Casting Actors for Musical "The Hunchback of Notre Dame"
"The Hunchback of Notre Dame" musical seeking cast. ONLY LOCAL TALENT WILL BE CONSIDERED. Please see more info below. About the project: SYNOPSIS: Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame showcases the film’s Academy Award-nominated score, as well as new songs by Alan Menken and Stephen Schwartz. Peter Parnell’s new book embraces story theatre and features verbatim passages from Hugo’s gothic novel. The musical begins as the bells of Notre Dame sound through the famed cathedral in 15th century Paris. Quasimodo, the deformed bell-ringer who longs to be “Out There,” observes all of Paris reveling in the Feast of Fools. Held captive by his devious caretaker, the archdeacon, Dom Claude Frollo, he escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful Romani woman, Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though—both the handsome Captain, Phoebus, and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the Roma—and it’s up to Quasimodo to save them all. Additional info: *Please be prepared to sing a one-minute song of similar nature and wear clothes and shoes you are comfortable in to dance. *You only need to attend one night of auditions. Rehearsals will typically be Sundays through Thursdays from 6:30 - 9:00 pm. Show dates are June 20, 21, 22, 27, 28 & 29. When applying, please include a video audition. A private YouTube or Vimeo link is preferred.
20 roles
The bell-ringer of Notre Dame Cathedral, he has a curved spine which affects his posture and gait. A life ringing the enormous bells has given him great physical strength but has also caused a partial deafness. Quasimodo’s non-normative face frightens people. Curious, big-hearted, and intelligent, Quasimodo speaks freely and confidently with his gargoyle and statue “friends” in the bell tower, but he becomes unsure in the presence of his master and uncle. Vocal Range: Bb2-Bb4, possibly C5
The archdeacon of Notre Dame, he is a righteous man with a strong sense of obligation to his brother, Jehan, and nephew, Quasimodo – but his strict devotion to the Church supersedes all. Frollo possesses a strong, imposing presence and commands attention and obedience whenever he is present. Deeply ashamed of his intense physical attraction to Esmeralda, he attempts to control his desire by persecuting her and the Romani people (“Gypsies”). He is calculating, manipulative. Vocal Range: E2-D4
A beautiful, free-spirited shey (a young, unmarried Romani woman), uses her talent as a dancer to support herself. Independent, compassionate, and strong-willed, she speaks her mind and stands up for what she believes in, including fair treatment of Roma and the sequestered Quasimodo. Esmeralda falls for the charming Phoebus, despite her better judgment, and staunchly refuses to give herself up to Frollo, though doing so would save her life. Vocal Range: Eb3-Db5
He the dashing new captain of the Cathedral Guard. Conflicted between following his duty – including Frollo’s prejudiced instructions – and doing what’s right, he struggles with the trauma he experienced in four years of intense battle on the war front. Charming, yet overconfident and arrogant, Phoebus focuses on enjoying life’s pleasures before quickly falling for Esmeralda and ultimately defying Frollo. Vocal Range: Ab2-Ab4
Clopin is the King (or Queen) of the Gypsies. A clever, charismatic, & agile entertainer and sherutno (Romani leader) who knows how to work the crowd on “Topsy Turvy” day. Acutely aware of the prejudice against Roma and their resulting precarious position in Paris, Clopin is fiercely protective of Esmeralda and the other Roma, and so shrewdly runs the Court of Miracles as a tight ship. Clopin is witty and playful, but they boast a darker, serious nature. Vocal Range: C3-G4 (or C4-G5, if Queen)
ACTING ENSEMBLE (CONGREGATION): A Congregation of gender-flexible storytellers narrates The Hunchback of Notre Dame. In story theatre style, each performer in the show begins as a Congregant before taking on the characteristics of their assigned character(s). Congregation lines and lyrics for non-supporting characters will be assigned during vocal rehearsals.
ACTING ENSEMBLE (CONGREGATION): A Congregation of gender-flexible storytellers narrates The Hunchback of Notre Dame. In story theatre style, each performer in the show begins as a Congregant before taking on the characteristics of their assigned character(s). Congregation lines and lyrics for non-supporting characters will be assigned during vocal rehearsals.
ACTING ENSEMBLE (CONGREGATION): A Congregation of gender-flexible storytellers narrates The Hunchback of Notre Dame. In story theatre style, each performer in the show begins as a Congregant before taking on the characteristics of their assigned character(s). Congregation lines and lyrics for non-supporting characters will be assigned during vocal rehearsals.
ACTING ENSEMBLE (CONGREGATION): A Congregation of gender-flexible storytellers narrates The Hunchback of Notre Dame. In story theatre style, each performer in the show begins as a Congregant before taking on the characteristics of their assigned character(s). Congregation lines and lyrics for non-supporting characters will be assigned during vocal rehearsals.
ACTING ENSEMBLE (CONGREGATION): A Congregation of gender-flexible storytellers narrates The Hunchback of Notre Dame. In story theatre style, each performer in the show begins as a Congregant before taking on the characteristics of their assigned character(s). Congregation lines and lyrics for non-supporting characters will be assigned during vocal rehearsals.
ACTING ENSEMBLE (CONGREGATION): A Congregation of gender-flexible storytellers narrates The Hunchback of Notre Dame. In story theatre style, each performer in the show begins as a Congregant before taking on the characteristics of their assigned character(s). Congregation lines and lyrics for non-supporting characters will be assigned during vocal rehearsals.
Dom Claude Frollo’s wild and charming younger brother and the father of Quasimodo. Though he is much less faithful to the Church than Claude, the brothers are devoted to each other until Jehan’s rebellious streak finally causes a fatal rift in their relationship. Vocal Range: G#2-Eb4 Supporting character.
Jehan’s Romani girlfriend and Quasimodo’s mother. Vocal Range: C#4-F5 Supporting character.
A devout priest of Notre Dame Cathedral and stern guardian of Claude and Jehan. Vocal Range: C3-A3 Supporting character.
A lieutenant of the Cathedral Guard and a loyal friend to Phoebus. Supporting character.
Although nicknamed “The Prudent,” he would rather act quickly than appear weak. Supporting character.
A judicial officer of the court of King Louis XI, he declares the arrest warrant for Esmeralda to the people of Paris. Vocal Range: G2-E4 Supporting character.
The stalwart owner of a brothel and safe haven for Roma. Supporting character.
A statue that comes to life, he encourages Quasimodo to take action to help Esmeralda. Vocal Range: B2-E4 Supporting character.
The Choir will be a separate ensemble from the Congregation. Although the two overlap within songs, this particular group should be comprised of skilled singers who are comfortable with a variety of musical styles, ranging from Gregorian chant to contemporary pop. They present as a group that remains outside the dramatic action, so they will not need to learn any choreography or blocking. The Choir will be able to hold the music on the second level of the stage while singing.
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