Talent Needed for "Murder on the Orient Express" Show
The company is holding auditions for "Murder on the Orient Express" show and looking for performers, please see the details below. About the project: Ken Ludwig’s stage adaptation of Agatha Christie’s Murder on the Orient Express is a heart-racing suspense thriller, a knee-slapping comedy, and a head-scratching mystery all wrapped in one. Set in 1932 on the glamorous Orient Express, a long-distance passenger train connecting continental Europe to west Asia, the play takes place primarily in Istanbul and Yugoslavia. But the passenger list includes dignitaries from all over the globe. Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed eight times, his door locked from the inside. Isolated and with a killer in their midst, the passengers rely on detective Hercule Poirot to identify the murderer – in case he or she decides to strike again. Additional info: Please bring your calendar to provide any schedule conflicts. The show will be May 24-25, 30-31, and June 1. Rehearsals will be 6:30 to 8 p.m. Mondays through Thursdays starting April 7. Please apply if interested.
12 roles
A Belgian detective. Meticulous and exacting, Poirot is a keen observer of detail and an astute judge of character. Certain that the crime was committed by someone on the train, he confidently and patiently works his way to a shocking solution. (Pronounced hur·kyool pwaa·row)
A middle-aged American businessman, Ratchett is brusque and unforgiving, with a threatening demeanor and a whiplash of a voice. He’s made plenty of enemies.
Hungarian Countess Eléna Andrenyi is a doctor, brilliantly beautiful, and always dressed in furs and diamonds. She seems too good to be true
Arbuthnot is handsome and very matter-of-fact. He’s hopelessly in love with Mary. (Name is pronounced “Ar-buth-nut”)
A young middle-aged Belgian man of good humor, Bouc is an old friend of Poirot’s. He owns the train line and appears removed from the crime, often acting as Poirot’s sounding board.
An English governess, Mary bears a certain sadness in her eyes. When she first appears, she is very anxious.
A forceful Russian princess who commands the room. Expensively dressed and handsomely bejeweled
Professional, knowledgeable and a bit overconfident.
An outspoken American widow, well-dressed with a touch of flamboyance, Hubbard is a tough-talking broad with a rough edge and a bold sense of humor. Must have vocal and dancing experience.
A nervous young American with a strained, beleaguered face, Hector appears to be suppressing something.
A good-looking Frenchman, Michel is the train conductor and has a quiet, almost grave sense of humor. He’s seen a lot in his years on the Orient Express, and he knows his way around the train.
Plain and modest, Greta is a Swedish nurse and African missionary with a frightened, sheep-like quality about her
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