a plus. Vocal range: Eb3-G4. "WAITRESS"

(Male Identifying) Strange, yet oddly lovable. Becomes slightly obsessed with Dawn (in a hilarious yet endearing way) after she goes on a 5-minute date with him. Quirky, incredibly persistent, and odd, yet kind. Should have excellent comedic timing. Must have an excellent pop/rock tenor/baritenor sound. Vocal range: C3-Bb4. "WAITRESS"

(Male Identifying, 60-70) The owner of the diner where Jenna, Dawn, Becky, and Cal work. A seemingly old, curmudgeonly man who has a soft spot for Jenna (and her pie), warm at heart. A sarcastically funny and no-nonsense guy with a keen ability to read people. Very funny. Vocal range: B2-G#4. "WAITRESS"

(Male Identifying): A chef at the diner. A “Salt of the Earth” guy’s guy surrounded by gals. Brash, impatient, unsentimental, but somehow charming. Should have a strong pop/rock voice with great comedic chops. Vocal range: B2-G4. "WAITRESS"

ENSEMBLE: Must have excellent pop voices in the style of Sara Bareilles, have great comedic timing, and be able to play a range of characters comprising the community in which the story takes place. Must be strong movers/dancers. "WAITRESS"

ENSEMBLE: Must have excellent pop voices in the style of Sara Bareilles, have great comedic timing, and be able to play a range of characters comprising the community in which the story takes place. Must be strong movers/dancers. "WAITRESS"

ENSEMBLE: Must have excellent pop voices in the style of Sara Bareilles, have great comedic timing, and be able to play a range of characters comprising the community in which the story takes place. Must be strong movers/dancers. "WAITRESS"

ENSEMBLE: Must have excellent pop voices in the style of Sara Bareilles, have great comedic timing, and be able to play a range of characters comprising the community in which the story takes place. Must be strong movers/dancers. "WAITRESS"

ENSEMBLE: Must have excellent pop voices in the style of Sara Bareilles, have great comedic timing, and be able to play a range of characters comprising the community in which the story takes place. Must be strong movers/dancers. "WAITRESS"

ENSEMBLE: Must have excellent pop voices in the style of Sara Bareilles, have great comedic timing, and be able to play a range of characters comprising the community in which the story takes place. Must be strong movers/dancers. "WAITRESS"

The guy who goes to the city. The self-proclaimed Jesus of Suburbia. Bored of his do-nothing, go-nowhere existence, he takes off for the city to get a new lease on life. He wages an inner war between a budding love for Whatsername and growing dependency on St. Jimmy and drugs. Guitar skills are a plus. Vocal range B4/B2 "AMERICAN IDIOT"

The guy who goes to the city and the Middle East. Johnny's friend who follows him to the city and eventually enlists in the army. He travels to the Middle East. A lost dreamer who is easily swayed, first by Johnny's ideas and then by patriotism and the American Dream. Vocal Range B4/D3 "AMERICAN IDIOT"

The guy that stays home in suburbia. Johnny's friend. He ends up staying in Suburbia with his pregnant girlfriend Heather. The more he stays on the couch, the more he becomes slowly disconnected from the world and his own relationships. Guitar skills are a plus. Vocal Range A4/C#3 "AMERICAN IDIOT"

Non-binary. A city badass. Johnny’s alter ego. Known as the city badass. An enigmatic and charismatic enabler who gets Johnny addicted to drugs and grows jealous of his relationship with Whatsername. Vocal Range B4/C3 "AMERICAN IDIOT"

A girl in suburbia. Will’s girlfriend. She discovers she is pregnant but has difficulty telling her boyfriend of the news. Once she settles down with him, she struggles to maintain their relationship with his despondency and eventually leaves him. Vocal Range E5/A3 "AMERICAN IDIOT"

A girl in the city. A rebel activist--fierce, strong, and capable--who falls for Johnny. She fights to have him embrace their authentic relationship rather than pursue his addiction. Vocal Range D#5/F#3 "AMERICAN IDIOT"

A girl in the Middle East. Haunting, folk noir voice. A girl in the Middle East who appears as a hallucination to injured Tunny. Attractive and mysterious, she later appears as his nurse and accompanies him home after the war. Vocal Range E5/A#3 "AMERICAN IDIOT"

"AMERICAN IDIOT"

"AMERICAN IDIOT"

"AMERICAN IDIOT"

"AMERICAN IDIOT"

"AMERICAN IDIOT"

"AMERICAN IDIOT"

"AMERICAN IDIOT"

"AMERICAN IDIOT"

"AMERICAN IDIOT"

Teenager that feels like she doesn’t belong. She is a seeker with a big heart and the capacity to be braver than she thinks. G3-Bb5 Sings “Home,” “Soon As I Get Home”. "THE WIZ"

Aunt Em- Loving soul, determined to ensure Dorothy belongs there. Glinda- Generous, protective and encouraging soul. Your favorite Auntie. G3-C5 Sings “That Feeling We Once Had” and “Believe in Yourself”. "THE WIZ"

Big hearted and fiercely protective of his new friend Dorothy. Dances exceptionally well. A2-A4 Sings “I Was Born on the Day Before Yesterday”. "THE WIZ"

Deeply curious and clever, a real leader in the group. He is seeking a heart but has enormous compassion. D3-Bb4 Sings “Slide Some Oil To Me”. "THE WIZ"

Empathic kind soul who masks his insecurity with bravado. He is seeking the confidence and kindness Dorothy provides. G2-Bb4 Sings “Be a Lion”. "THE WIZ"

Big personality both evil and fierce. Cunning and ruthless but with style. The original Diva. F3-Db5 Sings “No Bad News,” “He’s The Wizard”. "THE WIZ"

The ultimate con artist. Smooth double talker with incredible charm. Larger than life. C3-A4 Sings “So You Wanted to Meet the Wizard”. "THE WIZ"

Character Man with great comedic timing. "THE WIZ"

"THE WIZ"

"THE WIZ"

"THE WIZ"

"THE WIZ"

"THE WIZ"

"THE WIZ"

"THE WIZ"

"THE WIZ"

"THE WIZ"