Casting Performers for 2025-2026 Season Show
The company is holding auditions for 2025-2026 season show and looking for performers, please see the details below. ONLY LOCAL TALENT WILL BE CONSIDERED. About the project: 100! CONCERT CABARET First Rehearsal: September 29, 2025 Tech Begins: October 5, 2025 Opening: October 7, 2025 Closing: October 19, 2026 Typical Performance Schedule: Tuesdays through Saturdays at 7:30pm; and Saturdays and Sundays at 2:00pm MY FAIR LADY First Rehearsal: October 13, 2025 Tech Begins: November 3, 2025 Opening: November 15, 2025 Closing: January 4, 2026 Typical Performance Schedule: Wednesdays through Saturdays at 7:30pm; and Saturdays and Sundays at 2:00pm THE GLASS MENAGERIE First Rehearsal: January 5, 2026 Tech Begins: January 26, 2026 Opening: February 7, 2026 Closing: March 8, 2026 Typical Performance Schedule: Wednesdays through Saturdays at 7:30pm; and Saturdays and Sundays at 2:00pm GUTENBERG! THE MUSICAL! First Rehearsal: March 2, 2026 Tech Begins: March 23, 2026 Opening: April 4, 2026 Closing: May 10, 2026 Typical Performance Schedule: Wednesdays through Saturdays at 7:30pm; and Saturdays and Sundays at 2:00pm MY ÁNTONIA First Rehearsal: May 4, 2026 Tech Begins: May 25, 2026 Opening: June 6, 2026 Closing: July 19, 2026 Typical Performance Schedule: Wednesdays through Saturdays at 7:30pm; and Saturdays and Sundays at 2:00pm Rate: SPT $605 weekly minimum (SPT 6) - pays $650 weekly. Additional info: Please prepare 16-bars of a musical theater song that shows your vocal range, and one contemporary monologue no longer than 3 minutes. An accompanist will be provided; please bring sheet music, clearly marked; do not sing a capella. Please also bring one physical copy of your headshot and resume stapled together. Please be prepared to slate your name, pronouns (if comfortable), and your choice of audition song and monologue Please apply if interested.
34 roles
Featured in solo and group performances. "100! CONCERT CABARET"
Featured in solo and group performances "100! CONCERT CABARET"
Featured in solo and group performances. "100! CONCERT CABARET"
Featured in solo and group performances. "100! CONCERT CABARET"
Featured in solo and group performances. "100! CONCERT CABARET"
Featured in solo and group performances. "100! CONCERT CABARET"
Featured in solo and group performances. "100! CONCERT CABARET"
Featured in solo and group performances. "100! CONCERT CABARET"
A flower girl and the subject of Higgins and Pickering’s experiment and bet. Strong-willed, quick-witted and Cockney. Vocal Range: A3-G5 "MY FAIR LADY"
A world renowned phoneticist of the upper-class British society. Vocal. Range: B2-E4 "MY FAIR LADY"
A former British officer and author. Friends with Henry Higgins and a fellow phonetics enthusiast. Vocal Range: C3-D4 "MY FAIR LADY"
A young, upper-class British man who falls in love with. Eliza. Vocal Range: C3-F4 "MY FAIR LADY"
Eliza’s boisterous and charismatic father. Vocal Range: G3-E4 "MY FAIR LADY"
A friend of Alfred P. Doolittle’s. "MY FAIR LADY"
A friend of Alfred P. Doolittle’s. "MY FAIR LADY"
Higgins’ Housekeeper. Vocal Range: E4-G4 "MY FAIR LADY"
Freddy’s mother and a friend of Mrs. Higgins. "MY FAIR LADY"
Henry’s Mother. "MY FAIR LADY"
A bartender at the Tottenham Court Road Pub. "MY FAIR LADY"
The play’s narrator. Amanda’s son and Laura’s younger brother. Tom supports his mother and sister by working at a shoe factory, but he aspires to be a poet. Like the others, he is trapped and must decide what measures to take to escape life’s tediousness "THE GLASS MENAGERIE"
Laura and Tom’s mother. Amanda is a proud, vivacious woman who clings to memories of the past and is at the same time courageous and foolish, charming and pitiable. "THE GLASS MENAGERIE"
Amanda’s daughter and Tom’s older sister. Laura suffers the results of a childhood illness (Note: this has sometimes been manifested throughout theater history with a gait that suggests one leg shorter than the other and/or in a brace; we seek to be expansive in our ways to approach this and will see actors of any/all abilities to collaborate with in this role). "THE GLASS MENAGERIE"
The gentleman caller. And the play’s on-stage musician (Note: we are seeking to collaborate with an actor-instrumentalist in this track and seek to be expansive in our ways to approach this). Jim is an old high school acquaintance of Laura and Tom and works in the same shoe factory as Tom. "THE GLASS MENAGERIE"
Doug is an innocent. He’s a naive, utterly sincere and earnest man who has never met a cause he wasn’t passionate about. He’s a jack of all trades, master of none, who compensates with an infectious, matter-of-fact energy and focus that would probably sound condescending if he weren't so likeable. He’s incredibly proud of the show he wrote with Bud, and thinks Bud, whom he adores, is a genius. "GUTENBERG! THE MUSICAL!"
Bud is an innocent. He’s eager to please and thrives on approval. When Bud sings one of his songs, he’s reveling in his own “brilliance”. But he’s too naive to be a true egomaniac; if anything, he’s overly grateful for the mere opportunity to create and perform. Bud enjoys getting caught up in Doug’s passion and admires his friend’s Big Ideas. "GUTENBERG! THE MUSICAL!"
A smart, strong young woman navigating her place in a new world. "MY ÁNTONIA"
A smart, well-cared for young man who follows the path expected of him by his family and social class. "MY ÁNTONIA"
Willa Cather, a writer who has lost her lover and returns to memories of her childhood for solace. "MY ÁNTONIA"
A financially successful lawyer with no sense of home. "MY ÁNTONIA"
An artist who must reinvent himself as a farmer in middle age. "MY ÁNTONIA"
Jim Burden's grandmother who helps run the kitchen and the farm outside of Black Hawk, Nebraska. "MY ÁNTONIA"
Jim Burden’s grandfather who runs a successful farming operation outside of Black Hawk, Nebraska. "MY ÁNTONIA"
A citizen of Black Hawk who takes advantage of newly arrived immigrants. "MY ÁNTONIA"
An immigrant woman struggling to provide for her family. Doubles as the adult Ántonia. "MY ÁNTONIA"
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