Casting Call for Upcoming 25/26 Season
Looking to cast talent for the 25/26 season. Please see the details below. ONLY LOCAL TALENT WILL BE CONSIDERED. About the project: 1. "DEAR EVAN HANSEN" 1st REHEARSAL: 9/29/25 OPENING: 10/24/25 CLOSING: 11/8/25 2. "NOISES OFF" 1st REHEARSAL: 11/10/25 OPENING: 12/5/25 CLOSING: 12/20/25 3. "10 BRAVE SECONDS" 1st REHEARSAL: 12/29/25 OPENING: 1/30/26 CLOSING: 2/14/26 4. "KING JAMES" 1st REHEARSAL: 2/23/26 OPENING: 3/20/26 CLOSING: 4/4/26 5. "COME FROM AWAY" 1st REHEARSAL: 3/30/26 OPENING: 4/24/26 CLOSING: 5/9/26 Rate: LORT Non-Rep; $1144 weekly minimum (LORT B); $839 weekly minimum (LORT D). Additional info: To audition for a specific role, please prepare either two brief contrasting monologues, two brief contrasting song selections, OR a brief monologue & a brief song in the style of our season. You are welcome to sing from one of the shows. An accompanist will be provided. Please bring sheet music properly marked and in the correct key. Please also bring your headshot and resume stapled together. Rehearsals and performances will take place in Salt Lake City, Utah. For being considered, please apply.
36 roles
"DEAR EVAN HANSEN" (Male Identifying, to play 17) Smart, sincere, and excruciatingly self-conscious, Evan prefers to hover in the background, a supporting player in his own life, too afraid to step forward into the spotlight and risk ridicule or, what might be worse, no one noticing him at all. Pop Tenor G2-B4 (Bottom G to top B)
"DEAR EVAN HANSEN" (Female Identifying, to play 16) Sensitive and sophisticated, with a sharp sense of humor, Zoe could care less about the status games and popularity rites of high school. She feels a terrible ambivalence over her brother’s death. Pop Soprano F3-E5 (Bottom F to E two above middle C)
"DEAR EVAN HANSEN" (Female Identifying, to play 17) Earnest to a fault, prone to melodrama, Alana hides a deeper loneliness beneath an ever-present smile and an almost aggressive friendliness. Pop Soprano F3-E5 (Bottom F to E two above middle C)
"DEAR EVAN HANSEN" (Male Identifying, to play 17) An angry, disaffected loner, Connor has been a troubled kid for as long as anyone can remember, an enigma and a source of endless consternation to his long-suffering parents. Pop Bari/Tenor G2-G4 (Bottom G to Top G)
"DEAR EVAN HANSEN" (Male Identifying, to play 17) Droll and sarcastic, Jared covers his own insecurities with a well-practiced swagger and a know-it-all arrogance. Pop Tenor A2-B4 (Bottom A to top B)
"DEAR EVAN HANSEN" (Female Identifying) Evan’s mother. Overworked and stretched too thin, Heidi loves her son fiercely but fears they have begun to grow apart. She is prepared to do anything to repair the damage. Pop Alto F3-Eb5 (belt)
"DEAR EVAN HANSEN" (Female Identifying) Connor and Zoe’s mother. To Evan, she seems to be the perfect mother, nurturing, available, and willing to talk about anything. To her own children, it’s a bit more complicated. Pop Soprano F#3-E5 (belt)
"DEAR EVAN HANSEN" (Male Identifying) Connor and Zoe’s father. Though often tense and taciturn, Larry shows a different face to the world, representing for Evan the dad he always wished for: strong, confident, and more than anything, reliable, someone to be counted on. Pop Bari/Tenor F#2-G4
"NOISES OFF" (Male identifying) He is the director of a play-within-the-play, called Nothing's On.
"NOISES OFF" (Female identifying) An actress. Plays Mrs. Clackett, the housekeeper for the Brents' home in England in Nothing's On.
"NOISES OFF" (Male identifying) A stuttering actor, easily fired up. Plays Roger, the estate agent for the Brents’ house.
"NOISES OFF" (Female identifying) An inexperienced actress from London. Plays Vicki, who works for the tax authorities and is trying to woo Roger.
"NOISES OFF" (Female identifying) She is the Assistant Stage Manager.
"NOISES OFF" (Male identifying) Has a serious fear of violence and blood. Plays Phillip Brent, who lives out of the country with his wife Flavia to avoid paying taxes.
"NOISES OFF" (Female identifying) Cheerful, sensible, & reliable actress. Plays Flavia, Philip Brent's wife, who is dependable, though not one for household duties.
"NOISES OFF" (Male identifying) An over-worked Stage Manager.
"NOISES OFF" (Male identifying, 60s-80s) Elderly and with actorly mannerisms. He plays a burglar, breaking into the Brents' house.
"10 BRAVE SECONDS" (Male identifying, to play 16)
"10 BRAVE SECONDS" (Male identifying) Mike’s Dad.
"10 BRAVE SECONDS" (Female identifying, to play 16) Mike’s best friend.
"10 BRAVE SECONDS" (Male identifying, to play 16) Mike’s new friend.
"10 BRAVE SECONDS" (Male identifying) Mike’s history teacher.
"KING JAMES" (Male Identifying) Character ages from 21 to 27, 31 and 33. A diehard basketball fan from Cleveland who keeps his personal life to himself; he doesn’t like to be perceived by others. Very observant, he’s an artist at heart who dreams of being a writer. He is smart, ambitious, and works hard. Harboring a tumultuous inner fire. Thinks deeply about all his life decisions. Charming and warm when he wants to be.
"KING JAMES" (Male Identifying) Character ages from 21 to 27, 31 and 33. A talkative guy from Cleveland who loves Basketball. Outwardly passionate and emotional. Easily defensive but a little goofy. Leads with his opinions no matter how messy or clueless. Blunt and careless with his words. Competitive and bitter at times, longs for something notable out of life. Friendly and earnest. Sentimental and nostalgic.
"COME FROM AWAY" (Female identifying) Diane is a traditional divorcee from Texas, who is terrified that her son may have been flying at the time of the attacks. When she finds out he is safe, she’s given a new lease on life and discovers a wilder more carefree side of herself. Doubles as Newfoundland local, CRYSTAL. Contemporary soprano or mezzo with strong mix. Vocal range bottom: D5
"COME FROM AWAY" (Female identifying) Mother of a firefighter in Manhattan, HANNAH waits for news about her son and is comforted by Beulah. Doubles as Newfoundland local, MARGIE. Contemporary soprano with strong high mix. Vocal range top: E5
"COME FROM AWAY" (Female identifying) Eager new local TV reporter, Janice is thrown into the deep end on her first day. Initially naive about the world, Janice must face the pain and confusion around her. Doubles as Newfoundland local by the name of JENNY. Mezzo w\ strong belt. Vocal range top: E5
"COME FROM AWAY" (Female identifying) Head of the Gander Legion, with a firefighter son, she befriends Hannah and walks to church and prays with her. Quick-witted and open hearted, Beulah loves to share a joke. Mezzo w\ strong belt.
"COME FROM AWAY" (Female identifying) A no–nonsense mother of 3, Bonnie is the head of the Gander area SPCA. When she discovers animals are trapped on the planes, she stops at nothing to ensure their safety. Doubles as a Newfoundland local by the name of MARTHA. Mezzo. Vocal range top: B4
"COME FROM AWAY" (Female identifying) An American Airlines pilot, Beverly has always loved flying, but her world is changed when she hears about coworkers who were killed in the attacks, and when she is confronted by passengers who refuse to fly again. Doubles as Newfoundland local, ANNETTE. Soprano belter with strong high mix. Vocal range top: C#5
"COME FROM AWAY" (Male identifying) The quirky constable in the two–person Gander police force. When the town’s population suddenly doubles, Oz helps out in unexpected ways. Doubles as the role of JOEY, a rambunctious passenger on one of the planes who enjoys a good drink, MR. MICHAELS, a local gym teacher who speaks Spanish and MATTY, the owner of the Trailways Bar, which is full of passengers 24/7. High Tenor. Vocal range top: G4
"COME FROM AWAY" (Male identifying) The head of an environmental energy company in Los Angeles, Kevin was on vacation with his boyfriend (and secretary, also named Kevin), when they are stranded in Gander. Inspired by the town’s generosity, Kevin creates the ‘Pay It Forward Foundation.’ Doubles as the role of GARTH, head of the local union representing the bus drivers. High Tenor. Vocal range top: G4
"COME FROM AWAY" (Male identifying) Kevin’s boyfriend and secretary. Sarcastic and unhappy, he wants to leave and get back to the U.S. as soon as possible. Doubles as the role of DOUG, a local air traffic controller, married to Bonnie, who tries to help his wife and the animals. Baritone. Vocal range top: E4.
"COME FROM AWAY" (Male identifying) A hardened New Yorker, Bob is suspicious of where he’s landed, fearing that it’s World War 3, that someone is going to shoot him and steal his wallet – but instead he ends up losing his New York jadedness. Doubles as MUHUMUZA, an African passenger who, despite a language barrier, finds common ground with a local bus driver. Baritone.
"COME FROM AWAY" (Male identifying) The gregarious and well-liked Mayor of Gander, Newfoundland, Claude loves his work, the townspeople, and his daily traditions, but he’s never had to deal with a crisis of this magnitude. Doubles as DERM, mayor of the nearby town of Appleton. Tenor. Vocal range top: G4
"COME FROM AWAY" (Male identifying) An English oil engineer who is focused on his work, Nick’s life is turned upside down when he falls for another passenger, Diane. Doubles as ALI, an Iranian passenger. Baritone. Vocal range top: E4